A dark comedy which chronicles the final day in the life of self-proclaimed artist and genius, K. Roth Binew. Binew is a dreamer who elevates his drab and somewhat pitiful existence into a ... See full summary »
A teenage girl living in California suburbia devises a metaphysical experiment designed to save the world from what she sees as an impending doom...but the results of such an experiment prove to be both beneficial and destructive.
Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. ... See full summary »
Spike TV is peering into "Peep Show," handing out a pilot order to the single-camera comedy adaptation of a British series. "Peep Show" - from Pangea, the scripted arm of RDF USA, and ... See full summary »
Set against the bright lights of Manhattan, a tale which takes a comic, urbane look at the modern male ego at war in the singles scene trenches. Roger Swanson is a hopelessly cynical advertising copywriter with a razor-sharp wit who believes he has mastered the art of manipulating women. But Roger's seemingly foolproof world of smooth talk and casual sex begins to unravel when he is paid a surprise visit by his teenager nephew, Nick. Hoping to settle, once and for all, the issue of his virginity, Nick begs Roger to school him in the art of seducing women. Welcoming the challenge, Roger guides Nick through the city's wild nightlife for an all-night crash course, only to realize that he--the adult--still has something to learn about what women, and men, really want. Written by
Sujit R. Varma
ROGER & ME - RAZOR SHARP WIT & THE BEST PERF. BY SCOTT
ROGER DODGER (2002) ***1/2 Campbell Scott, Jesse Eisenberg, Isabella Rosselini, Elizabeth Berkley, Jennifer Beals. Scott gives a remarkable performance as a silver-tongued misanthropic New York advertising copywriter facing a personal crises that only takes fuel to the fire when his teenage nephew Eisenberg (a nice thurst and parry polar opposite turn) comes to visit him to gain some insight to his lady killing' social skills which leads to a night of unveiling some inner demons via his fast-talking eviscerations and character assassinations in a furiously funny way. Scott's bravura (and brave) take on a smart, verbose and insecure jerk straddles the fine line of being a complete monster and an honest to goodness dyed-in-the-wool cynic on the subject of the fairer sex (who are represented smartly by Rosselini as his on-the-skids lover/employer and Berkley and Beals as two young women the relatives hit on in an eye-opening lesson in the battle of the sexes and what it really means to be a man. A real sleeper gem with wickedly snaring arch humor to spare. Written and directed by novice filmmaker Dylan Kidd is one of the few politically incorrect triumphs in recent memory.
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