ORGIES AND THE MEANING OF LIFE is an eccentric and exciting film illuminating the inner and outer life of Baxter Goode, a man trying to find an ending to his book (about a sex obsessed ... See full summary »
Brad T. Gottfred
Brad T. Gottfred,
"BALANCING THE BOOKS" is a character-driven suspense drama about an attractive woman who enlists the help of her two best friends to confront a traumatic experience she can no longer deny. ... See full summary »
Trash is a coming of age drama set amongst the poverty stricken trailer parks of the deep South. In a spiraling tale of hatred, love and loyalty, two teenage friends realize that the only ... See full summary »
Mark Anthony Galluzzo
Eric Michael Cole,
Nickel Children is a narrative drama that takes the perspective of two runaways, Cat (Tamara Hope: Shall We Dance, The Deep End) and Nola Reiley McClendon: Perl Harbor, The Kid) and reveals... See full summary »
Dean sees mafia boss Santelli whack an FBI infiltrator and is relocated to a remote cabin in the Sierras for protection. While Santelli's crew tries to locate him, Dean gets company from the beautiful Monica.
Thou movie, which art on screen, hallowed be they name. The time has come. Thou will be shown in theaters as well as home. Give us this day our daily film and forgive our bad choices, as we forgive those whose movies were so bad to choose. And lead us not into television, but deliver us from that evil, for movies are the picture and the sound, and the greatest thing in the whole wide world, forever and ever. Movies Rule!
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The very talented Jeremy Sisto let his hair grow long in 2003 to play the pleasant but delusional hero of THE MOVIE HERO. Sisto imagines he is constantly performing before an audience that only he can see, and he imagines he is a hero looking for a villain to defeat. He finds his nemesis in the versatile Peter Stormare as an apparent serial killer. Along the way, he also picks up a sidekick (Antoin Thompson). The one problem is, he is an unemployed 20-something whose parents are always hoping for better from him. He eventually ends up in the office of a therapist (Dina Meyer of STARSHIP TROOPERS) whom he imagines is his "love interest." Some of this stuff is very funny, but most of the film is a series of closeups of the actors speaking directly into the camera, and they clearly were working with no budget to speak of. It shows. Worth a look by the cineaste, not the mainstream viewer.
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