Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Joey Lauren Adams,
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Ollie Trinkie is a publicist, who has a great girlfriend, Gertrude, whom he marries and they are expecting a baby but while he is looking forward to being a father, he doesn't lighten his workload. Gertrude gives birth but dies in the process. Ollie doesn't live up to his responsibilities as a father. Eventually the strain and pressure of losing his wife and being a father gets to him and he has breakdown, which leads to his termination. So with nothing much to do he tries to be good father to his daughter, Gertie. He also meets a young woman name Maya, who likes him but he is still not over his wife. Written by
Was originally scheduled to be released in December 2003, but pushed back to March 2004, in part to avoid competing with The Lord of the Rings: The Return of the King (2003), and also to accommodate potential re-shoots that would have added more scenes with Jennifer Lopez, after her and Ben Affleck's relationship made the tabloid headlines. Ultimately, the re-shoots never went ahead, largely due to Kevin Smith pointing out that the volume of footage the studio wanted him to add, would have made the film over two-and-a-half hours long. See more »
Ollie cautions Gertie to flush the toilet, but never mentions that she should wash her hands after using it. For a protective father like he is, this makes little sense. See more »
Everyone, please take your seats. You heard the bell. You know what it means. Last week, the assignment was to write an essay about your family. Who they...
And what they...
[class: "Mean to us!"]
See more »
The opening production company title features a CGI rended Jay and Silent Bob, recurring characters from the five previous ViewAskew films. Jersey Girl was the first ViewAskew movie to use the new title. See more »
I've been a Kevin Smith fan for years, but my disappointment with Jersey Girl doesn't come from the lack of Jay and Silent Bob, or the fact that it isn't a typical View Askew film. I knew it wouldn't be that, and I went into the theatre just hoping to see a good film.
Jersey Girl has some nice moments, and some moments of genuine, skillful humor (especially for a musical theatre fan). However, the film as a whole is an enormous letdown for one reason: it's typical. Rather than making another typically Kevin Smith movie, Smith managed to make a typical Hollywood flick. Instead of insight, we get cloying sentimentality; instead of maturity, we get a series of cliche moments with a good-looking cast that just doesn't dazzle for whatever emotional whallop Smith thought the film would pack.
The situation and choices facing Ben Affleck's character are nothing new, and Affleck goes dutifully through the exercises, emoting when he needs to, but never really getting much out. You wind up rooting for him more or less out of the same sense of duty. George Carlin's father is depressingly tame compared to his brilliant standup routine; Jennifer Lopez is sweet but her perfunctory character never really makes any impact on the audience. Raquel Castro plays the absolute cliche end of a film child that she's written with the appropriate sweetness. Liv Tyler's character goes wildly from a toned-down character from one of Smith's earlier films in her first scenes (building up a bit of false hope that there will be something new to this blah exercise) to another cliche character in the later portions of the film. Not much of it can be blamed on anyone except the writer/director, though.
On principle, I have nothing against Smith branching out into other genres of film than those he touched on in his first five; that's an artist's choice, and should be his and no one else's. But Jersey Girl is simply settling for the typical and unambitious in film. If this is an indication of where Kevin Smith's career is heading, then I think he has lost it as a director who bears watching.
20 of 38 people found this review helpful.
Was this review helpful to you?
| Report this