| Photos (See all 35 | slideshow) | Videos (see all 7) |
| Keisha Castle-Hughes | ... | Paikea | |
| Rawiri Paratene | ... | Koro | |
| Vicky Haughton | ... | Nanny Flowers | |
| Cliff Curtis | ... | Porourangi | |
| Grant Roa | ... | Uncle Rawiri | |
| Mana Taumaunu | ... | Hemi | |
| Rachel House | ... | Shilo | |
| Taungaroa Emile | ... | Willie | |
| Tammy Davis | ... | Dog | |
| Mabel Wharekawa | ... | Maka (as Mabel Wharekawa-Burt) | |
| Rawinia Clarke | ... | Miro | |
| Tahei Simpson | ... | Miss Parata | |
| Roi Taimana | ... | Hemi's Dad (as Roimata Taimana) | |
| Elizabeth Skeen | ... | Rehua | |
| Tyronne White | ... | Jake (as Tyrone White) | |
| Taupua Whakataka-Brightwell | ... | Ropata | |
| Tenia McClutchie-Mita | ... | Wiremu | |
| Peter Patuwai | ... | Bubba | |
| Rutene Spooner | ... | Parekura | |
| Riccardo Davis | ... | Maui | |
| Apiata Whangaparita-Apanui | ... | Henare | |
| John Sumner | ... | Obstetrician | |
| Sam Woods | ... | Young Rawiri | |
| Pura Tangira | ... | Ace | |
| Jane O'Kane | ... | Anne | |
| Aumuri Parata-Haua | ... | Baby Paikea |
Directed by | |||
| Niki Caro | |||
Writing credits | ||
| Niki Caro | (written by) | |
| Witi Ihimaera | (book "The Whale Rider") | |
Produced by | |||
| John Barnett | .... | producer | |
| Reinhard Brundig | .... | co-producer | |
| Bill Gavin | .... | executive producer | |
| Linda Goldstein Knowlton | .... | executive producer | |
| Reinhild Gräber | .... | supervising producer: ApolloMedia | |
| Frank Hübner | .... | producer | |
| Witi Ihimaera | .... | associate producer | |
| Rudolf Kurz | .... | supervising producer: ApolloMedia | |
| Tim Sanders | .... | producer | |
Original Music by | |||
| Lisa Gerrard | |||
Cinematography by | |||
| Leon Narbey | (director of photography) | ||
Film Editing by | |||
| David Coulson | |||
Casting by | |||
| Diana Rowan | |||
Production Design by | |||
| Grant Major | |||
Art Direction by | |||
| Grace Mok | |||
Costume Design by | |||
| Kirsty Cameron | |||
Makeup Department | |||
| Barbie Cope | .... | hair assistant | |
| Barbie Cope | .... | makeup assistant | |
| Denise Kum | .... | hair supervisor | |
| Denise Kum | .... | makeup supervisor | |
| Jane O'Kane | .... | hair assistant | |
| Jane O'Kane | .... | makeup assistant | |
| Kenzie Sampson | .... | makeup trainee (as Kenzie Samson) | |
| Orlando Bassi | .... | wig maker (uncredited) | |
Production Management | |||
| Janet McIver | .... | production manager | |
| Peter Moerenhout | .... | unit manager (as Pete Moerenhout) | |
| Anne Urban | .... | post-production supervisor | |
Art Department | |||
| John Brockie | .... | carpenter | |
| Pete Burney | .... | carpenter | |
| Brian Campbell | .... | set finisher | |
| Graham Collins | .... | carpenter | |
| Kerry Dunn | .... | scenic artist | |
| Jackie Gilmore | .... | set dresser | |
| Brett Graham | .... | sculptor: Porourangi's sculpture | |
| Kate Highfield | .... | art department manager | |
| Maka Makatoa | .... | storyboard artist | |
| Bernard Makoare | .... | designer: Reiputa | |
| John Miles | .... | construction manager | |
| Russell Munro | .... | carpenter (as Russ Munro) | |
| Lia Neilson | .... | art department runner | |
| Josh Patterson | .... | greensman | |
| Aaron Reedy | .... | property assistant | |
| Michaela Sanders | .... | art department runner | |
| Richard Sheath | .... | leading hand | |
| Megan Vertelle | .... | set dresser/buyer | |
| Nick Walter | .... | carpenter | |
| Nick Weir | .... | props buyer | |
| Neil Williamson | .... | carpenter | |
| Patrick Matete | .... | props (uncredited) | |
| Roger Murray | .... | propmaker (uncredited) | |
| Anthony Sumich | .... | props stand-by (uncredited) | |
Sound Department | |||
| Chris Burt | .... | adr supervisor | |
| Stefan Colli | .... | sound designer: atmos (as Stephan Colli) | |
| Stefan Colli | .... | sound supervisor (as Stephan Colli) | |
| Corrin Ellingford | .... | boom operator | |
| Hubert Henle | .... | sound consultant: Dolby | |
| Stefan Korte | .... | sound re-recording mixer | |
| David Madigan | .... | sound recordist | |
| Sven Neumann | .... | dialogue editor | |
| Mirko Reinhard | .... | special effects sound designer | |
| Luigi Rensinghoff | .... | dialogue editor | |
