Sixteen-year-old Lilja and her only friend, the young boy Volodja, live in Estonia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invites Lilja to come along and start a new life.
Elisabeth leaves her abusive and drunken husband Rolf, she packs her bags, takes the kids and goes to her brother Göran. The year is 1975 and Göran lives in a commune called Together. ... See full summary »
Poetic, experimental and different, Container is described by Lukas Moodysson as "a black and white silent movie with sound" and with the following words; "A woman in a man's body. A man in... See full summary »
While on a trip to Thailand, a successful American businessman tries to radically change his life. Back in New York, his wife and daughter find their relationship with their live-in Filipino maid changing around them. At the same time, in the Philippines, the maid's family struggles to deal with her absence.
Gael García Bernal,
This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »
"Documentary Filmmaker looking for suicidal individual to follow from first preparation to final act." Cut from 142 video tapes, this project sheds light on the tragedy following the infamous Internet ad.
Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.
A feature-length documentary, possibly focusing, at least in part, on the recent anti-globalisation protests in Gothenburg, Sweden and the alleged police misconduct during the protests. The... See full summary »
While waiting for her mothers reply to take her to the USA, Lilya idles the time away smoking, drinking and having fun with her, too, outcast friend Volodya. In time, the chance of a new life becomes non-existent; her life is going nowhere. Meeting a young man, she then finds a plane ticket in her hand and a new life in Sweden: a job, an apartment and prospects. All is not what it seems. There shall be work, there shall be housing and there shall be no escape. This is the stark, frank and disturbing vision of the life of a young victim of the underground sex trade and in all its tone of realism of abject poverty, despicable actions and of wanting to show that dreaming of a better life is not a crime but that life can shatter the illusion of a happy ending. Written by
This is about the buying and selling of human beings. Lilja is in a hopeless situation, she is betrayed and then sold. The men who sell and buy her are not concerned with who she is, or why she is there. They don't want to know. They do their business and don't ask questions.
There is not much doubt this could be a true story. Moodysson wrote the script after reading about a young girl, an eastern European refugee, under strange circumstances throwing herself off a bridge in Malmö. "Sex slavery", trafficking, is out of sight, out of mind for most of us, but is still very much in effect. And most of the people on the planet live very hard lives.
The buying and selling of people is something that we all live with. We all sell ourselves to anonymous corporations, we have to do it, it is in the fabric of our societies. Liljas sale is on another scale of exploitation, of course, but it is also an extreme of what capitalism effectively means. Everything is a commodity.
The movie tells the story of of a young girls destruction by brutal socioeconomic and individual forces, both objectively and subjectively. While there is no big drama, the story is told from the perspective of Lilja. There are a few weaknesses, the portrayal of Lilja starts with things going bad, and then they turn even worse. We don't get to know Lilja outside of hardships, which probably enables us to differentiate ourselves from her. Also its a bit over-explicit in the depiction of the adult betrayal of Lilja. What if, for example, Liljas mother hadn't disappeared, the way she does in the movie, would that make the story much less tragic?
Otherwise, its a film that people "should see", there should be a 100 of these kind of movies made for every new, strained, meaningless, "J.Lo is pretty and wants romance" or "Arnie is strong, rightfully angry and wants to kill somebody", film. Instead of the other way around, the way it is today.
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