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Directed by | |||
| Curtis Hanson | |||
Writing credits(WGA) | ||
| Scott Silver | (written by) | |
Produced by | |||
| Carol Fenelon | .... | executive producer | |
| Gregory Goodman | .... | executive producer | |
| Brian Grazer | .... | producer | |
| Curtis Hanson | .... | producer | |
| Jimmy Iovine | .... | producer | |
| Stuart Parr | .... | co-producer | |
| Paul Rosenberg | .... | executive producer | |
| James Whitaker | .... | executive producer | |
Original Music by | |||
| Proof | |||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Craig Kitson | |||
| Jay Rabinowitz | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Philip Messina | |||
Art Direction by | |||
| Kevin Kavanaugh | |||
Set Decoration by | |||
| Kristen Toscano Messina | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Matiki Anoff | .... | key makeup artist | |
| Jane English | .... | body makeup artist: Ms. Basinger | |
| Camille Friend | .... | key hair stylist | |
| Erma Kent | .... | hair stylist supervisor | |
| Winnye Knight | .... | assistant makeup artist | |
| Donald Mowat | .... | makeup supervisor | |
| Ronnie Specter | .... | makeup artist: Ms. Bassinger | |
| Mitchell Stone | .... | hair stylist: Ms. Basinger | |
| Kymber Blake | .... | daily assistant makeup artist (uncredited) | |
| Kimberly Jones | .... | daily assistant makeup artist (uncredited) | |
| Kimberley Kirkpatrick | .... | daily assistant makeup artist (uncredited) | |
| Brandi Mitchell | .... | assistant hair stylist (uncredited) | |
| Valli O'Reilly | .... | makeup artist: Ms. Basinger (uncredited) | |
Production Management | |||
| Mary Courtney | .... | unit production manager (as Mary J. Courtney) | |
| Graham Stumpf | .... | post-production supervisor | |
| Zane Weiner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Eric Heffron | .... | first assistant director (as Eric N. Heffron) | |
| Michael J. Moore | .... | second assistant director (as Michael Moore) | |
| David K. Riebel | .... | second second assistant director (as David Riebel) | |
| Jason Cox | .... | second second assistant director (uncredited) | |
Art Department | |||
| Thomas Betts | .... | set designer | |
| Mike Bomar | .... | set painter | |
| Richard Boris | .... | head greensman | |
| Shane Buckallew | .... | plaster foreman (as Shane R. Buckallew) | |
| John Bullard | .... | gang boss propmaker | |
| Sophie Carlhian | .... | set decorating buyer | |
| William Rob Chalk | .... | set dressing foreman | |
| Darien N. D'Alfonso | .... | scenic artist | |
| Keni Davis | .... | signwriter | |
| Bill Duffin | .... | gang boss propmaker | |
| Michael Jon Duffin | .... | gang boss propmaker (as Michael Duffin) | |
| Louie Esparza | .... | set painter (as Louie Esparza Jr.) | |
| Robert Fidalgo | .... | labor foreman (as Robert Fildalgo) | |
| Gerard Forrest | .... | construction foreman | |
| Hank Giardina | .... | paint supervisor | |
| William Gideon | .... | construction foreman (as William W.Gideon) | |
| Nickolas Gilbert | .... | set dresser (as Nikolas A. Gilbert) | |
| Aaron C. Holden Jr. | .... | assistant property master | |
| Bruce Johnson | .... | set painter (as Bruce L. Johnson) | |
| Bryan Johnson | .... | set painter (as Bryan C. Johnson) | |
| Elizabeth Keenan | .... | set dresser | |
| Bud Kucia | .... | welder | |
| Charles Lawson | .... | set dresser (as Charles E. Lawson) | |
| Steven B. Melton | .... | property master | |
| Joe Miller | .... | propmaker (as Joseph Miller) | |
| John Moore | .... | construction buyer | |
| Mary O'Brien | .... | set painter (as Mary M. O'Brien) | |
| Harry E. Otto | .... | set designer | |
| Jim Paniagua | .... | construction toolman | |
| Larry Paulus | .... | propmaker (as Lawrence Paulus) | |
| Troy Alan Peters | .... | set dresser (as Troy Peters) | |
| Beth Peterson | .... | set dresser | |
| Paul Richards | .... | leadman | |
| Neil Rust | .... | set painter | |
| Jerry Sanders | .... | set dresser | |
| Robert Schleinig | .... | set dresser | |
| Chris Snyder | .... | construction coordinator | |
| Dale Snyder | .... | gang boss propmaker | |
| Nicole Sylvester | .... | art department coordinator (as Nicole C. Sylvester) | |
| Joshua Weil | .... | set painter (as Joshua T. Weil) | |
| Tracy Turner Weil | .... | set painter (as Tracy S. Weil) | |
| Paul Williamson | .... | set dresser (as Paul M. Williamson) | |
| Curtis Yackel | .... | gang boss propmaker | |
| Chris Zimmerman | .... | stand-by painter | |
| Rolfe D. Bergsman | .... | set designer (uncredited) | |
| Kevin Dalton | .... | conceptual artists (uncredited) | |
| Marc Gabbana | .... | storyboard artist (uncredited) | |
| Brad Good | .... | props (uncredited) | |
| Guy Hietala | .... | painter gang boss (uncredited) | |
| Melody Miller | .... | assistant property master (uncredited) | |
