Glasgow, summer, 1973. Dustmen are striking; bags of garbage add to the blight of council flats and a fetid canal. Ryan, who's about 12, drowns during a play fight with his neighbor, the ... See full summary »
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children,lovers and a tramp their ... See full summary »
It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's ... See full summary »
Lynne Ramsay Jr.,
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
Following her boyfriend's suicide, supermarket clerk Morvern Callar passes off his unpublished novel as her own. With the money her boyfriend left for his funeral, she leaves Scotland for Ibiza where she travels with her closest friend. The journey prompts a series of internal and external transformations for Morvern-- ones which bring to light her experiences of grief, memory, freedom, and desire. Written by
Morvern Callar was the debut novel by Scottish author Alan Warner, first published in 1995. See more »
When Morvern changes the name on the manuscript, there is a shot of her hitting the "delete" key repeatedly, followed by a shot of the cursor at the end of her boyfriend's name, and the characters disappearing one by one from the end. In English versions of Windows (and Mac OS X), the "delete" key deletes characters after the cursor, not before it. Depending on the program and keyboard, "delete" could work like "backspace." See more »
Fuck work Lana, we can go anywhere you like.
I'm happy here.
Yeah, everyone I know is here. There's nothing wrong with here. It's the same crapness everywhere, so stop dreaming.
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I won't summarise the plot as it is done so by other reviewers.
This is a highly original and unconventional yet mesmerising piece and I agree with many others that Lynne Ramsay is an exceptional talent, who possesses a vision the likes of Guy Ritchie could never even begin to imagine.
This is not an easy film to watch and it requires patience and concentration. Ramsay lets the film unfurl, slowly, with confidence and an assured touch that uses mystery and a touch of incoherence to create a confusing but oddly compelling dreamscape. Where are we? What are we seeing? What exactly is Morvern thinking and feeling? She is clearly in a very strange, disorientated headspace and this film is perfectly engineered to assist us in understanding and occupying that space.
The mystery and enigma of Morvern is wonderfully portrayed by Samantha Morton and the soundtrack encapsulates the atmosphere, as does the lack of incidental music.
Those that want to quibble over inconsistencies such as the direction of the computer keyboard delete key and whether it is in fact possible to bury a body on the moors with a trowel should get over it, step back and look at the big picture.
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