A Mumbai teen, who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by
When Velma is in her dressing room getting ready to go onstage she opens her suitcase with clean hands. She rifles through it to get her gun which is wrapped in a bloody handkerchief, she then turns to a mirror and her hands are bloody as well much too bloody to have picked it up off the handkerchief. Also the blood did not wear off onto the faucet when she was washing her hands. See more »
My sister and I had an act that couldn't flop. My sister and I were headed straight for the top. My sister and I earned a thou a week at least, but my sister is now unfortunately deceased. I know it's sad, of course, but a fact is still a fact. And now all that remains is the remains of a perfect double act.
See more »
There's no opening credits, save the title "CHICAGO". See more »
CHICAGO (2002) ***1/2 Catherine Zeta-Jones, Renee Zellweger, Richard Gere, John C. Reilly, Queen Latifah, Christine Baranski, Taye Diggs, Dominic West, Lucy Liu. Dazzling adaptation of the Broadway smash hit singing and dancing musical version of `Roxie Hart' about the Roaring 20's notorious media sensation murder incorporating Hart's viewpoint seen in fantasized production numbers. Zeta-Jones and Zellweger are a dream team as the caged heat' providing the extravagant hoofing and exuberant vocals while Gere does the best he can as the slick-haired lawyer tap-dancing his way to a perfect winning record at all costs. Director Rob Marshall employs a no-holds barred approach with its high energy, brilliant production design by John Myhre, crisp editing by Martin Walsh and glossy cinematography by Dion Beebe glimmers brightly on the silver screen. Bill Condon's screenplay adaptation of Fred Ebb & Bob Fosse's classic retains its razor sharp precision and cuttingly comic dialogue. Great fun; murder has never looked so good!
13 of 22 people found this review helpful.
Was this review helpful to you?