| Miguel Ángel Solá | ... | Fausto | |
| Eduard Fernández | ... | Santos | |
| Najwa Nimri | ... | Julia | |
| Raquel González | ... | Margarita | |
| Juan Fernández | ... | Quiroga | |
| Irene Montalà | ... | Marta | |
| Carmen Contreras | ... | Anciana (as Carme Contreras) | |
| Cristina Piaget | ... | Mujer ojerosa | |
| Pep Molina | ... | Bielsa | |
| Keke Creixems | ... | Presentador | |
| Leonel Valdés | ... | Taxista 1 | |
| Pep Jové | ... | Médico 1 | |
| Morgan Searcy | ... | Médico 2 | |
| Josep Maria Ullod | ... | Médico 3 (as Josep M. Ullod) | |
| Motokazu Kawamura | ... | Gerente Hotel | |
| Xavier Soler | ... | Padre Chatel (as Dr. Soler) | |
| Santi Pons | ... | Médico Pasillo | |
| Carles Fígols | ... | Revisor | |
| Nico Baixas | ... | Chico Ojeroso | |
| Dagmara Ruíz | ... | Entermera CAT | |
| Octavio Sena | ... | Receptionista 1 | |
| Àlex Ollé | ... | Hombre 1 | |
| Juan Ramis | ... | Hombre 2 | |
| Jordi Griset | ... | Asistente UVI | |
| Anna Diogene | ... | Médico UVI (as Ana Diógene) | |
| Younes Bachir | ... | Receptionista 2 (as Yournes Bachir) | |
| Rosendo Muñiz | ... | Agente Polícia | |
| Adyo Puente | ... | Camarero Bar 1 | |
| Carlos Laza | ... | Camarero Bar 2 | |
| Reg Wilson | ... | Receptionista 3 | |
| Pedro Gutiérrez | ... | Camillero CAT 1 | |
| Oriol Úbeda | ... | Camillero CAT 1 | |
| Laia Alemany | ... | Joven en silla de ruedas | |
| Renata Braz | ... | Chita Archivo CAT | |
| Jose Tortosa | ... | Vagabundo que mira | |
| Daniel Oteui | ... | Camarero fiesta | |
| Miguel Ángel García | ... | Colega Marta | |
| Germán Castro | ... | Drag Queen 1 (as Germán Castro STRESS) | |
| Sergio Hernández | ... | Drag Queen 2 (as Sergio Hernández del Grupo STRESS) | |
| Juli | ... | Drag Queen 3 (as Juli del Grupo STRESS) | |
| José Parramón | ... | Drag Queen 4 (as José Parramón del Grupo STRESS) | |
| Glòría Farré | ... | Acompañante taxista 1 | |
| Tatiana Azevedo | ... | Acompañante taxista 2 | |
| Paul Atzu | ... | Policía interrogatorio | |
| Mariela Nuñez | ... | Amiga Margarita 1 | |
| Patricia Martínez | ... | Amiga Margarita 2 | |
| Joan Espury | ... | Operario alpinista 1 | |
| Rafael Espury | ... | Operario alpinista 2 | |
| Salvador Chavez | ... | Colgado fiesta 1 | |
| Semolina | ... | Colgado fiesta 2 | |
| Laura Pugués | ... | Colgado fiesta 3 | |
| Joan Francesc Romero | ... | Músico 1 | |
| Pep Mendoza | ... | Músico 2 | |
| Gary Bolos | ... | Cantante Actuación | |
| Carles Padrissa | ... | Vendedor Relojes (as Carlos Padrissa) | |
| Isidro Ortiz | ... | Chico Cartel | |
| Chu Uroz | ... | Gigoló Anciana | |
| Maria Ollé | ... | Niños Delincuentas | |
| Lola Ortiz | ... | Niños Delincuentas | |
| Claudia Guevara | ... | Niños Delincuentas | |
| Paula Joseph | ... | Niños Delincuentas | |
| Paola Manozzo | ... | Niños Delincuentas | |
| Ander Sistiaga | ... | Chico Silla de Ruedas | |
| Carlos Santana | ... | Chico Archivo | |
| rest of cast listed alphabetically: | |||
| Óscar Borras | |||
| Mercè Estrada | |||
| Jorge Flores | |||
| Saskia Giró | |||
| Nacho Leonardi | |||
| Teresa Manresa | |||
| Alejandro Pinazo | ... | Emcee | |
| Miguel Ángel G. Pulido | |||
Directed by | |||
| Àlex Ollé | |||
| Isidro Ortiz | |||
| Carles Padrissa | |||
Writing credits(in alphabetical order) | ||
| Fernando León de Aranoa | ||
Produced by | |||
| Eduardo Campoy | .... | producer | |
| Fernando Martín Sanz | .... | associate producer | |
| Aintza Serra | .... | line producer | |
| Thomas Spieker | .... | associate producer | |
| Ramón Vidal | .... | producer | |
