1953. Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment and the fact that there is no woman in the house to care for the children,... See full summary »
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Bryce Dallas Howard
1953. Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment and the fact that there is no woman in the house to care for the children, Evelyn, Dermot and Maurice, make it clear to the authorities that his is an untenable situation. The Irish courts put the Doyle children into Church-run orphanages. Although a sympathetic judge assures Desmond that he'll get his children back after he gets a job, he learns there's another barrier. During that time, Evelyn suffers abuse while Desmond goes to court to get his children back. A barmaid, her brother, her suitor, and a tippling footballer become Desmond's team. Written by
Evelyn's mother is said to have gone to Australia with her lover, but in reality, she went to England and ended up raising another family there. The real Evelyn Doyle eventually saw her mother on more than one occasion, but they never reconciled. See more »
When the camera pans on to the accordionist it shows the accordionist playing a Saltarelle accordion which were only produced from 1984 onwards. See more »
Something totally different for actor Pierce Brosnan, and he makes the best of it in a terrific performance.
Desmond Doyle (Brosnan) is a poor Irish father, married with 3 children. His wife deserts him and as he has no finances, the state takes his loving children away and places the boys in one school and his daughter, Evelyn, in a convent.
His lovely daughter meets up with one kind nun but one so vicious played by a lady whose last name is Irvine. I haven't seen such cruelty displayed by a nun since Gladys Cooper in "The Song of Bernadette."
Brosnan, a house painter and part-time singer, shows tremendous depth in this role of a hard-drinking, heavy smoking individual whose love for his children transcends all.
He engages two attorneys played by Stephen Rea and Aidan Quinn to help him. In turn, they pursue another retired attorney, the late Alan Bates, who provides comic relief with his performance.
The picture focuses on the attempts of the attorneys to change Irish law that would allow one parent in such a situation to decide what's right for his child.
Irish eyes are certainly smiling on Doyle, he immediately touches the hearts of the people in his plain, sympathetic style. Heart-wrenching and a joy to view. Don't miss it.
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