When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess.
Shrek has rescued Princess Fiona, got married, and now is time to meet the parents. Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. It's not just the family who are unhappy. Prince Charming returns from a failed attempt at rescuing Fiona, and works alongside his mother, the Fairy Godmother, to try and find a way to get Shrek away from Fiona. Written by
The pickup line used by the donkey when the carriage is driving through Far Far Away - "Hey, good looking. We'll be back to pick you up later" - is taken from a 1970s commercial for Mr. Microphone, which turned any radio or stereo system with an FM tuner into a PA for a hand-held wireless microphone. This line was also used, under very different circumstances, in the Death Proof (2007) segment that Quentin Tarantino directed for Grindhouse (2007). See more »
At the end of the film during the ball when the clock begins to strike midnight, the first shot of the clock shows that it is 9:45 not midnight. That shot of the clock is taken from above the clock looking down at the palace entrance steps. Therefore the clock hands are pointing left on the camera shots (appearing to show 0945) though in fact they point straight up, i.e. 12 o'clock. See more »
Once upon a time, in a kingdom far, far away, the king and queen were blessed with a beautiful baby girl, and throughout the land everyone was happy, until the sun went down, and they saw that their daughter was cursed with a frightful enchantment that took hold each and every night. Desperate, they sought the help of a fairy godmother, who had them lock the young princess away in a tower, there to await the kiss of the handsome Prince Charming. It was he who would chance the ...
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I know what you're expecting me to say. "If you liked Shrek ..." And it's so true. Fans of the first will be ga-ga over the second. The gang at Dreamworks was smart enough not to monkey around with a winning formula, so you have all the wit and charm of Shrek (Mike Myers), Fiona (Cameron Diaz), Donkey (Eddie Murphy), and all the fantastic fairy-tale creatures.
At the beginning of 2, