Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. ... See full summary »
It's the summer of 1994, and the streets of New York are pulsing with hip-hop. Set against this backdrop, a lonely teenager named Luke Shapiro spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment, while having a crush on his stepdaughter.
A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.
Set against the bright lights of Manhattan, a tale which takes a comic, urbane look at the modern male ego at war in the singles scene trenches. Roger Swanson is a hopelessly cynical advertising copywriter with a razor-sharp wit who believes he has mastered the art of manipulating women. But Roger's seemingly foolproof world of smooth talk and casual sex begins to unravel when he is paid a surprise visit by his teenager nephew, Nick. Hoping to settle, once and for all, the issue of his virginity, Nick begs Roger to school him in the art of seducing women. Welcoming the challenge, Roger guides Nick through the city's wild nightlife for an all-night crash course, only to realize that he--the adult--still has something to learn about what women, and men, really want. Written by
Sujit R. Varma
This first film of director Dylan Kidd is a smart and entertaining tentative for a male version of 'Sex in the City'. There certainly is a question mark over the morality of a story involving a 16 years young boy tutored into skirt-chase by his adult uncle, and this is one of the very few occasions where the R-rate is justified in my eyes. However, in the era of 'Sex in the City' this genre is already in line with popular entertainment.
The film is smart, extremely well acted, sometimes funny, sometimes moving and overall a pleasant cinema experience. It is probably worth seeing on small screen, as many scenes are intentionally filmed with an unsure hand-held camera. This works well on TV screen, may be a problem in a theater. 8 out of 10 on my personal scale.
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