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Chicago (2002)

PG-13  |   |  Comedy, Crime, Musical  |  24 January 2003 (USA)
7.2
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Ratings: 7.2/10 from 156,863 users   Metascore: 82/100
Reviews: 1,009 user | 211 critic | 38 from Metacritic.com

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

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Writers:

(screenplay), (book), 2 more credits »
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Title: Chicago (2002)

Chicago (2002) on IMDb 7.2/10

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Won 6 Oscars. Another 57 wins & 89 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Cliff Saunders ...
...
...
...
...
Bruce Beaton ...
Roman Podhora ...
...
...
Robert Smith ...
Newspaper Photographer (as Rob Smith)
Sean Wayne Doyle ...
Reporter
Steve Behal ...
Prison Clerk
Robbie Rox ...
Prison Guard
...
Nickie
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Storyline

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by Debpp322

Plot Summary | Add Synopsis

Taglines:

In a city where everyone loves a legend, there's only room for one. See more »

Genres:

Comedy | Crime | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and dialogue, violence and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

| |

Language:

|

Release Date:

24 January 2003 (USA)  »

Also Known As:

Chicago: The Musical  »

Filming Locations:

 »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

£113,386 (UK) (27 December 2002)

Gross:

$170,684,505 (USA) (29 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(mock newsreel)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The original Broadway non-musical play was previously filmed twice: first as the silent film Chicago (1927) and later as Roxie Hart (1942) starring Ginger Rogers. See more »

Goofs

When Velma is in her dressing room getting ready to go onstage she opens her suitcase with clean hands. She rifles through it to get her gun which is wrapped in a bloody handkerchief, she then turns to a mirror and her hands are bloody as well much too bloody to have picked it up off the handkerchief. Also the blood did not wear off onto the faucet when she was washing her hands. See more »

Quotes

Velma Kelly: My sister and I had an act that couldn't flop. My sister and I were headed straight for the top. My sister and I earned a thou a week at least, but my sister is now unfortunately deceased. I know it's sad, of course, but a fact is still a fact. And now all that remains is the remains of a perfect double act.
See more »

Crazy Credits

There's no opening credits, save the title "CHICAGO". See more »

Connections

Referenced in Saturday Night Live: Salma Hayek/Christina Aguilera (2003) See more »

Soundtracks

I Move On
(2002)
Music by John Kander
Lyrics by Fred Ebb
Performed by Renée Zellweger and Catherine Zeta-Jones
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

All That Jazz (& pizazz)
30 December 2002 | by (fairview, nj) – See all my reviews

CHICAGO (2002) ***1/2 Catherine Zeta-Jones, Renee Zellweger, Richard Gere, John C. Reilly, Queen Latifah, Christine Baranski, Taye Diggs, Dominic West, Lucy Liu. Dazzling adaptation of the Broadway smash hit singing and dancing musical version of `Roxie Hart' about the Roaring 20's notorious media sensation murder incorporating Hart's viewpoint seen in fantasized production numbers. Zeta-Jones and Zellweger are a dream team as the ‘caged heat' providing the extravagant hoofing and exuberant vocals while Gere does the best he can as the slick-haired lawyer tap-dancing his way to a perfect winning record at all costs. Director Rob Marshall employs a no-holds barred approach with its high energy, brilliant production design by John Myhre, crisp editing by Martin Walsh and glossy cinematography by Dion Beebe glimmers brightly on the silver screen. Bill Condon's screenplay adaptation of Fred Ebb & Bob Fosse's classic retains its razor sharp precision and cuttingly comic dialogue. Great fun; murder has never looked so good!


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