"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land. And when the widow who owns the field decides to sell the field in a public ... See full summary »
Following the tragic death of their two-year-old son Frankie, Irish couple Johnny and Sarah Sullivan and their remaining two offspring, 10 year old Christy Sullivan and 5 year old Ariel Sullivan, emigrate illegally to the United States via Canada with little in their pockets. Their final destination is Manhattan where Johnny hopes to work as a stage actor. They move into a unit in a run town tenement housed primarily with drug addicts, transvestites and one tenant coined "the man who screams". They do whatever they can to eke out a supportive family environment in this difficult situation, the support which ultimately extends to those around them, most specifically "the screamer" who turns out to be an African-American artist named Mateo with AIDS. But the memory of Frankie hangs over the family in good and bad ways, especially as Sarah learns she's pregnant. Christy, who records their life's goings-on with her beloved camcorder, believes that the angel of Frankie has granted her ... Written by
The street fair scene was filmed on Parnell Street in Dublin, Ireland. The street was closed for three days for filming. A closed burger shop was used as a green room for cold extras. See more »
The family clearly arrives in New York in the summertime; however, when they're driving through Midtown at night, people are dressed in warmer clothing. Also, a Christmas-season Target billboard is shown, as well as a Christmas tree outside Radio City Music Hall. See more »
There's some things you should wish for and some things you shouldn't. That's what my little brother Frankie told me. He told me I only had three wishes, and I looked into his eyes, and I don't know why I believed him.
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Simply the finest film I've seen this year. What a thrilling experience.
As a film director I attend many screenings. As a film lover I have been going to films all my life since I was a "kid" in the Bronx. This film, "In America" is one for the ages. Not one false note or as we say in the "biz"--not one hiccup. Jim Sheridan has been a extraordinary film-maker since "My Left Foot"--but this film is simply beyond words!
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