Dean sees mafia boss Santelli whack an FBI infiltrator and is relocated to a remote cabin in the Sierras for protection. While Santelli's crew tries to locate him, Dean gets company from the beautiful Monica.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
The film is set in France in August 1944 at the end of the war. German troops are in retreat as the allies are coming in. Two French boys run from home and on their journey they stumble ... See full summary »
When 22 year old Maggie suddenly collapses into a coma, the doctors diagnose her with a genetic kidney disease. Already in the end stage, she must receive a kidney transplant from a family ... See full summary »
Tom Lane is the star columnist for the media conglomerate owned San Francisco Sun newspaper. The company is thinking about increasing Tom's exposure by producing a new television show ... See full summary »
Thou movie, which art on screen, hallowed be they name. The time has come. Thou will be shown in theaters as well as home. Give us this day our daily film and forgive our bad choices, as we forgive those whose movies were so bad to choose. And lead us not into television, but deliver us from that evil, for movies are the picture and the sound, and the greatest thing in the whole wide world, forever and ever. Movies Rule!
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The very talented Jeremy Sisto let his hair grow long in 2003 to play the pleasant but delusional hero of THE MOVIE HERO. Sisto imagines he is constantly performing before an audience that only he can see, and he imagines he is a hero looking for a villain to defeat. He finds his nemesis in the versatile Peter Stormare as an apparent serial killer. Along the way, he also picks up a sidekick (Antoin Thompson). The one problem is, he is an unemployed 20-something whose parents are always hoping for better from him. He eventually ends up in the office of a therapist (Dina Meyer of STARSHIP TROOPERS) whom he imagines is his "love interest." Some of this stuff is very funny, but most of the film is a series of closeups of the actors speaking directly into the camera, and they clearly were working with no budget to speak of. It shows. Worth a look by the cineaste, not the mainstream viewer.
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