Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Ollie Trinkie is a publicist, who has a great girlfriend, Gertrude, whom he marries and they are expecting a baby but while he is looking forward to being a father, he doesn't lighten his workload. Gertrude gives birth but dies in the process. Ollie doesn't live up to his responsibilities as a father. Eventually the strain and pressure of losing his wife and being a father gets to him and he has breakdown, which leads to his termination. So with nothing much to do he tries to be good father to his daughter, Gertie. He also meets a young woman name Maya, who likes him but he is still not over his wife. Written by
This was the first film written and directed by Kevin Smith in which he did not appear. See more »
While Ollie stands by baby Gertie's crib, the baby is alternately sleeping/awake between shots. See more »
Everyone, please take your seats. You heard the bell. You know what it means. Last week, the assignment was to write an essay about your family. Who they...
And what they...
[class: "Mean to us!"]
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Before the end credits, a dedication appears to Kevin Smith's father, who died before the film was released. See more »
The Other Kevin Smith - who is all the same despite all
I'm certain that if I had been Kevin Smith, approached by Miramax with this idea and screenplay, I would definitely have turned it down.
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "Jersey Girl" - but there was no room for it because of the plot.
With "Jersey Girl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
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