IMDb > Caramuru - A Invenção do Brasil (2001)

Caramuru - A Invenção do Brasil (2001) More at IMDbPro »


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Overview

User Rating:
7.1/10   361 votes
MOVIEmeter: ?
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Director:
Writers:
Guel Arraes (writer)
Jorge Furtado (writer)
Contact:
View company contact information for Caramuru - A Invenção do Brasil on IMDbPro.
Release Date:
9 November 2001 (Brazil) more
Genre:
Plot:
Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He... more | add synopsis
User Comments:
Poor Vaudeville more (3 total)

Cast

  (Credited cast)

Selton Mello ... Diogo Álvares - o Caramuru
Camila Pitanga ... Paraguaçu
Deborah Secco ... Moema
Tonico Pereira ... Itaparica
Débora Bloch ... Isabelle
Luís Melo ... Vasco de Athayde
Pedro Paulo Rangel ... Dom Jayme
Diogo Vilela ... Heitor
rest of cast listed alphabetically:
Marco Nanini ... Narrator
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Additional Details

Runtime:
85 min
Country:
Language:
Color:
Company:

Fun Stuff

Quotes:
Father: That´s a great deal. You gain all the money, then he does all the work, and I do absolutely nothing. I like that. more
Movie Connections:
Edited from "A Invenção do Brasil" (2000) more

FAQ

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1 out of 7 people found the following comment useful.
Poor Vaudeville, 3 January 2003
1/10
Author: jgcorrea from Rio, Brazil

FYI I should advise, I find the current darlings of Metropolitan Opera & Hollywood tycoons (namely Mr. & Mrs. Baz Luhrman) simply abominable. It follows that I would be inconsistent with my aesthetic abominations if I did not I rank Mr. Guel Arraes of the Brazilian TV net Globo among other dreadful would-be geniuses. Actually, to be fair Arraes was the real pioneer here. His video-clip aesthetics came forward long before the Luhrmans even perpetrated 'Moulin Rouge.' Such similar Weltanschaung is also based on coarse humour plus quick editing cuts plus total indifference to period fidelity. 'Caramuru' is therefore rather typical. It ridicules Brazilian colonial history. Supposedly, it is therefore a farce. Quite unfunny, though. Its action is in the 16th century but the film emphasizes 20th-century Carnival pageants. Inaccuracy on purpose? Clothes are ridiculous. On purpose? Anyway, Bad humour + an Awkward narration by Mr. Nanini (rather displaced herein, though) + Excessive histrionics + a Pseudo-genius touch equals low-brow audience success plus middle-brow critical commendation, with (maybe I should add) a little touch of toadyism.

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