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Morvern Callar (2002)

R | | Drama | 1 November 2002 (UK)
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After her beloved husband's suicide, a mourning supermarket worker and her best friend hit the road in Scotland, but find that grief is something that you can't run away from forever.

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(screenplay by), (screenplay by) | 1 more credit »
10 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Kathleen McDermott ...
...
Cat in the Hat
Ruby Milton ...
Couris Jean
...
Susan
...
Dazzer
Carolyn Calder ...
Sheila Tequila
Raife Patrick Burchell ...
Boy in Room 1022
Steve Cardwell ...
Welcoming Courier
...
Guy with Hat's Mate
El Carrette ...
Gypsy Taxi Driver
Andrew Flanagan ...
Overdose
...
Him
Mette Karlsvik ...
Sick Girl / Bikini Girl
Andrew Knowles ...
Green Boy #1
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Storyline

Following her boyfriend's suicide, supermarket clerk Morvern Callar passes off his unpublished novel as her own. With the money her boyfriend left for his funeral, she leaves Scotland for Ibiza where she travels with her closest friend. The journey prompts a series of internal and external transformations for Morvern-- ones which bring to light her experiences of grief, memory, freedom, and desire. Written by Anonymous

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Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity, language and some disturbing images | See all certifications »

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Details

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Release Date:

1 November 2002 (UK)  »

Also Known As:

Le voyage de Morvern Callar  »

Filming Locations:

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Box Office

Opening Weekend:

£82,014 (United Kingdom), 3 November 2002, Limited Release

Opening Weekend USA:

$13,836, 22 December 2002, Limited Release

Gross USA:

$267,194, 24 August 2003
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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Morvern Callar was the debut novel by Scottish author Alan Warner, first published in 1995. See more »

Goofs

When Morvern and Lana walk down the Spanish desert road, Morvern turns around in two shots, revealing the wireless mike in the back pocket of her jeans. See more »

Quotes

Morvern Callar: Fuck work Lana, we can go anywhere you like.
Lanna: I'm happy here.
Morvern Callar: Are ya?
Lanna: Yeah, everyone I know is here. There's nothing wrong with here. It's the same crapness everywhere, so stop dreaming.
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Connections

References Ms .45 (1981) See more »

Soundtracks

Everything You Do Is a Balloon
Written by Mike Sandison / Marcus Eoin
Performed by Boards of Canada
Courtesy of Warp Music
By Arrangement with Skam Records
Published by EMI Virgin Music Ltd
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User Reviews

 
Less Morvern Caller, more Lynne Ramsay
11 March 2004 | by See all my reviews

I haven't read the book of 'Morvern Callar', but I have read a couple of other works by Alan Warner, both of which where distinguished by their spiky characters and irreverent tone. This film, however, is made by Lynne Ramsay, whose first work was 'Ratcatcher', a move both astonishingly affecting and almost unwatchable. In 'Morvern Callar', she opts for a similarly intense style. Ramsay is a master of certain cinematic tricks, which she uses with more skill than discretion: frequent cutting (both within and between scenes) and the use of fragmentary, non-explanatory dialogue. She succeeds in conveying a sense of alienation and a semi-documentary feel, but there's no relief, no variation in mood at any point in the film. Samantha Morton (too old for the role and, crucially, not Scottish) plays Morvern as a kind of semi-moron; and yet their are times when the film seems also to be presenting her as a deep and knowing soul, a not altogether happy conjunction. Also worthy of criticism is the peculiar soundtrack: the songs we hear just don't sound like what we would expect a girl like Morvern to listen to, feeling instead like a heavy handed attempt by the director to set the scene from the outside.

Perhaps I am being too hard on the film because it wasn't what I expected from my knowledge of the writer. Once I got over this, I did quite enjoy it, many individual scenes are very nicely crafted, and the loose, drifting plot has its own appeal. But it feels more as if it was based on a short story than a novel, and Ramsay's determination to show Morvern as a victim (it's never clear of what) strips it of its potentially comic dimensions and leaves us with a thin outline trying too hard to assert its own significance. An interesting film, but one that appears to have lost sight of its purpose.


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