Two homies, Smokey and Craig, smoke a dope dealer's weed and try to figure a way to get the $200 they owe to the dealer by 10 p.m. that same night. In that time, they smoke more weed and get jacked and shot at in a drive-by.
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
This is the inspiring captivating story of the legendary rapper Eminem. The troubled young aspiring rapper from a ghetto in Michigan must exert his last chances to become successful while dealing with his life in ruins. All is seemingly lost. He is now single, has only a few friends, an insane/alcoholic mother, and is dealt with poverty and living in a violent city on 8 mile. His only way out of the ghetto and torturous life he's living in is with his talent in rapping. Will B-Rabbit prevail and seize the shot he's given or will he let it slip? Written by
In the last battle against Papa Doc, B-Rabbit says, "He's shook 'cause ain't such thing as halfway crooks." This is a reference to the instrumental playing in the background, from the rap duo Mobb Deep's "Shook Ones Pt. II." The chorus is, "There ain't no such thing as half-way crooks, scared to death, they scared to look, they shook." The same song is played in the opening scene, when Jimmy is practicing in the bathroom. See more »
This man ain't no mother-fuckin' MC / I know everything he's got to say against me / I am white, I am a fucking bum / I do live in a trailer with my mom / My boy future is an Uncle Tom / I do got a dumb friend named Cheddar Bob / Who shoots himself in the leg with his own gun / I did get jumped by all six of you chumps / And Wink did fuck my girl / I'm still standing here screaming "Fuck the Free World!"
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The final credit reads, "Filmed on location in the 313" See more »
8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.
The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.
The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.
Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.
Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.
All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.
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