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All the Real Girls (2003)
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Overview
User Rating:
Release Date:
1 August 2003 (UK) moreTagline:
Love is a puzzle. These are the pieces.Plot:
Small-town love story of a young man with a reputation for womanizing and his best friend's sister. full summary | add synopsisAwards:
3 wins & 6 nominations moreNewsDesk:
(14 articles)
Paul Schneider's Bright Ideas (From IFC. 23 September 2009, 11:08 AM, PDT)
Paul Schneider: Bright Star's Lonely American
(From Tribeca Film. 16 September 2009, 7:25 AM, PDT)
User Comments:
A broken down truck on cinderblocks ... more (119 total)Cast
(Cast overview, first billed only)| Paul Schneider | ... | Paul | |
| Zooey Deschanel | ... | Noel | |
| Shea Whigham | ... | Tip | |
| Danny McBride | ... | Bust-Ass (as Danny McBride) | |
| Maurice Compte | ... | Bo | |
| Heather McComb | ... | Mary-Margaret | |
| Benjamin Mouton | ... | Uncle Leland | |
| John Kirkland | ... | Justin | |
| James Marshall Case | ... | Judge Harvey | |
| Patricia Clarkson | ... | Elvira | |
| Maya Ling Pruitt | ... | Feng-Shui | |
| Eddie Rouse | ... | Dancing Orderly | |
| Karey Williams | ... | Tammy Clinard | |
| Matt Chapman | ... | Strong Bad | |
| Amanda Chaney | ... | Girl on the porch |
Additional Details
MPAA:
Rated R for language and some sexuality.Parents Guide:
Add content advisory for parentsRuntime:
108 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalFilming Locations:
Marshall, North Carolina, USAFun Stuff
Trivia:
Matt Chapman plays Strong Bad, who is also one of the characters that Chapman performs the voice of for the Web animation "Homestar Runner." moreQuotes:
[first lines]Paul: What are you doin'?
Noel: I'm looking at that bucket... thinking... why haven't you kissed me?
Paul: 'Cause... I'm afraid... I'm afraid that... when Tip asks me if I have kissed you I have to say "yes".
more
Soundtrack:
The Moon Is Down moreFAQ
How does it end?more
more (119 total)
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Needed a script. Needed a wholesale purging of "Deliverance" cliches about the South -- retarded people, stock-car racin', drankin', mills, shabby cars and really ugly clothes. Needed a dialogue coach to get all the young losers into at least the same part of the country, if not the same state. Needed not to let the actors improvise when they had nothing to say. Needed some respect for the people it was supposed to represent, not all of whom are clowns, barroom drinkers, pompadoured cretins and Very Symbolic Children. And most of all, needed an ending, instead of another lovingly letter-boxed ode to a Rust Belt sunset. Despite my rant, I think the love story at the center could have been really, really well done, if the filmmaker had kept the two luminous leads and ditched all the Southern gothic.