| Videos (see all 2) |
| Olivia Bonamy | ... | Mallory | |
| Adrià Collado | ... | Père Carras | |
| Jeffrey Ribier | ... | Vena Cava (as Papillon 'Jeff Ribler') | |
| Laurent Spielvogel | ... | Le Pape / Abbadon | |
| Valentina Vargas | ... | Lady Valentine / Carmina Belladone | |
| Julien Boisselier | ... | Avec dans le rôle du mari | |
| Thylda Barès | ... | Talking Tina | |
| Ludovic Berthillot | ... | Le Molosse | |
| Thierry Perkins-Lyautey | ... | L'Inspecteur Durand | |
| Sophie Tellier | ... | Morphine | |
| María Jurado | ... | L'Infermière | |
| Dominique Frot | ... | La prisonnière | |
| Olivier Hémon | ... | Le chef de brigade | |
| Philippe Visconti | ... | Le garde du corps blond | |
| Justine Pouvreau | ... | La jeune nonne | |
| Yann de Monterno | ... | La goule dominante | |
| Michel Durand | ... | Le vampire 1 | |
| Ludovic Delalande | ... | Le vampire 2 | |
| Jeanne Moureau | ... | La petite fille blonde | |
| Dominique Marcas | ... | La cliente vampire | |
| Rachid Bouafia | ... | Le clochard | |
| Aurea Ferreira | ... | Doublure Mallory | |
| Eric Hémon | ... | Jumeau chef de brigade | |
| Christophe Weyer | ... | Zombie | |
| Didier Alexandre | ... | Homme pendu | |
| Danièle Magnat | ... | Mère supèrieure | |
| Marie Lounici | ... | Nonne 2 | |
| Cecilie Peiris | ... | Nonne 3 | |
| Christian Chiappe | ... | Goule 4 | |
| Xavier Loira | ... | Enfant goule 1 | |
| Ariane Crochet | ... | Enfant goule 2 | |
| Sabrina Leboucher | ... | Soeur monstrueuse | |
| Hugues Sugnamarcheix | ... | Enfant au couteau | |
| Rodolphe Bounatiron | ... | Enfant poursuivi |
Directed by | |||
| Julien Magnat | |||
Writing credits(in alphabetical order) | ||
| Stéphane Kazandjian | ||
| Julien Magnat | ||
Produced by | |||
| Olivier Delbosc | .... | producer | |
| Eric Jehelmann | .... | producer | |
| Marc Missonnier | .... | producer | |
| Franck Ribière | .... | associate producer | |
Original Music by | |||
| Kenji Kawai | (as Kenji Kawaï) | ||
Cinematography by | |||
| Sophie Cadet | |||
| Nicolas Duchêne | |||
| Richard Mercier | |||
Film Editing by | |||
| Jean-Denis Buré | |||
Casting by | |||
| Emma Skowronek | |||
Production Design by | |||
| Grégoire Lemoine | |||
Costume Design by | |||
| Antoine Saffray | |||
Makeup Department | |||
| Carmen Arbues-Miro | .... | key hair stylist | |
| Frédéric Balmer | .... | special makeup effects artist | |
| Frédéric Lainé | .... | special makeup effects artist | |
| Dominique Lyoen | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | special makeup effects supervisor: creature effects | |
| Dorota Okulicz | .... | key makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
| Erwan Simon | .... | special makeup effects artist | |
| Pierre-Olivier Thevenin | .... | special makeup effects artist | |
Production Management | |||
| Laurent Sivot | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marco Cravero | .... | first assistant director | |
Art Department | |||
| Valeriane Friederich | .... | sculptor | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Marc Doisne | .... | adr engineer | |
| Marc Doisne | .... | foley engineer | |
| Marc Doisne | .... | sound re-recording mixer | |
| Christian Fontaine | .... | sound mixer | |
| Franz Gonzales | .... | sound | |
| Thomas Lefèvre | .... | dialogue editor | |
| Jean-Noël Yven | .... | sound editor | |
Special Effects by | |||
| Jacques-Olivier Molon | .... | special effects makeup | |
| Jacques-Olivier Molon | .... | special effects supervisor | |
Visual Effects by | |||
| Stéphane Gaillot | .... | visual effects supervisor | |
| Olivier Veau | .... | digital compositor | |
Stunts | |||
| Jean-Jacques Desplanque | .... | assistant stunt coordinator | |
| Jérôme Gaspard | .... | stunts | |
| Pascaline Girardot | .... | stunts | |
| Cyrille Hertel | .... | stunt coordinator | |
| Karim Hocini | .... | assistant stunt coordinator | |
| Eric Mondoloni | .... | stunts | |
| Isabelle Peinaud | .... | stunts | |
Other crew | |||
| Aurélien Dubois | .... | trainee production | |
| Betty Greffet | .... | script supervisor | |
| Raphaëlle Isnard | .... | production secretary | |
| Manuel Yvernault | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Watch the full length movie for free. | AmbientD2 |
| In French, with English subtitles | owlie246 |
| Release in U.S. | wolf16_402 |
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| The Sorcerer's Apprentice | G.I. Joe: The Rise of Cobra | Don't Tempt Me | The City of Lost Children | Scott Pilgrim vs. the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
Okay. I'm not gonna lie to you...I'm a suck for good bad B horror. If they're done right then they can real fun and a real treat. One of the main reasons I write these reviews is to talk about films people haven't seen or just because afew people saw it and didn't like... so they put a bad rap on the film. I heard about this film awhile ago and it wasn't until I saw the trailer for it that I became really interested in this French popcorn film about demons and seeing a hot chick kick demon ass. Now the catch to B horror is that sometimes you can be burnt and I didn't want to be burnt again.So I waited off on the buying it until I could find it cheaper and finally I did.
