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Home on the Range (2004)

To save their farm, the resident animals go bounty hunting for a notorious outlaw.

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Cast

Cast overview, first billed only:
...
Rusty, the Dog (voice)
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Maggie (voice)
Bobby Block ...
Piggy (voice)
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Wesley (voice)
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Pearl Gesner (voice)
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Ollie, the Pig (voice)
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Mrs. Caloway (voice)
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Rico (voice)
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Larry, the Duck (voice)
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Jeb, the Goat (voice)
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Buck (voice)
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Lucky Jack (voice)
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Audrey, the Chicken (voice)
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Junior, the Buffalo (voice)
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The Willie Brothers (voice) (as Sam J. Levine)
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Storyline

Alameda Slim, a wanted cattle rustler, uses an alias to buy up properties all over western Nebraska, and his next target is the Patch of Heaven dairy farm, where the widow owner cares more for her 'family' of yard animals's welfare then for profit, so she just hasn't got the cash to keep in business. The other animals, mainly carefree youngsters, being unable, three cows of very different temperament and manners rise to the desperate occasion and set out to do battle for their dream home, teaming up unnaturally with each-other, the sheriff's megalomaniac horse and any other animal who can possibly help, even a crazy lucky rabbit and an invincible buffalo, hoping to beat the crook to the Patch's auction, or anything it takes... Written by KGF Vissers

Plot Summary | Plot Synopsis

Plot Keywords:

farm | rustler | dairy farm | cattle | cow | See All (100) »

Taglines:

Bust a Moo. See more »


Motion Picture Rating (MPAA)

Rated PG for brief mild rude humor | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

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Release Date:

2 April 2004 (USA)  »

Also Known As:

Sweating Bullets  »

Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$13,880,771 (USA) (4 April 2004)

Gross:

$50,030,461 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.78 : 1 / (high definition)
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Did You Know?

Trivia

This film marked the beginning of a five-year hiatus of traditionally animated Disney feature films. During its theatrical release (first-run and sub-run) in the United States, the film reportedly earned less than half of its estimated production cost. This was one of the final factors that led to the decision to make this the last traditionally ("hand-drawn") animated Disney feature for theatrical release. In early 2006, at the urging of professionals both in and out of Disney, plans were being considered for resuming traditionally animated features for theatrical release starting with The Princess and the Frog (2009) which both ended and restarted the hiatus. See more »

Goofs

In one scene a boy is blowing bubble gum. The film is set in the American old west. Bubble gum wasn't commercially sold until 1928. See more »

Quotes

Alameda Slim: It ain't over 'til the fat man sings!
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Soundtracks

Home on the Range
(uncredited)
Written by Brewster M. Higley
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User Reviews

Nice visuals, otherwise unexceptional
11 April 2004 | by (Los Angeles) – See all my reviews

While the film wasn't a total dud a la "Treasure Planet," it's certainly no "Little Mermaid," or even "Emperor's New Groove," which I consider the best of the latest crop of cartoons for its hip sensibility. "Home on the Range" suffers from an unoriginal and unfunny script, although it is not tediously poor or Saturday-morning-cartoon simple. To begin, there is an overabundance of plastic-playset ready characters (literally a whole farm full): the trio of bounty-hunting heifers played by Roseanne Barr, Judi Dench, and Jennifer Tilly; the yodeling cattle rustler Alameda Slim (Randy Quaid) and his three bumbling nephews; the wannabe-hero steed Buck (Cuba Gooding Jr-- who ok'ed that name?); two lascivious bulls; a buffalo bouncer; a peg-legged jackrabbit; and a whole farmyard of pigs, chickens, a goose, and a surly goat. Oh, and Steve Buscemi shows up too, as a caricature of himself in a purple suit and a pencil moustache. Estelle Harris and Patrick Warburton (so memorable in "Toy Story 2" and "Groove," respectively), had brief cameos as well. There's no time for any kind of character development (not even with a sacred Disney "I Want" song), and the thinnest of premises has the cows hunting for Slim in time to get the reward money to save their farm. I was surprised not by the simplicity but by the unnecessary, unfunny bawdiness of the script (the movie opens with a shot of the Barr cow's ample udders, with her voiceover dryly remarking "Yep, they're real. Quit staring." Crossdressing, pee, and fat man jokes follow.) Alan Menken wrote a few snappy but unmemorable tunes (none of which are sung by the characters, but by the likes of Bonnie Raitt and k.d. lang) and a Coplandesque score. The film redeems itself in its art direction, which bursts with Disney color and retro UPA-style angularity. Especially in the opening scenes, a multiplane effect is used to further flatten, rather than deepen, this storybook world. It's an interesting and visually engaging concept that works well for the story. Backgrounds are intricately detailed with drybrush effects that call to mind "Sleeping Beauty;" if that film's art director, Eyvind Earle, had been called upon to paint the rocks and buttes of the American desert, it would have looked very much like this. It's quite stunning, actually, and the best art direction since 1996's "The Hunchback of Notre Dame." I especially appreciated a background detail in the town scene: one of the buildings was actually only a facade, held up by supports like on a backlot Western set. Similarly, sooner or later, not just critics but parents too will demand the Disney animated features to show that they have something behind that venerable name. "Home on the Range" will tide us over for now, but a renaissance of Disney is getting to be overdue. The Disney animation department (what's left of it), like it or not, needs to take a cue from Pixar and strive for family-friendly originality if they hope to maintain the integrity of the brand. ***


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