| Wilmont Schulze | .... | foley artist | |
| Josef Steinbüchel | .... | special effects sound designer | |
| Markus Wimmer | .... | special effects sound designer | |
| André Zimmerman | .... | sound designer: atmos (as André Zimmermann) | |
| David Madigan | .... | production sound mixer (uncredited) | |
Special Effects by | |||
| Phil Addenbrook | .... | physical effects: Film Effects (as Phil Addenbrooke) | |
| Dean Clarke | .... | physical effects: Film Effects | |
| Oliver Gee | .... | special effects assistant | |
Visual Effects by | |||
| Dan Blanchard | .... | whale construction: Glasshammer Visual Effects | |
| Christel Brunn | .... | visual effects producer: TVT | |
| Justin Buckingham | .... | whale construction: Glasshammer Visual Effects | |
| Manfred Büttner | .... | visual effects producer: TVT | |
| Barry Down | .... | whale construction: Glasshammer Visual Effects | |
| Steve Dyson | .... | whale construction: Glasshammer Visual Effects | |
| Erich Eder | .... | inferno artist: TVT | |
| Erich Eder | .... | technical director: TVT | |
| Terry Green | .... | whale construction: Glasshammer Visual Effects | |
| Jason Johnston | .... | whale construction: Glasshammer Visual Effects | |
| John Lott | .... | whale construction: Glasshammer Visual Effects | |
| Steve Lowe | .... | whale construction: Glasshammer Visual Effects | |
| George Maihöfer | .... | visual effects superviser: TVT (as George Maihoefer) | |
| Charlie McClellan | .... | digital effects consultant: TVT (as Charles McClellan) | |
| Greg N. Nichols | .... | whale construction: Glasshammer Visual Effects (as Greg Nichols) | |
| Kevin Riley | .... | visual effects | |
| Caterina Schiffers | .... | digital compositing: TVT | |
| Florian Schuck | .... | digital retouching: TVT | |
| Dean Taylor | .... | whale construction: Glasshammer Visual Effects | |
| Gaysorn Thavat | .... | visual effects (as Gatsorn Thavat) | |
| Markus Wollschläger | .... | digital retouching: TVT | |
| Steve Young | .... | whale construction: Glasshammer Visual Effects | |
| Dee McClelland | .... | dailies colorist (uncredited) | |
Stunts | |||
| Mark Harris | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Armie Armstrong | .... | underwater camera operator | |
| Rachel Beard | .... | clapper loader | |
| Joshua Creek | .... | additional grip (as Josh Creeks) | |
| Kevin Donovan | .... | key grip | |
| Rhys Duncan | .... | steadicam operator | |
| Kirsty Griffin | .... | still photographer | |
| Brenden Holster | .... | camera assistant: second unit (as Brendan Holster) | |
| Steven Joyce | .... | generator operator (as Steve Joyce) | |
| Brian Laird | .... | best boy | |
| Henare Mato | .... | lighting assistant | |
| Grant McKinnon | .... | gaffer | |
| Leon Narbey | .... | camera operator | |
| Kevin Riley | .... | camera operator: second unit | |
| Jim Rowe | .... | grip assistant | |
| Paul Samuels | .... | focus puller | |
| Sigmund Spath | .... | underwater photographer | |
| Gaysorn Thavat | .... | focus puller: second unit | |
| Johnny Yarrel | .... | video assistant | |
| James Young | .... | lighting assistant | |
| Paul Matete | .... | best boy (uncredited) | |
Casting Department | |||
| Christina Asher | .... | additional casting | |
| Robyn Cammell | .... | casting assistant (as Robin Cammell) | |
| Riwia Fox | .... | casting assistant | |
| Riwia Fox | .... | extras casting | |
| Karen Sydney | .... | additional casting | |
| Stewart Turner | .... | additional casting (as Stuart Turner) | |
Costume and Wardrobe Department | |||
| Paul Booth | .... | wardrobe runner | |
| Deirdre McKessar | .... | assistant costume designer | |
| Jenny Rushton | .... | standby wardrobe (as Jenni Rushton) | |
Editorial Department | |||
| Julie Alp | .... | assistant editor | |
| Hans Joachim Bruß | .... | color grader (as Hans-Joachim Bruß) | |
| Renate Dahmen | .... | negative cutter | |
| Guido Krajewski | .... | editing facility manager | |
| Bruce McArthur | .... | laboratory manager: Atlas | |
| Robert Pinnow | .... | post-production technical supervisor: TVT | |
| Clare Burlinson | .... | video colorist (uncredited) | |
| Charles Knight | .... | editorial advisor (uncredited) | |
| Dee McClelland | .... | rushes colorist (uncredited) | |
Music Department | |||
