Brash NYC policeman Officer Gunther Toody is partnered with stiff, by-the-book Officer Francis Muldoon to protect an important mafia witness prior to testifying against orgainzed crime in ... See full summary »
John C. McGinley,
A rag-tag bunch of seniors, complete outsiders at their surf-crazed Laguna Beach High School, decide to crash the biggest team surf contest. In order to prevail, however, they must do one ... See full summary »
Scott and Kate are married and very much in love with each other. Scott is more than 60 years old, while Kate is at least thirty years younger. When Scott dies, his soul cannot get peace ... See full summary »
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
Gigli, a lowly and inept hitman, is assigned a job by the mob to kidnap a mentally retarded brother of a California district attorney. Gigli abducts the brother from his mental hospital and holds him hostage in his apartment. Ricki, a "lesbian assassin", is sent to oversee Gigli's job and make sure he doesn't screw it up. Comedic high jinks ensue as the two go on the lam and start to fall in love. Written by
Ranked #1 on the Star Networks' 101 Biggest Celebrity Oops (2004). See more »
After shooting Louis, Starkman sets the gun on the coffee table. It appears he never picks the gun up again, and as he goes behind the loveseat he doesn't have a gun in his hand, but as he walks behind Larry and Ricki he suddenly has the gun in his right hand. See more »
You see, after all is said and done, the only thing you can be really sure of, the only thing you can really count on in this world, is that you just never fucking know.
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Towards the end of the credits Brian (Justin Bartha) can be heard singing his rendition of "Baby Got Back". See more »
Written by Silvano Matadin, Michel Schoots, Patrick Tilon and Rene Van Barneveld
Performed by Urban Dance Squad
Courtesy of Lovecat Records
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These are the words I read from some of North America's most respected film critics in my research before viewing the debacle Gigli starring Ben Affleck and Jennifer Lopez. At first, I wondered aloud 'how bad can it be'. After all, how often does the common public agree with the harsh words of a critic. Besides, Pacino and Walken in the same film should be enough to generate even one star out of even the sternest critic, right. Right?
Gigli is about two unbelievable gangsters who are assigned the task of kidnapping and watching over a prosecutors mentally challenged brother while also keeping an open eye on each other to ensure the success of the operation. Ben plays Gigli, an accent challenged goon who is as believable as Madonna in a nuns uniform, and Jennifer plays Ricky, a lesbian gangster who is primarily hired to ensure that Gigli doesn't screw things up.
Along the way, plenty of bit characters and ridiculous side plots stymie the progress of the mission. Ricky has an ex-lover show up at the house and attempt suicide, the gangsters ask for the thumb of the prisoner sent to the prosecutor, Gigli has to rush to his mothers house and learns that good ole ma knows all about lesbians and throughout the film we are constantly annoyed by conversations between Gigli and his crime boss, Lenny over the phone. I could go on, but what's the point.
Gigli was one of the worst reviewed films of 2003. So I began to wonder why this film in particular ended up on everyone's poop list even though there were plenty of worse films people were throwing good money at (Boat Trip, Bad Boys II, Masked and Anonymous). The answer became pretty obvious. Nothing was expected of these other entries, but Gigli had the star power of the two most talked about celebrities in Tinseltown. Throw in director Martin Brest who has had incredible success with Scent of a Woman, Midnight Run and Beverley Hills Cop, and sprinkle in the veteran a-list power of Christopher Walken and Al Pacino. With a recipe as rich as these ingredients suggest, one's expectations are set to a higher standard. Gigli simply does not deliver the goods. The dialogue is so laughable that you expect this film to have midnight showings a la Rocky Horror Picture Show in the next ten years, and the characters are so eccentrically hysterical that you can't help but cringe in your seat in embarrassment for all those involved.
So now back to the critics. We, owe you an apology. Most of the year, we read your reviews and chastise your opinions, but every once and a while, a consensus amongst your peers keeps us from going in mass and spending our hard earned dollars on crap like this. A $6 million dollar domestic take for Gigli is an example of the power that you possess, and for that, I will keep reading.
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