| Mark Robert Taylor | .... | art department assistant (uncredited) | |
Special Effects by | |||
| Jim Baker | .... | special effects assistant | |
| Sam Barkan | .... | special effects assistant | |
| Ryan Evans | .... | special effects assistant | |
| Rodman Kiser | .... | special effects foreman | |
| Frank Krenmuller | .... | special effects assistant (as Frank R. Krenmuller) | |
| John D. Milinac | .... | special effects coordinator | |
| Don Parson | .... | special effects assistant | |
| Thomas J. Ridgen | .... | special effects assistant (as Thomas Rigden) | |
| John Rigden | .... | special effects assistant | |
| Michael Kay | .... | special effects technician (uncredited) | |
| David Waszak | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Chris Crowell | .... | digital compositor (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Thomas Mathai | .... | digital cleanup artist (uncredited) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
Stunts | |||
| Clayton J. Barber | .... | stunt double (as Clayton Barber) | |
| David Barrett | .... | stunts | |
| Stanton Barrett | .... | stunts | |
| Kiante Elam | .... | stunts | |
| Kofi Elam | .... | stunts | |
| James Fierro | .... | stunts (as Jim Fierro) | |
| Willie Green | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| John 'Punch' Lewis | .... | stunts (as John Lewis) | |
| Richard Lexsee | .... | stunts | |
| Larry C. Tankson | .... | stunts (as Larry Tankson) | |
| T.J. White | .... | stunts (as Terence James White) | |
| Stanton Barrett | .... | stunt double: Marshall Mathers (uncredited) | |
| T.J. White | .... | stunt double: Michael Shannon (uncredited) | |
Casting Department | |||
| Mindy Bazar | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
| Stacy Opalewski | .... | casting assistant (as Stacey A. Opalewski) | |
| Sharat Raju | .... | casting assistant | |
| David Rapaport | .... | casting assistant | |
| Deedra Ricketts | .... | extras casting | |
| Taryn Shick | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| John Casey | .... | costume supervisor (as John C. Casey) | |
| Lizzie Cook | .... | costumer | |
| Alix Friedberg | .... | costumer | |
| Sukari McGill | .... | costumer | |
| Donna O'Neal | .... | costumer: Ms. Basinger | |
| Christine Orth | .... | key costumer | |
| Barnaby Smith | .... | costumer | |
| Marianna Harrison | .... | wardrobe assistant (uncredited) | |
| Bernadine Vida | .... | costume stitcher (uncredited) | |
Editorial Department | |||
| John Peter Bernardo | .... | assistant editor | |
| Steve Bowen | .... | digital color timer | |
| Aaron Brock | .... | assistant editor | |
| M. Wilson Burdorff | .... | post-production assistant | |
| Gary Burritt | .... | negative cutter | |
| Richard Conkling | .... | first assistant editor: film | |
| Liza D. Espinas | .... | assistant editor | |
| Katie Hedrich | .... | second assistant editor | |
| Cecilia Hyoun | .... | first assistant editor: avid | |
| Matt Mayer | .... | first assistant editor: avid | |
| Eric O. Schusterman | .... | first assistant editor: film | |
| Angus Spottiswoode | .... | second assistant editor | |
| Kenny Becker | .... | color timer (uncredited) | |
| Carole Cowley | .... | digital intermediate producer (uncredited) | |
| Ben Estrada | .... | digital colorist assistant (uncredited) | |
| Amy Tompkins | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Jeff Bass | .... | song: music and lyrics by | |
| Eminem | .... | additional composer | |
| Eminem | .... | music arranger | |
| Eminem | .... | songs: music and lyrics by | |
| Carol Fenelon | .... | music supervisor | |
| Carlton Kaller | .... | music editor (as Carl Kaller) | |
| Steven King | .... | music arranger (as Steve King) | |
| Steven King | .... | music engineer (as Steve King) | |
| Debra Mannis-Gardner | .... | music clearance (as Deborah Mannis-Gardner) | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Luis Resto | .... | additional composer | |
| Luis Resto | .... | music arranger | |
| Luis Resto | .... | songs: music and lyrics by | |
| Robert Schaper | .... | supervising music engineer | |
| Christopher Kaller | .... | assistant music editor (uncredited) | |
| David Raymond | .... | music playback (uncredited) | |
| Gary Raymond | .... | music playback (uncredited) | |
Transportation Department | |||
| Linda Barnes | .... | driver | |
| Larry Cumeralto | .... | driver | |
| Patrick Dougherty | .... | transportation captain | |
| Kenneth Fistler | .... | driver | |
| John Gerhard | .... | driver | |
| Norbert Grzywacz | .... | driver | |
| Christian Hoerger | .... | driver | |
| Vince Junkins | .... | transportation captain (as Vince Riggle) | |
| Kurt Knudsen | .... | driver | |
| Pat McCartney | .... | driver (as Patrick McCartney) | |
| Dennis McCleod | .... | driver | |
| Frank Morreale | .... | driver (as Francesco Morreale) | |
