| Oksana Akinshina | ... | Lilja (as Oksana Akinsjina) | |
| Artyom Bogucharskiy | ... | Volodya (as Artiom Bogutjarskij) | |
| Lyubov Agapova | ... | Lilja's Mother (as Ljubov Agapova) | |
| Liliya Shinkaryova | ... | Aunt Anna (as Lilija Sjinkarjova) | |
| Elina Benenson | ... | Natasha | |
| Pavel Ponomaryov | ... | Andrei (as Pavel Ponomarjov) | |
| Tomasz Neuman | ... | Witek (as Tomas Neumann) | |
| Anastasiya Bedredinova | ... | Neighbor (as Anastasia Bedredinova) | |
| Tõnu Kark | ... | Sergei | |
| Nikolai Bentsler | ... | Natasha's Boyfriend (as Nikolaj Bentsler) | |
| Aleksander Dorosjkevitch | ... | Friend #1 (as Aleksandr Dorosjkevitj) | |
| Yevgeni Gurov | ... | Friend #2 (as Jevgeni Gurov) | |
| Aleksandr Sokolenko | ... | Friend #3 | |
| Margo Kostelina | ... | Cashier #1 | |
| Veronika Kovtun | ... | Cashier #2 | |
| Jelena Jakovlena | ... | Teacher (as Jelena Jakovleva) | |
| Tamara Solodnikova | ... | Social Worker | |
| Nikolai Kutt | ... | Man on the bridge (as Nikolai Kütt) | |
| Oleg Rogatchov | ... | Natasha's dad (as Oleg Rogatjov) | |
| Aleksander Okunev | ... | Volodya's dad (as Aleksandr Okunev) | |
| Herardo Contreras | ... | Anna's neighbour (as Herardo Kontreras) | |
| Madis Kalmet | ... | Man in hotel room | |
| Bo Christer Hjelte | ... | Lonely man | |
| Sten Erici | ... | BMW-man | |
| Hermie Acereda | ... | Man in Sweden #1 | |
| Gert Bondesson | ... | Man in Sweden #2 | |
| Anders Brinning | ... | Man in Sweden #3 | |
| Johan Edlund | ... | Man in Sweden #4 | |
| Henryk Gwiazada | ... | Man in Sweden #5 | |
| Rickard Mattila | ... | Man in Sweden #6 | |
| Michael Merikan | ... | Man in Sweden #7 | |
| Jeff Norman | ... | Man in Sweden #8 | |
| Truls Rosén | ... | Man in Sweden #9 | |
| Jacob Ryer | ... | Man in Sweden #10 | |
| Farhad Sina | ... | Man in Sweden #11 | |
| Johan Åkerblom | ... | Man in Sweden #12 | |
| Jaanika | ... | Go Go-dancer #1 | |
| Olga | ... | Go Go-dancer #2 | |
| Otto Andersson | |||
| Virko Annus | |||
| Ljljana Culev | (as Ljiljana Culev) | ||
| Lidija Cvitanovic | |||
| Maria Karlsson Thörnqvist | (as Maria Karlsson) | ||
| Kajsa Lundberg | |||
| Lars-Gunnar Mostrom | (as Lars-Gunnar Moström) | ||
| Rein Nettan | |||
| Åsa Olsson | |||
| Jay B. Yarnel | (as Jay Yarnel) |
Directed by | |||
| Lukas Moodysson | |||
Writing credits(in alphabetical order) | ||
| Lukas Moodysson | ||
Original Music by | |||
| Nathan Larson | |||
Cinematography by | |||
| Ulf Brantås | |||
Film Editing by | |||
| Michal Leszczylowski | |||
| Oleg Morgunov | |||
| Bernhard Winkler | |||
Casting by | |||
| Jesper Kurlandsky | |||
Art Direction by | |||
| Josefin Åsberg | |||
Costume Design by | |||
| Denise Östholm | |||
Makeup Department | |||
| Jessica Cederholm | .... | makeup designer | |
| Kristina Olsson | .... | assistant makeup artist | |
Production Management | |||
| Malini Ahlberg | .... | production manager (as Anna Malini Ahlberg) | |
Second Unit Director or Assistant Director | |||
| Alexandra Dahlström | .... | assistant director | |
| Malin Fornander | .... | first assistant director | |
Art Department | |||
| Pille-Maris Arro | .... | property master | |
| Mikael Back | .... | carpenter | |
| Li Garpenfeldt | .... | props | |
| Rickard Grönvall | .... | painter | |
| Lars Ingvarsson | .... | set dresser | |
| Sofie Kinngard | .... | painter | |
| Martin Liljegren | .... | painter (as Martin Jacobsson) | |
| Peter Vålming | .... | carpenter | |
| Frank Zandhoff | .... | carpenter | |
Sound Department | |||
| Henrik Lövgren | .... | boom operator | |
| Niclas Merits | .... | sound | |
| Hans Møller | .... | sound mixer | |
| Gadou Naudin | .... | foley artist | |
| Peter Schultz | .... | sound | |
| Per Streit | .... | sound mixer | |
