The violent story about how a criminal lesbian, a tough-guy hit-man with a heart of gold, and a mentally challenged man came to be best friends through a hostage.

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Bottom Rated Movies #49 | 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Man in Dryer (as Terrence Camilleri)
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Laundry Customer
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Robert Silver ...
Man in Debt
Luis Alberto Martínez ...
Adult Care Resident
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...
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High School Kid #1
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High School Kid #2
Brian Casey ...
High School Kid #3
Les Bradford ...
High School Kid #4
David Bonfadini ...
High School Kid #5
Dwight Ketchum ...
High School Kid #6 (as Dwight P. Ketchum)
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Storyline

Gigli, a lowly and inept hitman, is assigned a job by the mob to kidnap an intellectually disabled brother of a California district attorney. Gigli abducts the brother from his mental hospital and holds him hostage in his apartment. Ricki, a "lesbian assassin", is sent to oversee Gigli's job and make sure he doesn't screw it up. Comedic high jinks ensue as the two go on the lam and start to fall in love. Written by Ilya G.

Plot Summary | Plot Synopsis

Plot Keywords:

lesbian | hospital | gangster | thug | mob | See All (92) »

Taglines:

Life doesn't play by the rules. See more »

Genres:

Comedy | Crime | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, pervasive language and brief strong violence | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

1 August 2003 (USA)  »

Also Known As:

Tough Love  »

Box Office

Budget:

$54,000,000 (estimated)

Opening Weekend:

$3,753,518 (USA) (1 August 2003)

Gross:

$5,660,084 (USA) (8 August 2003)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Received such bad reviews that it was dropped by every UK cinema after only one week. See more »

Goofs

When Ricky and Larry are leaving to meet Louis, she is wearing an orange-colored shirt under her jacket, but when they're with Louis and Starkman she's wearing a different shirt. See more »

Quotes

[first lines]
Larry Gigli: You see, after all is said and done, the only thing you can be really sure of, the only thing you can really count on in this world, is that you just never fucking know.
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Crazy Credits

Towards the end of the credits Brian (Justin Bartha) can be heard singing his rendition of "Baby Got Back". See more »


Soundtracks

Demagogue
Written by Silvano Matadin, Michel Schoots, Patrick Tilon and Rene Van Barneveld
Performed by Urban Dance Squad
Courtesy of Lovecat Records
By Arrangement with Ocean Park Music Group
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Frequently Asked Questions

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User Reviews

 
A Flat, Lifeless Lump of a Movie
3 January 2005 | by (USA) – See all my reviews

A truly cynical person might think that the whole J-Lo/ Ben Affleck relationship was a publicity stunt designed to help this movie along. After all, if a couple was in the midst of a passionate affair, it is reasonable to expect some on-screen chemistry between then, right? That kind of chemistry is sadly lacking in the J-Lo/ Affleck interactions.

Ms. Lopez appears to be either in over her head as far as acting ability, or realized that she was in a "take the money and run" failure; I did not buy her as the character she was supposed to be. Affleck was just leaden, although he had nothing to work with in terms of character or dialogue. He has not always been bad (I liked "Chasing Amy"), but here, his scenes crawl along at a painfully slow pace. The "retarded kid" (and that is all he deserves to be called) is playing a high-school play version of "Rain Man" with all the annoyance but none of the nuance, complexity, or charm. The less seen, the better. Forgettable cameos top the mess.

The worst thing about Gigli is the endings. Imagine a painfully bad film, where you want to sit it through to the end, just because of all the pain and suffering it has put you through ("this film is NOT going to defeat me"). You get to the end. Then, there is another ending. Then, another ending; then, an ending involving the retarded kid. Then, an ending not involving the retarded kid. Then another... You get to a point where you sincerely believe that the editor should be forbidden from ever working in film again. Along with the director and the choad who did the bizarrely inappropriate music, as well.

The colorful, in-your-face awfulness of "From Justin to Kelly" was a picnic compared to the leaden, meandering awfulness of "Gigli." And, to think of how much this film cost, for so little...


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