| Simon Bowley | .... | music mixer | |
| Ricky Edwards | .... | technical music support (as Rickey Edwards) | |
| Chris Gough | .... | music supervisor: Mana Music | |
| Jacek Tuschewski | .... | technical music support (as Jacek Tushewski) | |
| Michael Edwards | .... | orchestrator (uncredited) | |
| Savage | .... | music performer: Deceptikonz member (uncredited) | |
Other crew | |||
| Phil Addenbrook | .... | marine engineer: Film Effects (as Phil Addenbrooke) | |
| Kath Allen | .... | chaperone: Gisborne | |
| Shane Armitage | .... | safety officer | |
| Thomas Becker | .... | legal affairs: ApolloMedia | |
| Tania Bettany | .... | financial controller: South Pacific Pictures | |
| Josef Brandmaier | .... | structured finance | |
| Anni Browning | .... | completion bond: Film Finances | |
| Sally Campbell | .... | head of production: South Pacific Pictures | |
| Alice Carstensen | .... | production runner | |
| Dean Clarke | .... | marine engineer: Film Effects | |
| Sian Clement | .... | unit publicist | |
| Helen Copplestone | .... | assistant accountant | |
| Birthe Danielsen | .... | assistant: Mr. Felscher | |
| David Dant | .... | shortfall insurance: Filmvision | |
| Matt Emery | .... | legal and business affairs manager: South Pacific Pictures | |
| Thorsten Felscher | .... | financial controller: ApolloMedia | |
| Laura Fong | .... | production coordinator | |
| Oliver Gee | .... | marine engineer: Film Effects | |
| Moira Grant | .... | production coordinator | |
| Carol Haapu | .... | consultant: Iwi | |
| Rewa Harker | .... | assistant: John Barnett | |
| Brian Harris | .... | operator: remote head | |
| Karen Hawkyard | .... | animal wrangler | |
| Willie Heatley | .... | boat coordinator (as Willy Heatley) | |
| Maude Isaac | .... | chaperone: Gisborne | |
| Lyssa Judd | .... | production runner | |
| Camelija Karlic | .... | production coordinator: Pandora | |
| Jens Kriegel | .... | projection assistant | |
| Matt Lawford | .... | shortfall insurance: Filmvision | |
| Di Magee | .... | production accountant | |
| Samia Mainz | .... | assistant: Mr. Hubner | |
| Pat Merrifield | .... | swimming coach | |
| Guy Moana | .... | maori design/carvings | |
| James Mok | .... | title designer: TVT | |
| Damian Molloy | .... | water safety | |
| Markus Münz | .... | projection assistant | |
| Waio Parata-Haua | .... | stand-in: Paikea | |
| Podge | .... | location manager | |
| Johnny Poi | .... | instructor: Taiaha | |
| Ngamaru Raerino | .... | kaumatua: South Pacific Pictures | |
| Karin Reinink | .... | assistant: John Barnett | |
| Robert Sarkies | .... | script editor | |
| Joan Scheckel | .... | script consultant | |
| Nadine Schäfer | .... | assistant: Mr. Westerkamp and Mr. Schafer | |
| Krissy Stainton | .... | production runner | |
| Dominic Stones | .... | unit assistant | |
| Gavin Strawhan | .... | script consultant | |
| Hone Taumaunu | .... | consultant: Iwi | |
| Rainer Teusner | .... | accountant: Pandora | |
| Kathleen Thomas | .... | continuity (as Kath Thomas) | |
| Aaron Tomlinson | .... | casual assistant | |
| Martin Trendall | .... | insurance: Mahony, Trendall, Jack | |
| Mike Turner | .... | manager: second unit | |
| Karla Wallace | .... | production secretary | |
| Jörg Westerkamp | .... | legal affairs: ApolloMedia (as Jorg Westerkamp) | |
| Stephanie Wilkin | .... | chaperone | |
| Stephanie Wilkin | .... | tutor | |
| Hone Taumaunu | .... | production advisor (uncredited) | |
Thanks | |||
| Dave Ahu | .... | special thanks | |
| Mere Boynton | .... | special thanks | |
| Nancy Greystone | .... | special thanks | |
| Liddy Holloway | .... | special thanks | |
| Derek Lardelli | .... | special thanks (as Derek) | |
| Rose Lardelli | .... | special thanks | |
| Andrew Lister | .... | special thanks | |
| Ian Mune | .... | special thanks | |
| Murray Newey | .... | special thanks | |
| Kath Te Kani | .... | special thanks | |
| Judith Trye | .... | special thanks | |
| Tim Worrall | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb New Zealand section |
I don't use the word "masterpiece" often when reviewing a film but for "Whale Rider," it's an inadequate accolade. This is one of the most moving, beautiful and powerful films I have seen in years.