Special Effects by | |||
| Göran Lundström | .... | special effects | |
Visual Effects by | |||
| Andreas Hylander | .... | visual effects | |
Stunts | |||
| Pernilla Andersson | .... | stunts | |
| Lars Hjelm | .... | stunts | |
| Kimmo Rajala | .... | stunt coordinator | |
| Emma Samuelsson | .... | stunts | |
Costume and Wardrobe Department | |||
| Marit Ahven | .... | assistant costumer | |
| Aida Stålnacke | .... | assistant costumer | |
Editorial Department | |||
| Kjell Amrén | .... | scanner | |
| Christer Eidhagen | .... | telecine operator | |
| Stefan Eriksson | .... | negative cutter | |
| Susanne Lund | .... | negative cutter | |
| Andreas Nilsson | .... | assistant editor | |
| James C. Norman | .... | teaser colorist | |
Music Department | |||
| Rasmus Thord | .... | music coordinator | |
Other crew | |||
| Andres Arro | .... | production coordinator | |
| Stina Berggren | .... | production coordinator | |
| Nils Bindslev | .... | production assistant | |
| Malin Fornander | .... | script supervisor | |
| Lena Hansson | .... | film consultant: Swedish Film Institute (as Lena Hansson-Varhegyi) | |
| Pia Janols | .... | production accountant | |
| Anna Knochenhauer | .... | assistant to producer | |
| Kristi-Karita Levoll | .... | assistant location manager | |
| Hans Lönnerheden | .... | completion bond | |
| Ingrid Nõmmik | .... | production secretary | |
| Jonas Overton | .... | location manager | |
| Anne-Helene Sommarström | .... | unit publicist | |
| Karl Strandlind | .... | assistant location manager | |
| Rasmus Thord | .... | production coordinator | |
| Gun Åsander | .... | production accountant | |
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| The Best of Youth | Pixote | Trade | Mondays in the Sun | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Sweden section |
This is about the buying and selling of human beings. Lilja is in a hopeless situation, she is betrayed and then sold. The men who sell and buy her are not concerned with who she is, or why she is there. They don't want to know. They do their business and don't ask questions.
There is not much doubt this could be a true story. Moodysson wrote the script after reading about a young girl, an eastern European refugee, under strange circumstances throwing herself off a bridge in Malmö. "Sex slavery", trafficking, is out of sight, out of mind for most of us, but is still very much in effect. And most of the people on the planet live very hard lives.
The buying and selling of people is something that we all live with. We all sell ourselves to anonymous corporations, we have to do it, it is in the fabric of our societies. Liljas sale is on another scale of exploitation, of course, but it is also an extreme of what capitalism effectively means. Everything is a commodity.
The movie tells the story of of a young girls destruction by brutal socioeconomic and individual forces, both objectively and subjectively. While there is no big drama, the story is told from the perspective of Lilja. There are a few weaknesses, the portrayal of Lilja starts with things going bad, and then they turn even worse. We don't get to know Lilja outside of hardships, which probably enables us to differentiate ourselves from her. Also its a bit over-explicit in the depiction of the adult betrayal of Lilja. What if, for example, Liljas mother hadn't disappeared, the way she does in the movie, would that make the story much less tragic?
Otherwise, its a film that people "should see", there should be a 100 of these kind of movies made for every new, strained, meaningless, "J.Lo is pretty and wants romance" or "Arnie is strong, rightfully angry and wants to kill somebody", film. Instead of the other way around, the way it is today.