Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by
Regarding some of the claims made about Roxy's back-story in the song "We Both Reached for the Gun": Back in the days when you needed to hire private investigators to dig up dirt on a person's background, many women who tried to enter show business often falsely claimed one or more of the following - that they were born to and/or raised by wealthy parents; that they came from an out-of-the-way place (like Mississippi); that they were orphans; that they were convent-educated; that they were runaways from violent parents, suitors and/or husbands. By the early 1920s, these claims had become such clichés in show business that they were automatic red flags about any woman who made them without offering any proof, and were often a source of ridicule and humor. See more »
Depending on whether you go by the timeline of the 1924 Broadway play, the 1927 silent movie, or whatever year the 1975 musical revival represents this film certainly takes place in the 1920s. Early in the film Mama Morton is heard mentioning going to Big Jim Colosimo's, a famous gangster of the era. Big Jim was murdered in 1920 and couldn't have been alive in the mid 1920s. Also 'bobbed hairstyles' were not a norm in the year 1920. Women would have still been wearing long hair as they had before WW1 in the Victorian and Edwardian eras. See more »
They LOVE me.
They'd love you a lot more if you were hanged. You know why? Because it would sell more papers!
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The end credits are written in Broadway lights. See more »
Funny thing about watching a movie like "Chicago", which won the award for Best Picture last year. I eagerly awaited the DVD, and when I first sat down to watch it, I didn't finish it. I guess I just wasn't in the mood. I began to wonder what all the hoopla was about. Now, a couple of weeks later, I watched it from the beginning and now I "get" it. I must have been in a different mood, because this time everything "clicked" for me, it was great fun, simply a very entertaining movie. Now I'm glad I own the DVD, aside from my desire to have as many Oscar winners as I can. The whole story is a parody of fame, crime, and use of a slick lawyer to fool a jury. I will enjoy watching it again and again.
My favorite scene was where Gere's lawyer was puppetteer to Zellweger's Roxie, the acting, the singing, the timing were all just perfect. It has been well-publicized that Zellweger neither sang nor danced professionally before "Chicago", and I found her more than adequate for the role of Roxie. In fact, I quite enjoy her singing voice. Yet, Catherine Z-J has the more powerful, trained voice, having started out on stage, and it is apparent when they are together that Z-J is the more seasoned performer. I was very pleasantly surprised at how well Gere handled his singing duties. Some have complained about his somewhat "nasal" singing voice, but to me it fit his character well. A rich, operatic baritone would have been out of character.
I viewed the DVD with the DTS track selected and it delivers with a fine surround sound. Plus, the picture is very sharp, in all a good DVD to own for fans of musical comedies.
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