| Yôsuke Kubozuka | ... | Sugihara | |
| Kou Shibasaki | ... | Sakurai Tsubaki (as Kô Shibasaki) | |
| Shinobu Ohtake | ... | Michiko (mother of Sugihara) | |
| Tsutomu Yamazaki | ... | Hideyoshi (father of Sugihara) | |
| Hirofumi Arai | ... | Won-su | |
| Mitsuru Murata | ... | Katô | |
| Takato Hosoyamada | ... | Jeong-il | |
| Min Kim | ... | Naomi | |
| Gye-nam Myeong | ... | Staff member of South Korean embassy | |
| Tarô Yamamoto | ... | Tawake | |
| Ren Ohsugi | ... | Taxi driver | |
| Sansei Shiomi | ... | Mr. Kim | |
| Masato Hagiwara | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Anri Ban | ... | Kaori | |
| Taro Fujioka | |||
| Ginpuncho | ... | Sakurai's mother | |
| Mitsuru Hirata | ... | Film star | |
| Atsushi Ida | |||
| Hikaru Ijûin | |||
| Ryuzo Ishida | |||
| Tomoko Ishikawa | |||
| Shunsuke Kariya | |||
| Takashi Kikuchi | |||
| Maria Kitazawa | |||
| Ryôsuke Koshiba | |||
| Ayaka Maeda | ... | Girl with Dog | |
| Atsushi Matsuda | |||
| Asami Mizukawa | ... | Korean in the tube station | |
| Takeshi Nakajima | |||
| Gouki Nishimura | |||
| Rina Takagi | ... | Sakurai's sister | |
| Yôji Tanaka | |||
| Kanji Tsuda | ... | Henchman of Kato's father | |
| Kôichi Ueda | ... | Kato's father | |
Directed by | |||
| Isao Yukisada | |||
Writing credits | ||
| Kazuki Kaneshiro | (novel) | |
| Kankurô Kudô | (screenplay) | |
Produced by | |||
| Shigeyuki Endô | .... | planner | |
| Mitsuru Kurosawa | .... | producer | |
| Hijiri Taguchi | .... | line producer | |
Original Music by | |||
| Yôko Kumagai | (as Meyna Co.) | ||
| Hidehiko Urayama | (as Meyna Co.) | ||
Cinematography by | |||
| Katsumi Yanagijima | |||
Film Editing by | |||
| Takeshi Imai | |||
Production Design by | |||
| Hiroshi Wada | |||
Art Direction by | |||
| Hiroshi Wada | |||
Second Unit Director or Assistant Director | |||
| Junya Ikegami | .... | assistant director | |
Sound Department | |||
| Kanehiro Sibayama | .... | sound | |
Camera and Electrical Department | |||
| Hitoshi Takaya | .... | gaffer | |
Casting Department | |||
| Masunobu Motokawa | .... | casting coordinator | |
Transportation Department | |||
| Everett Everett | .... | driver (uncredited) | |
Other crew | |||
| Mizuho Kudô | .... | script supervisor | |
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| Evil | Carrie | Breakfast on Pluto | The Chumscrubber | Thumbsucker |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
I had to watch this film for an university class. I liked how the main character was neither this nor that- He was neither Japanese, nor Korean. Neither South nor North. At the end of the movie he seems to accept that he is a Japanese born Korean, which shocked me. What shocked me more was that he was temperamental to all hell, but he was shown actually applying to schools and whatnot. While this movie does embody some patriarchal strains, to classify it as a "sterotypical Japanese" film would be incorrect as it is a movie told from a teenage boy's perspective. The quirks that the main female character has is a quality that endears her to him. Likewise, it is his ability to act out of context with societal roles that endears him to her. She admits to being attracted to his eyes after a fight- because they symbolized the wildness she sees in him. It's a sweet romantic film. Would I read deeper into it? No. Nice, sweet, fluffy and dramatic, but in the end it illicits the same "aw" if you can overlook the mixed in sadness, anger, and violence that subtly permeates the film.