| Alastair Mackenzie | ... | Charlie | |
| Jonny Phillips | ... | Vincente | |
| Ewan Stewart | ... | Magnus | |
| David Hayman | ... | Ruaridh | |
| Victoria Smurfit | ... | Claire | |
| Louise Irwin | ... | Morag | |
| Jane Stenson | ... | Flora | |
| John Comerford | ... | Paul | |
| Ford Kiernan | ... | Eric | |
| Sheila Donald | ... | Ellie | |
| Martin Bell | ... | William | |
| Jack Marsden | ... | Angry driver at service station | |
| Clare Kerrigan | ... | Waitress (as Claire Kerrigan) | |
| Gerard Horan | ... | Contract killer (as Gerry Horan) | |
| William Harris | ... | Contract killer | |
| Stephen McRobbie | ... | House band member | |
| Katrina Mitchell | ... | House band member | |
| Eugene Kelly | ... | House band member | |
| Bill Wells | ... | House band member | |
| Tom Crossley | ... | House band member | |
| Allison Mitchell | ... | House band member | |
| Liz Dew | ... | House band member |
Directed by | |||
| David Mackenzie | |||
Writing credits | ||
| Michael Tait | (screenplay) | |
| Alastair Mackenzie | (screenplay) | |
| Gillian Berrie | (screenplay) | |
| David Mackenzie | (screenplay) | |
| Jack Lothian | uncredited | |
Produced by | |||
| Gillian Berrie | .... | producer | |
| Simon Cull | .... | co-producer | |
| Laurence Gornall | .... | executive producer | |
| David Greer | .... | associate producer | |
| Gaynor Holmes | .... | line producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Sisse Graum Jørgensen | .... | co-producer (as Sisse Graum Olsen) | |
| Steve McIntyre | .... | executive producer | |
| Angus Pigott | .... | co-producer | |
| Christopher Pigott | .... | executive producer | |
Original Music by | |||
| The Pastels | |||
Cinematography by | |||
| Simon Dennis | |||
Film Editing by | |||
| Jake Roberts | |||
Casting by | |||
| Victoria Beattie | |||
Production Design by | |||
| Tom Sayer | |||
Art Direction by | |||
| Laurel Wear | |||
Costume Design by | |||
| Carole K. Millar | |||
Makeup Department | |||
| Claire Davies | .... | makeup designer | |
| Marion McCormack | .... | makeup artist | |
Production Management | |||
| Christine Ekstrand | .... | post-production manager | |
Art Department | |||
| Jenny Alexander | .... | art department assistant | |
| Wendy Arthur | .... | art department trainee | |
| Craig Castle | .... | stand-by construction | |
| Caroline Grebbell | .... | assistant art director | |
| Janice Macrae | .... | art department assistant | |
| Luke Oldale | .... | dressing props | |
| Jason Orr | .... | stand-by props | |
Sound Department | |||
| Christian Barker | .... | sound recordist | |
| Robert Bourke | .... | sound recordist | |
| Chris Bowman | .... | foley artist | |
| Gareth Bull | .... | sound re-recording mixer | |
| Simon Chase | .... | boom operator | |
| John Cobban | .... | sound designer | |
| Steven Morrison | .... | foley artist | |
| Karen Muirhead | .... | assistant sound designer | |
Special Effects by | |||
| Perry Costello | .... | special effects | |
Visual Effects by | |||
| Rasmus Lange | .... | titles | |
Stunts | |||
| Derek Lea | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bob Batchelor | .... | camera operator: second unit | |
| Chris Batchelor | .... | camera operator: second unit | |
| Paul Bates | .... | electrician | |
| Julie Bills | .... | focus puller | |
| Martin Campbell | .... | assistant camera | |
| Jamie Coulter | .... | grip | |
| Neil Davidson | .... | still photographer | |
| Arthur Donnelly | .... | gaffer | |
| Ray Knutsen | .... | focus puller (as Raymond Knutsen) | |
| Scott Napier | .... | best boy | |
| Julia Robinson | .... | focus puller | |
Animation Department | |||
| Dorthe Brandt Bankwell | .... | timing (as Dorthe Bankwell) | |
Casting Department | |||
| Kahleen Crawford | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lesley Abernethy | .... | wardrobe supervisor | |
| Denise Coombes | .... | wardrobe supervisor | |
| Deidre Johnston | .... | wardrobe supervisor (as Dierdre Johnstone) | |
Editorial Department | |||
| Jette Bjørkmann | .... | negative editor | |
| Anna Duffield | .... | post-production assistant | |
| Christine Ekstrand | .... | post-production coordinator | |
| Douglas Graham | .... | post-production coordinator | |
| Pia Niesen | .... | post-production coordinator | |
| Angus Pigott | .... | post-production coordinator | |
| Rob Pizzey | .... | colorist | |
Music Department | |||
| Tony Doogan | .... | music engineer | |
| John McEntire | .... | music engineer | |
| Amanda Millen | .... | coach: gaelic songs | |
Transportation Department | |||
| Paul Mansell | .... | tracking vehicle operator | |
Thanks | |||
| Leonard Crooks | .... | very special thanks (as Lenny Crooks) | |
| Jack Lothian | .... | special thanks | |
| Lisbet Matz | .... | special thanks | |
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| Dear Wendy | Oh Happy Day | Donkeys | The Last of the High Kings | Mister Foe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
"The Last Great Wilderness" was touted as both a horror movie and a thriller, especially with its poster and DVD cover featuring Alistair Mackenzie toting a shotgun. Suffice to say, Mackenzie's character is wearing a dress at the same time as carrying the shotgun, which is as good an indication as any of the film's rather insane trajectory.
It has an obviously improvisatory feel - when one character makes a confession about the nature of his fantasies, it's hard not to imagine that this really is the first time that the other actors have heard about it (which makes the scene work very well). Other reviewers have already nailed the wayward charm of this cracking movie - though it meanders through any number of genres, with signposts for a dozen other movies, what holds it together is its vicious sense of humour. Worth seeing for the overwhelmingly sinister atmosphere, some superb performances, and an entirely unexpected and shockingly tender love scene which instantly makes the usual Hollywood soft-focus look irredeemably artificial. It's not without flaws, but "The Last Great Wilderness" is nevertheless rivetting, and hopefully not the last great independent British movie.