A dark-sheep type of man returns to his hometown after a prolonged absence. While he's been gone ludicrous rumours have spread about his whereabouts. Is he a big footy player or is he a ... See full summary »
Andrew S. Gilbert
Chris O'Brien, devoted Catholic and rookie cop with LAPD, is assigned to partner with the hard-edged, street-smart Nora Hugosian. A serial killer is loose, and all the victims are low-life ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Cars swerve to avoid an agitated man wandering on a freeway until the man is hit by a truck and killed. Eyewitnesses said the man, Pat Fisher, was clearly disturbed, and some on the police ... See full summary »
Looking for the fast track out of suburban hell, two natural born losers scheme an impossible heist. Mick is slack, cynical, and most of all, unemployed. He masterminds the plan while Kev, ... See full summary »
True story that created headline news in 1959. A young aboriginal man Max Stuart, was convicted of murder in the light of questionable evidence presented, of nine year old Mary Hattam near Ceduna, on the south coast of Australia. International News Media Baron, Rupert Murdoch (played by Ben Mendelsohn), then publisher of the Adelaide "News," became the driving force behind securing a re-trial for Stuart. Written by
Noel Bailey <email@example.com>
A half-caste aborigine in 1950s Australia is sentenced to death on little more than racist supposition over the rape and murder of a young girl. Penniless and inexperienced good-guy lawyers, Robert Carlyle and Kerry Fox, go up against the system to save the man's neck from the gallows. David Ngoombujarra, as the half-caste, turns in a moving performance, the story has sufficient emotional pace, legal twists and unusual setting, yet for some reason manages to peter down like a wet squib. The climax doesn't seem to do the rest of the film justice, and the reminder that it is based on true events comes too late (at the very end of the credits) to have the proper impact. Black and White is an interesting film, but more of a near miss than a resounding success.
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