| Lee Nicholson | .... | driver | |
| Thomas Rexa | .... | driver | |
| Marc Scott | .... | transportation coordinator | |
| Ken Stevens | .... | driver (as Kenneth Stevens) | |
| Jaime Trujillo | .... | driver | |
| Michael A. Williams | .... | driver (as Michael Williams) | |
| Charles Wolschlager | .... | driver | |
| Dave Zugaj | .... | driver (as David Zugaj) | |
| Gina August | .... | driver (uncredited) | |
Thanks | |||
| Craig G | .... | special thanks | |
| Maurice Malone | .... | special thanks | |
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| Detroit Rock City | Hustle & Flow | The Departed | Head-On | Adventureland |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Jimmy Rabbit is a white kid on the poor (black) side of town. Growing up with this influence he has developed rapping skills but is too intimidated to showcase in the cruel `Shelter' battles. Split from his girlfriend, Jimmy returns to his Mum's trailer park home and her young boyfriend. He keeps his job in a pressing shop while working on his rhymes and trying to work out who, out of all the hopes and promises, will be able to help him work his way out of Detroit.
After missing preview screenings and not being able to go when friends went, I eventually saw this a few nights ago. I was maybe better prepared by this point because the hype had been watered down by a few bad or balanced reviews of the film in the media. This helped me lower my expectations so that I wasn't let down. The plot is, well, difficult to describe because there isn't really one narrative to speak of, rather it is Rabbit's story. As a result it is a little rambling with things just drifting through the film. However that it still works is to it's credit. The film holds the attention and the story still has enough in it to follow it.
The telling is what does it the best I think. The direction is good, with washed out cameras not willing to glamorise anything. The biggest smart move was the liberal use of hip-hop through the film. Occasionally we get a beat of a song but it isn't wall to wall music like many rapper's films. Even where a Eminem track is played, Em's voice is limited to a few broken up words saving his skills for the climax. Some of the film doesn't work I got tired of several rap scenes in everyday situations and it didn't grasp me as reality (although in fairness I don't know if this is the norm in some lives). Also there are a few too many scenes of meaningless violence that didn't come across as normal life for Rabbit but instead felt like the film trying to show Rabbit to be tough and ready for action.
It is difficult to write a fair review after seeing the climax which his why I left it a few days before writing this. The climax is a series of short battles in the Shelter that are pumping and exciting. Not to spoil it but some of the rapper's lines are cool until Em takes his turns and rips the place down. It was so funny and funky that I wished that he had made some of his own joints that sharp in his recent Benzino disses. This is where he shines in the role but he also does well generally maybe not worthy of an Oscar nomination but certainly very good. He makes his character likeable but not easily, and he avoids being a sympathy figure.
Phieffer is not as good and didn't convince me as well as I've seen him do. He can act but here he is not really a good character. The support cast are all pretty good and are believable and only a few are clear stereotypical groups. Happily the usual rapper cameos are minimal and not in your face too much. There may be more but I only spotted Xhibit and Obi Trise and neither of them took anything away by their presence. Murphy is pretty good sexy yet trashy but her character and her sub-plot didn't really have anywhere to go and just became another part of the wandering story. Basinger is OK but she isn't as bad as I expected her to be (or felt she needed to be). She didn't need to be like his Mum in the songs, but a little less `victim of circumstance' would have helped buy into it.
The message is worthy but heavily made and the story part of the film just didn't totally come off for me instead it was a bit ordinary and not well written. However the telling makes it worth seeing the direction is pretty good and the liberal use of music is one of the many good touches, meanwhile Eminem ensures that it is always worth watching whether doing witty disses in a car park, ripping the opposition in a battle or just being understated in a good role. Understated! Now there's a thing I thought I'd never say again about a rapper in a lead role of a film since Pac died!
Like him or loathe him, Eminem prevents an average (at best) story being unwatchable by the sheer strength of his presence. However those who aren't fans of hip-hop or Eminem may wish to avoid this, as there ain't too much else on offer.