| Photos (See all 142 | slideshow) | Videos (see all 11) |
Directed by | |||
| Curtis Hanson | |||
Writing credits(WGA) | ||
| Scott Silver | (written by) | |
Produced by | |||
| Carol Fenelon | .... | executive producer | |
| Gregory Goodman | .... | executive producer | |
| Brian Grazer | .... | producer | |
| Curtis Hanson | .... | producer | |
| Jimmy Iovine | .... | producer | |
| Stuart Parr | .... | co-producer | |
| Paul Rosenberg | .... | executive producer | |
| James Whitaker | .... | executive producer | |
Original Music by | |||
| Proof | |||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Craig Kitson | |||
| Jay Rabinowitz | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Philip Messina | |||
Art Direction by | |||
| Kevin Kavanaugh | |||
Set Decoration by | |||
| Kristen Toscano Messina | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Matiki Anoff | .... | key makeup artist | |
| Jane English | .... | body makeup artist: Ms. Basinger | |
| Camille Friend | .... | key hair stylist | |
| Erma Kent | .... | hair stylist supervisor | |
| Winnye Knight | .... | assistant makeup artist | |
| Donald Mowat | .... | makeup supervisor | |
| Ronnie Specter | .... | makeup artist: Ms. Bassinger | |
| Mitchell Stone | .... | hair stylist: Ms. Basinger | |
| Kymber Blake | .... | daily assistant makeup artist (uncredited) | |
| Kimberly Jones | .... | daily assistant makeup artist (uncredited) | |
| Kimberley Kirkpatrick | .... | daily assistant makeup artist (uncredited) | |
| Brandi Mitchell | .... | assistant hair stylist (uncredited) | |
| Valli O'Reilly | .... | makeup artist: Ms. Basinger (uncredited) | |
Production Management | |||
| Mary Courtney | .... | unit production manager (as Mary J. Courtney) | |
| Graham Stumpf | .... | post-production supervisor | |
| Zane Weiner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Eric Heffron | .... | first assistant director (as Eric N. Heffron) | |
| Michael J. Moore | .... | second assistant director (as Michael Moore) | |
| David K. Riebel | .... | second second assistant director (as David Riebel) | |
| Jason Cox | .... | second second assistant director (uncredited) | |
Art Department | |||
| Thomas Betts | .... | set designer | |
| Mike Bomar | .... | set painter | |
| Richard Boris | .... | head greensman | |
| Shane Buckallew | .... | plaster foreman (as Shane R. Buckallew) | |
| John Bullard | .... | gang boss propmaker | |
| Sophie Carlhian | .... | set decorating buyer | |
| William Rob Chalk | .... | set dressing foreman | |
| Darien N. D'Alfonso | .... | scenic artist | |
| Keni Davis | .... | signwriter | |
| Bill Duffin | .... | gang boss propmaker | |
| Michael Jon Duffin | .... | gang boss propmaker (as Michael Duffin) | |
| Louie Esparza | .... | set painter (as Louie Esparza Jr.) | |
| Robert Fidalgo | .... | labor foreman (as Robert Fildalgo) | |
| Gerard Forrest | .... | construction foreman | |
| Hank Giardina | .... | paint supervisor | |
| William Gideon | .... | construction foreman (as William W.Gideon) | |
| Nickolas Gilbert | .... | set dresser (as Nikolas A. Gilbert) | |
| Aaron C. Holden Jr. | .... | assistant property master | |
| Bruce Johnson | .... | set painter (as Bruce L. Johnson) | |
| Bryan Johnson | .... | set painter (as Bryan C. Johnson) | |
| Elizabeth Keenan | .... | set dresser | |
| Bud Kucia | .... | welder | |
| Charles Lawson | .... | set dresser (as Charles E. Lawson) | |
| Steven B. Melton | .... | property master | |
| Joe Miller | .... | propmaker (as Joseph Miller) | |
| John Moore | .... | construction buyer | |
| Mary O'Brien | .... | set painter (as Mary M. O'Brien) | |
| Harry E. Otto | .... | set designer | |
| Jim Paniagua | .... | construction toolman | |
| Larry Paulus | .... | propmaker (as Lawrence Paulus) | |
| Troy Alan Peters | .... | set dresser (as Troy Peters) | |
| Beth Peterson | .... | set dresser | |
| Paul Richards | .... | leadman | |
| Neil Rust | .... | set painter | |
| Jerry Sanders | .... | set dresser | |
| Robert Schleinig | .... | set dresser | |
| Chris Snyder | .... | construction coordinator | |
| Dale Snyder | .... | gang boss propmaker | |
| Nicole Sylvester | .... | art department coordinator (as Nicole C. Sylvester) | |
| Joshua Weil | .... | set painter (as Joshua T. Weil) | |
| Tracy Turner Weil | .... | set painter (as Tracy S. Weil) | |
| Paul Williamson | .... | set dresser (as Paul M. Williamson) | |
| Curtis Yackel | .... | gang boss propmaker | |
| Chris Zimmerman | .... | stand-by painter | |
| Rolfe D. Bergsman | .... | set designer (uncredited) | |
| Kevin Dalton | .... | conceptual artists (uncredited) | |
| Marc Gabbana | .... | storyboard artist (uncredited) | |
| Brad Good | .... | props (uncredited) | |
| Guy Hietala | .... | painter gang boss (uncredited) | |
| Melody Miller | .... | assistant property master (uncredited) | |
| Mark Robert Taylor | .... | art department assistant (uncredited) | |
Special Effects by | |||
| Jim Baker | .... | special effects assistant | |
| Sam Barkan | .... | special effects assistant | |
| Ryan Evans | .... | special effects assistant | |
| Rodman Kiser | .... | special effects foreman | |
| Frank Krenmuller | .... | special effects assistant (as Frank R. Krenmuller) | |
| John D. Milinac | .... | special effects coordinator | |