This film is great. It's stupid, it's fun but it really creative. You can tell about of passion went into this film. It's a comic book come to life. It's like the comic pages were put on the screen instead of paper. It took me back to Sin City which is the first real comic film I had seen. I loved everything about this film. It plays out just like comic action horror. You have the hot Mallory played by the really yummy Olivia Bonamy. God, this girl is great. She fits the role perfectly and looks so hot. I loved all the red and her "I don't care" attitude. Every time she was on screen it was treat. This film took me back to those old Saturday morning cartoons before they got all stupid in the late 90's. I was just having so much fun. I loved the film's plot and script. This is what Hollywood needs to look at when making films about female heroines. So many times they have gotten it wrong and continue to get it wrong. Here the writers(and director Julien Magnat) aren't trying to make this film more then it is... comic horror fun. That's it. It's funny but by accepting the film's concept and sticking to it they make everything follow correctly. It's a horror action comic book... it's has to be R. That's it... no sissy ass PG-13 here. Is the script perfect... no. But who cares. It works for the film. I didn't get this film to watch real life... I got it because I wanted it to be a fun treat and boy it was.
For being B horror and a small budget this film never felt like it. I believe that's because of director Julien Magnat. His talent and flair make this film feel like it way bigger then it was. It never felt budget restricted... instead those restriction made the film better and give it it's own look and feel. A lot of people compare this film to Buffy and I say it's better. Yeah yeah I said it. Buffy was okay but it was more of drama then a horror show. Bloody Mallory( which the only thing I see in common is an ass kicking female lead who kills demons) is more fun and popcorn. I loved the way the film took it's own kind of new rethinkings on classic demons...like ghouls and stuff. I loved the ideas this film had. I loved when Mallory went into the cursed town to find all the horrors of hell. It's fun yet very twisted. This film isn't scary, not at all but it's not suppose to be. It's camp horror. It's fun and twistly cool. Now once again... the person who made this move was Olivia Bonamy. She owned this movie hardcore. She is what big screen female heroes should be like. She's fine.... and I do mean really fine. But she has the acting chops to handle this role. I loved how she played Mallory and yet you could see alittle of her sweet side in that role. But best of all the script knew just who Mallory was too and never threw in stuff that had no point in being there.... like a cheesy love interest or wannabe touching character moments(like in Elektra and every other female fronted action movie) They had character moments here and even a hint at an love interest... but it fit the story and never felt out of place.
Director Julien Magnat is amazing here. He captures all the things that make this film feel just like a comic book come to life without over doing it(like in Catwoman). Here his style fits perfectly in the film. I loved his use of colors and different kind of colors that gave this film a real interesting look. I loved how he handled the characters straight forward and never let them feel like they were winking at the camera. He kept the characters in reality but everything else wasn't. Everything had this bigger than life feel to it. I loved it. I loved his directing. Once again... the French show me something new and fresh about directing and believe me I'm taking notes oh how to handle genre pictures right. Sure if this film had a bigger budget then then it would have been perfect but the film's lack of budget gives it it's charm. Believe me that this film isn't as bad as you think. When I mean low budget I don't mean what your thinking about... which is stuff with bad actors shot on video with really bad CGI.
No, I mean this film has some great acting, some laughs and is just plain cool. But this film isn't for everyone. So if your not a fan of this kind of genre or your too cool for school then it's not for you and go watch "Brokeback Mountain" something. I'm just interesting in fun and this film delivers.