A Mumbai teen, who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by
Rob Marshall had previously been hired by the producers to direct Annie (1999); he had not wanted to direct that earlier film, preferring only to do choreography, but was persuaded to do both. That film's success resulted in his getting the job to direct Chicago (2002). See more »
During the scene "I can't do it alone" there is one shot where Velma cartwheels over the chair, and we can see Roxie looking straight at her. But in the very next shot, Roxie is looking down at a paper, and just giving Velma a small glance with one eye. See more »
I missed Fosse, Verdon, Reinking, Neuwirth, et.al.
Although the acting had me intrigued, particularly Zeta Jones, I find the flick pales in comparison to the live shows that (should have) inspired it. Fosse and Verdon are rolling over. At the least, Reinking or Neuwirth should have been consulted re. sets, staging, cinematography, choreography, dance coaching, etc. Certainly, the director should have selected actors, for whom dancing was a core competency. Perhaps Zeta Jones, et.al., studied dance in their youth, but none of the main characters exhibited more than dilettante-level skills. I wonder how many takes the actors needed, just to achieve their mediocre dance performances. The fact that this movie won major awards and substantial public praise merely reveals how little exposure people have nowadays, to the art of the musical. Bob Fosse, Gwen Verdon, Gene Kelly, Cyd Charisse, Fred Astaire, Eleanor Powell, we need you.
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