| Don Parson | .... | special effects assistant | |
| Thomas J. Ridgen | .... | special effects assistant (as Thomas Rigden) | |
| John Rigden | .... | special effects assistant | |
| Michael Kay | .... | special effects technician (uncredited) | |
| David Waszak | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Chris Crowell | .... | digital compositor (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Thomas Mathai | .... | digital cleanup artist (uncredited) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
Stunts | |||
| Clayton J. Barber | .... | stunt double (as Clayton Barber) | |
| David Barrett | .... | stunts | |
| Stanton Barrett | .... | stunts | |
| Kiante Elam | .... | stunts | |
| Kofi Elam | .... | stunts | |
| James Fierro | .... | stunts (as Jim Fierro) | |
| Willie Green | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| John 'Punch' Lewis | .... | stunts (as John Lewis) | |
| Richard Lexsee | .... | stunts | |
| Larry C. Tankson | .... | stunts (as Larry Tankson) | |
| T.J. White | .... | stunts (as Terence James White) | |
| Stanton Barrett | .... | stunt double: Marshall Mathers (uncredited) | |
| T.J. White | .... | stunt double: Michael Shannon (uncredited) | |
Casting Department | |||
| Mindy Bazar | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
| Stacy Opalewski | .... | casting assistant (as Stacey A. Opalewski) | |
| Sharat Raju | .... | casting assistant | |
| David Rapaport | .... | casting assistant | |
| Deedra Ricketts | .... | extras casting | |
| Taryn Shick | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| John Casey | .... | costume supervisor (as John C. Casey) | |
| Lizzie Cook | .... | costumer | |
| Alix Friedberg | .... | costumer | |
| Sukari McGill | .... | costumer | |
| Donna O'Neal | .... | costumer: Ms. Basinger | |
| Christine Orth | .... | key costumer | |
| Barnaby Smith | .... | costumer | |
| Marianna Harrison | .... | wardrobe assistant (uncredited) | |
| Bernadine Vida | .... | costume stitcher (uncredited) | |
Editorial Department | |||
| John Peter Bernardo | .... | assistant editor | |
| Steve Bowen | .... | digital color timer | |
| Aaron Brock | .... | assistant editor | |
| M. Wilson Burdorff | .... | post-production assistant | |
| Gary Burritt | .... | negative cutter | |
| Richard Conkling | .... | first assistant editor: film | |
| Liza D. Espinas | .... | assistant editor | |
| Katie Hedrich | .... | second assistant editor | |
| Cecilia Hyoun | .... | first assistant editor: avid | |
| Matt Mayer | .... | first assistant editor: avid | |
| Eric O. Schusterman | .... | first assistant editor: film | |
| Angus Spottiswoode | .... | second assistant editor | |
| Kenny Becker | .... | color timer (uncredited) | |
| Carole Cowley | .... | digital intermediate producer (uncredited) | |
| Ben Estrada | .... | digital colorist assistant (uncredited) | |
| Amy Tompkins | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Jeff Bass | .... | song: music and lyrics by | |
| Eminem | .... | additional composer | |
| Eminem | .... | music arranger | |
| Eminem | .... | songs: music and lyrics by | |
| Carol Fenelon | .... | music supervisor | |
| Carlton Kaller | .... | music editor (as Carl Kaller) | |
| Steven King | .... | music arranger (as Steve King) | |
| Steven King | .... | music engineer (as Steve King) | |
| Debra Mannis-Gardner | .... | music clearance (as Deborah Mannis-Gardner) | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Luis Resto | .... | additional composer | |
| Luis Resto | .... | music arranger | |
| Luis Resto | .... | songs: music and lyrics by | |
| Robert Schaper | .... | supervising music engineer | |
| Christopher Kaller | .... | assistant music editor (uncredited) | |
| David Raymond | .... | music playback (uncredited) | |
| Gary Raymond | .... | music playback (uncredited) | |
Transportation Department | |||
| Linda Barnes | .... | driver | |
| Larry Cumeralto | .... | driver | |
| Patrick Dougherty | .... | transportation captain | |
| Kenneth Fistler | .... | driver | |
| John Gerhard | .... | driver | |
| Norbert Grzywacz | .... | driver | |
| Christian Hoerger | .... | driver | |
| Vince Junkins | .... | transportation captain (as Vince Riggle) | |
| Kurt Knudsen | .... | driver | |
| Pat McCartney | .... | driver (as Patrick McCartney) | |
| Dennis McCleod | .... | driver | |
| Frank Morreale | .... | driver (as Francesco Morreale) | |
| Lee Nicholson | .... | driver | |
| Thomas Rexa | .... | driver | |
| Marc Scott | .... | transportation coordinator | |
| Ken Stevens | .... | driver (as Kenneth Stevens) | |
| Jaime Trujillo | .... | driver | |
| Michael A. Williams | .... | driver (as Michael Williams) | |
| Charles Wolschlager | .... | driver | |
| Dave Zugaj | .... | driver (as David Zugaj) | |
| Gina August | .... | driver (uncredited) | |
Thanks | |||
| Craig G | .... | special thanks | |
| Maurice Malone | .... | special thanks | |
|
|
|
|
|
| Detroit Rock City | Hustle & Flow | The Departed | Head-On | Adventureland |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.
The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.
The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.
Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.
Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.
All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.