| Photos (see all 39 | slideshow) | Videos (see all 2) |
| Paul Schneider | ... | Paul | |
| Zooey Deschanel | ... | Noel | |
| Shea Whigham | ... | Tip | |
| Danny McBride | ... | Bust-Ass (as Danny McBride) | |
| Maurice Compte | ... | Bo | |
| Heather McComb | ... | Mary-Margaret | |
| Benjamin Mouton | ... | Uncle Leland | |
| John Kirkland | ... | Justin | |
| James Marshall Case | ... | Judge Harvey | |
| Patricia Clarkson | ... | Elvira | |
| Maya Ling Pruitt | ... | Feng-Shui | |
| Eddie Rouse | ... | Dancing Orderly | |
| Karey Williams | ... | Tammy Clinard | |
| Matt Chapman | ... | Strong Bad | |
| Amanda Chaney | ... | Girl on the porch | |
| Mary Beth Ayers | ... | Noel's friend | |
| Summer Shelton | ... | Noel's other friend | |
| Bob Hardison | ... | Bob | |
| Bartow Church | ... | Geoff Seibanick | |
| Rutledge | ... | Dwayne | |
| rest of cast listed alphabetically: | |||
| Traci Dinwiddie | ... | Tonya | |
| Michelle Flerl | ... | (uncredited) | |
Directed by | |||
| David Gordon Green | |||
Writing credits | ||
| David Gordon Green | (story) and | |
| Paul Schneider | (story) | |
| David Gordon Green | (written by) | |
Produced by | |||
| Jean Doumanian | .... | producer | |
| Kimberly Jose | .... | associate producer | |
| Lisa Muskat | .... | producer | |
| Derrick Tseng | .... | line producer | |
Original Music by | |||
| Michael Linnen | |||
| David Wingo | |||
Cinematography by | |||
| Tim Orr | |||
Film Editing by | |||
| Zene Baker | |||
| Steven Gonzales | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Richard A. Wright | (as Richard Wright) | ||
Art Direction by | |||
| Jeffrey J. Barrows | (as Jeffrey Barrows) | ||
Set Decoration by | |||
| Summer Eubanks | |||
Costume Design by | |||
| Erin Aldridge Orr | |||
Makeup Department | |||
| Dana Elder | .... | makeup artist | |
| Persefone Karakosta | .... | key hair stylist | |
| Julia Lallas | .... | hair stylist | |
Production Management | |||
| David C. Cook | .... | post-production supervisor | |
| Sophia Lin | .... | unit production manager | |
| Craig Zobel | .... | unit production manager (as R. Craig Zobel) | |
Second Unit Director or Assistant Director | |||
| Stewart Griffin | .... | second assistant director | |
| Jeff Huston | .... | first assistant director | |
| Arik D. Penchina | .... | second second assistant director (as Arik Markus-Penchina) | |
Art Department | |||
| Brooke Bramley | .... | property master | |
| Mike Chapman | .... | graphic designer | |
| Gregg Perez | .... | lead man | |
| Jonathan Rudak | .... | set dresser | |
| Peter Sattler | .... | on-set dresser (as Pete Sattler) | |
| George Smith | .... | set dresser | |
| Elizabeth Steinfels | .... | scenic painter | |
Sound Department | |||
| Todd Beckett | .... | sound re-recording mixer | |
| Christian Carruthers | .... | sound re-recording mixer | |
| Robin Crumley | .... | assistant sound editor | |
| Christof Gebert | .... | assistant sound designer | |
| Christof Gebert | .... | production sound mixer | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Daniel Pellerin | .... | supervising re-recording mixer | |
| Chris Walldorf | .... | boom operator | |
| Mike Woroniuk | .... | additional sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Ray Bivins | .... | special effects supervisor | |
Stunts | |||
| Cal Johnson | .... | stunt coordinator | |
| Cal Johnson | .... | stunt double: Paul Schneider | |
| Ted Larkin | .... | stunts | |
Camera and Electrical Department | |||
| Richard Aguililla | .... | additional grip (as Richard Aguililia) | |
| Michael Burke | .... | camera loader | |
| Matthew Craig | .... | third grip | |
| David Elwell | .... | best boy electric | |
| Justin Scott Gravatt | .... | third electrician (as Justin Gravatt) | |
| Melissa Guimaraes | .... | swing grip | |
| Matthew Hale | .... | key grip | |
| Brian McKee | .... | best boy grip | |
| Derek Miller | .... | fourth grip | |
| Rachel Miller | .... | additional grip | |
| Scott Miller | .... | gaffer | |
| Matthew A. Petrosky | .... | first assistant camera | |
| Tarina Reed | .... | fourth electric | |
| Linda Slater | .... | second assistant camera | |
| Ray Stilson | .... | additional electric | |
| Adam Stone | .... | director of photography: second unit | |
| David Swenson | .... | Steadicam operator | |
| David Troutman | .... | additional electric | |
| Karey Williams | .... | still photographer | |
| Kenneth Wilson II | .... | camera operator: second unit (as Kenneth Wilson) | |
Casting Department | |||
| Mindy Bazar | .... | casting associate | |
| David Rapaport | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jill Newell | .... | assistant costume designer | |
Editorial Department | |||
| Alfredo Frasson | .... | color timer | |
Music Department | |||
| Utah Carol | .... | composer: additional music | |
| Gabrielle Fastman | .... | assistant to music supervisor | |
| Janice Ginsberg | .... | music supervisor | |
Other crew | |||
| Lis Anna | .... | production assistant | |
| Ben Best | .... | consultant: director | |
| Jeffrey A. Brown | .... | key set production assistant | |
| Scott Clackum | .... | location manager | |
| Nathan Earley | .... | production assistant | |
| Steven Gonzales | .... | script supervisor | |
| Albert Krause | .... | production accountant | |
| Ryan Nelson | .... | production assistant | |
| Josh Newport | .... | production assistant | |
| Adam Paroo | .... | assistant location manager | |
| Andrew Reed | .... | production assistant | |
| Teresa Reilly | .... | production coordinator | |
| Rebecca Shlapack | .... | production office intern | |
| Shelby Wong | .... | assistant: Lisa Muskat | |
| Warner Loughlin | .... | acting coach (uncredited) | |
Thanks | |||
| Chad Benton | .... | thanks | |
| Janell Fletcher | .... | special thanks | |
| Matthew Gray | .... | special thanks | |
| Roger Kass | .... | special thanks | |
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| Big Fish | The Unbearable Lightness of Being | Teeth | The Notebook | Into the Wild |
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... It captures perfectly the awkwardness of really loving somebody, but not being sure how to take it a stage further without destroying what's been built up. As a viewer, you'll most likely believe in the central relationship and not want it to hit problems; because YOU wouldn't want it to end, either, if you were in their situation. It's underscored throughout by a wonderfully gentle soundtrack, too.
There are long sequences of elegiac wistfulness; staring out over beautiful scenery. With 9 films out of ten that try this tactic, I would get impatient, choosing to believe that this is a director's underhanded way of trying to pad out the runtime. Not here. The sense of loss evoked by the visuals and the mournful score is absolutely key to the films emotional impact. If for some reason you're not tuned into the mood; then I can imagine this style would be annoying; but I found myself completely immersed, and it was great. This is the first film from David Gordon Green I've come across, but I shall be eagerly on the lookout for the rest of his stuff in the future, based on this wonderful evidence.