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Trudeau (2002)

TV Movie  -   -  Biography | Drama  -  31 March 2002 (Canada)
7.5
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Reviews: 17 user | 1 critic

A biography of the famous, controversial and flamboyant Prime Minister of Canada, Pierre Elliot Trudeau.

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Title: Trudeau (TV Movie 2002)

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Cast

Credited cast:
...
...
...
Duncan
...
Greenbaum
...
Jim Coutts
Raymond Cloutier ...
Raymond Bouchard ...
Jean Marchand ...
Marc Lalonde
...
Mitchell Sharp
Guy Richer ...
Luc Proulx ...
...
...
...
British High Commissioner
Rest of cast listed alphabetically:
...
Bellman
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Storyline

In 1968, Canada saw the election of a Prime Minister unlike any other in its history, Pierre Elliot Trudeau. Handsome, witty, idealistic, flamboyant, courageous and debonair Trudeau rides on an unheard of crest of popularity nicknamed "Trudeaumania" that sweeps him into the highest political office in the country. At the same time, he develops a passionate romance with a young Margaret Sinclair that soon leads to marriage. However, events would put both Pierre's political and personal life under the gun as he must struggle with traumatic events like the terrorist crisis that grips Quebec in October 1970 which forces him to declare temporary martial law being but the first of the major challenges. At the same time, the demands of being a Prime Minister's wife takes its own toll on Margaret as her relationship with Pierre begins to disintergrate. Eventually, both pressures do their harm as the couple divorces and Pierre's political standing falls even as his Quebec Seperatist foes rise ... Written by Kenneth Chisholm <kchishol@rogers.com>

Plot Summary | Add Synopsis

Genres:

Biography | Drama

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Details

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Release Date:

31 March 2002 (Canada)  »

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Technical Specs

Runtime:

(2 parts)

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Each hour of this four-hour mini-series was patterned after the style of a different, famous director. For example, the first hour was done in the style of 'Lester, Richard', who directed, among other things, the two Beatles movies A Hard Day's Night (1964) and Help! (1965) Ciccoritti felt this style would help convey Trudeaumania, which swept Canada during Trudeau's first election campaign. See more »

Connections

Followed by Trudeau II: Maverick in the Making (2005) See more »

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User Reviews

 
Almost flawless..but the flaws that are there are dumb!
3 April 2002 | by (Ottawa, Ontario) – See all my reviews

It is hard to find fault with this terrific effort...great script, great actors etc...but why do they screw up such a super show with dumb things. Although I am complaining about only a couple of parts of the show, I do not know why these things took place. For example, at the end of episode one, after a great re-telling of the P.Laporte-J. Cross FLQ crisis, they resolve it with a multi-screen ending, that had no narrative, and made absolutely no sense at all to those who do not know how it ended. It was as if the director and editor suddenly realized that they only had 60 seconds left to wrap it up and tried to do everything at once. If you were new to the story and did not know how the events unfolded then you would have been lost. Likewise at the end of the second episode, so 'genius' decided to use an actual speech by the real Trudeau, but made it into a grainy scratch filled piece of black and white film as if it had been film in the time of Laurier not Trudeau. What exactly was the point of that. The only other complaint I had was a scene in which Trudeau and his reporter 'friend' were coming up the steps into the Centre Block and unlike every other shot in the series, someone decided to jump cut it as if it were a rock video. Again, what was the point of interupting the flow of the show to do that (unless it was to cut out the person walking in front of them). However, on the whole, the show was great, the portrail of historical figures fascinating. John Turner, Mitchell Sharp and even John Munro came across very well as did Pelletier, Marchand and Lalonde to mention just a few. But then why did they not use an actor to portray Joe Clark, using newsreel footage for his parts and not anyone else, including Levesque. These examples of disjointedness were irritating as they all interuppted the narrative flow of a great show.


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