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Newly graduated psychiatrist Sam and his fiancee Alex move to Los Angeles for Sam's residency and into Sam's mother's house in upscale Laurel Canyon. Only problem is, Sam's mother is still there, supposedly finishing up a record that she's producing for the band of her new boy toy, Ian. She seems more interested in smoking pot and drinking than actually working though. Alex doesn't mind but Sam is quite upset. Alex starts off focused on her work (finishing a dissertation on genomics), but is soon distracted by the rock-'n-roll lifestyle going on around her. Meanwhile, Sam is equally distracted by beautiful Israeli intern Sara. Written by
Jon Reeves <firstname.lastname@example.org>
Laurel Canyon deals about the adversities you have to deal with whether you are more or less experienced. Every character on this story has different experiences: some are more naïve, some are more bohemian, some are more averse, and some don't care at all, but all of them have consciously made a mistake. I say consciously because there's no such thing as someone making mistakes in these situations without thinking thoroughly about the outcome. The premise and development are as simple as it can be, but simplicity doesn't mean banality. The screenplay in its simplicity has an incredible depth and reliability, whether it is on the awkward situations characters get into, or the sexual adventures, that some of us have been through. And to those who have, this movie speaks our language, because it relies on us and us in it. This is why some independent movies are such a pleasure to watch, because even though we are not there, we are those characters.
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