Screenplay author and director Niki Caro faithfully translated Witi Ihimaera's novel of the same name, a poignant and sometimes sad but ultimately uplifting story of New Zealand Maoris seeking, with the leadership of a difficult, stubborn and often harsh elder to sustain their peoples' values and customs.
Australia and New Zealand are both encountering, in politics and in culture (and often the two are inextricably linked), their shared heritage of white oppression of native peoples. Much of this history is unknown to Americans and Europeans who view Australia through a bird's eye picture of the Sydney Opera House and New Zealand with even fewer associational icons.
Recently, "Rabbitproof Fence" painfully depicted the policy of Australia to force lighter skin aborigines into "schools" where they would be nurtured to become "semi-whites" and then married to those of similar skin tone. The object was to bleach the blackness out of Australia and the horrors of this incarnation of cultural and anthropological genocide are on full display in that film.
"Whale Rider" takes a different and, in the end, perhaps a more powerful approach. There are virtually no whites in the film and only children's t-shirts and some music blasting from a boombox suggests the encroaching force of the controlling majority.
The cast is unknown to Americans and their names can be found on the IMDb homepage for the film. The lead actress, however, must be named. In the role of "Pai," a young girl whose mother dies at her birth along with her twin brother, is the extraordinary Keisha Castle-Hughes. She imbues every scene with a commanding and inviting vitality. Hers is an Academy Award (and any other major award) performance.
Pai's father left New Zealand for Europe, there to create and sell Maori crafts. She lives with her grandmother and grandfather, the latter some sort of unelected chieftain of the oceanside community. Bitter that no male heir will succeed him and alternately cruel and loving to his reluctantly acknowledged granddaughter, Koro starts a school to supplement the young boys' secular education with inculcation of the ways of the Maori. Pai wishes to join as an equal and is firmly, indeed harshly rebuffed at every turn.
If the Maori language has the phrase "You go, girl!," then it be directed towards the indefatigable but not arrogant Pai. It would have been easy to make her the kind of thoughtless rebel that nature often programs teenagers to be. The depth of her character resides in her simultaneous quest for equality and her understanding of her grandfather's unyielding attachment to patriarchal values. Pai's close relationship with her grandmother, a woman living a life universally recognizable to Americans, provides warmth and support and do some of her other relationships.
The story unfolds seamlessly with Maori music and rituals bridging the spoken dialogue (mostly in English, some in Maori with subtitles).
Partly a straight tale, partly a gripping mystical fable, "Whale Rider" never becomes saccharine.
The music and Maori songs complement but do not compete with the dialogue, a welcome change from many movies today. The land and the ocean are rawly gorgeous.
As in Australia, relations today between New Zealand's indigenous people and the descendants of their vanquishers are sometimes tense. There are open wounds from continuing political collisions over land and culture. The Maoris are not a monolith and internal dissension is active. Serious attempts to sustain Maori values and culture in the face of assimilative pressures meet with varied degrees of success (in Koro's Maori school the kids wear t-shirts with rock themes and one has a shirt advertising an upstate New York resort area if I saw correctly). New Zealand's most internationally renowned Maori is the opera diva Kiri te Kanawa who is now dedicated to Maori cultural restoration projects. "Whale Rider" can only give a boost to such efforts which, as this film shows, makes not only New Zealand but the world richer.
This is a film I will acquire on DVD as soon as it is available.
10/10.