"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land. And when the widow who owns the field decides to sell the field in a public ... See full summary »
Following the tragic death of their five-year-old son Frankie, Irish couple Johnny and Sarah Sullivan and their remaining two offspring, 10 year old Christy Sullivan and 5 year old Ariel Sullivan, emigrate illegally to the United States via Canada with little in their pockets. Their final destination is Manhattan where Johnny hopes to work as a stage actor. They move into a unit in a run town tenement housed primarily with drug addicts, transvestites and one tenant coined "the man who screams". They do whatever they can to eke out a supportive family environment in this difficult situation, the support which ultimately extends to those around them, most specifically "the screamer" who turns out to be an African-American artist named Mateo with AIDS. But the memory of Frankie hangs over the family in good and bad ways, especially as Sarah learns she's pregnant. Christy, who records their life's goings-on with her beloved camcorder, believes that the angel of Frankie has granted her ... Written by
The street fair scene was filmed on Parnell Street in Dublin, Ireland. The street was closed for three days for filming. A closed burger shop was used as a green room for cold extras. See more »
When the Sullivans have Mateo over for dinner on Halloween night, they serve Colcannon: mashed potatoes with curly kale (or cabbage). Without a break in the action, the father leaves the table and the Colcannon has been replaced with bread. See more »
There's some things you should wish for and some things you shouldn't. That's what my little brother Frankie told me. He told me I only had three wishes, and I looked into his eyes, and I don't know why I believed him.
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My girlfriend and I were lucky enough this week to attend an advance screening of this film as well as a Q&A session with director Jim Sheridan. Let me say, this film was absolutely amazing. I felt like falling to my knees and weeping for joy as we left the theater. This film is the story of Jim, his wife and daughters coming to America from Dublin. It is not the story that I expected of immigrants coming to this country to abuse the system but rather a tale of hard working folks coming here to start over.
Jim was afraid that some of the material may be too heavy. I disagree. There was more honest, heartfelt joy in this movie than I have ever seen. The acting from all involved was simply superb. I'm sure most of what you hear about this movie from critics will be focused on the two daughters. Don't get me wrong, these two girls could teach any actor a lesson or two. But the talent does not end with them. Jim's directing style of telling the actors how he sees the story and then letting them figure out how to show it has never been more successful than in this film.
Two scenes in particular struck me as I was immersed in this film. Looking into the actors eyes, it was as if they realized at that moment what a powerful tale they were retelling. Jim confirmed my notions at the end of the film when he mentioned that both these scenes were filmed as an artistic afterthought once scheduled production was complete. Of course my two favorite scenes were the ones not part of the real story but I can't be too upset. Here Jim gives something back to his actors to let them give back to him what this tale meant to them.
I believe this will be released mationwide in the states around Thanksgiving. Do your self a favor, see it.
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