Following the tragic death of their five-year-old son Frankie, Irish couple Johnny and Sarah Sullivan and their remaining two offspring, 10 year old Christy Sullivan and 5 year old Ariel Sullivan, emigrate illegally to the United States via Canada with little in their pockets. Their final destination is Manhattan where Johnny hopes to work as a stage actor. They move into a unit in a run town tenement housed primarily with drug addicts, transvestites and one tenant coined "the man who screams". They do whatever they can to eke out a supportive family environment in this difficult situation, the support which ultimately extends to those around them, most specifically "the screamer" who turns out to be an African-American artist named Mateo with AIDS. But the memory of Frankie hangs over the family in good and bad ways, especially as Sarah learns she's pregnant. Christy, who records their life's goings-on with her beloved camcorder, believes that the angel of Frankie has granted her ... Written by
During casting calls, director Jim Sheridan recalls that after a long day of auditions, he was very glad to have found Emma Bolger to play Ariel. He said that that little girl "told" him that he had to cast her sister Sarah Bolger as Christy. Sarah was only 10, and he had wanted Chirsty to be 12 or 13. After exhausting all other options, he auditioned Sarah for the part of Christy and she turned out to be so impressive that he didn't mind about her age. See more »
The early scenes, when the family first arrive in New York, are set in summertime, yet they drive through Midtown at night past people dressed in winter clothing, a Christmas-season Target billboard, and the Radio City Music Hall Christmas tree. See more »
There's some things you should wish for and some things you shouldn't. That's what my little brother Frankie told me. He told me I only had three wishes, and I looked into his eyes, and I don't know why I believed him.
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Simply the finest film I've seen this year. What a thrilling experience.
As a film director I attend many screenings. As a film lover I have been going to films all my life since I was a "kid" in the Bronx. This film, "In America" is one for the ages. Not one false note or as we say in the "biz"--not one hiccup. Jim Sheridan has been a extraordinary film-maker since "My Left Foot"--but this film is simply beyond words!
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