Original Music by | |||
| Josep Sanou | |||
Cinematography by | |||
| Pedro del Rey | |||
Film Editing by | |||
| Manel G. Frasquiel | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| Leo Casamitjana | |||
Production Management | |||
| Ander Sistiaga | .... | unit production manager | |
Sound Department | |||
| Manuel Carrión | .... | foley artist | |
| Ferran Mengod | .... | sound designer | |
| Pepe Pleguezuelos | .... | sound re-recording mixer | |
| Jaime Puig | .... | sound consultant: Dolby | |
| Joan Riba | .... | dialogue editor | |
Special Effects by | |||
| Xavi Bastida | .... | special effects makeup | |
| José M. Meneses | .... | special effects technician: DDT | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
Visual Effects by | |||
| Helmuth Barnert | .... | digital compositor | |
| Iñaki Gil | .... | visual effects supervisor | |
| Javier Martínez Calvo | .... | matte painter | |
| Alfonso Nieto | .... | digital effects | |
| Leo Obstbaum | .... | digital artist | |
| Raul Ortego | .... | visual effects supervisor | |
| Raúl Sánchez | .... | visual effects supervisor | |
Stunts | |||
| Clara Manguillot | .... | stunt double: Margarita | |
Editorial Department | |||
| Pau Atienza | .... | assistant editor | |
Other crew | |||
| Bob Buchholz | .... | english language director | |
| Luci Lenox | .... | production assistant | |
| Gloria Soriano | .... | script supervisor | |
| Jordi Capdevila | .... | graphic assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
I had a fair idea of what i was looking for, coming to this film. This was a collaborative work, entangled between people coming from films, and people coming from live performances. La fura dels baus are, at the same time, a very interesting group, of people who try to extend and expand the notions of live performance and, more interesting, the notions of interaction with an audience. Basically, their trick is to increase the engagement of people, by bringing them closer to stage, actually, taking the stage to people sitting in front of it.
So i thought i was going to see something similar, regarding film. New ways to engage, a novel way to tell a story that includes the audience, while meaning something.
But film is a total different medium. Different tools, different tricks, different outcome.
The inventiveness and passion you get when watching a performance is here fully replaced by the commitment to build a world, over the real world, that could accommodate the story of the film.
So, we are given a city as if it was an artistic intervention, with all the implied stylization and artificiality. Wrapped Christo-like building, with its interior being actually that of a museum. Transformation of places in the city, by placing groups of people that just don't belong there. The catacombs of the hospital, a good use of space.
This is all great, but the problems of the film begin here. Although this world is perfectly presented, considering what you can do with a city to make it (more) suitable for the story you're telling, this isn't enough to pull us into the film with the same intensity that we are pulled into a show by La Fura. So, despite the effort, the film doesn't leverage the live performances, and i think that was intended.
But you get Barcelona, a fairly interesting one, and we get some great sequences, although disconnected. Of those, the one in the hospital catacombs (which is fundamental in the story) is the best.
My opinion: 3/5
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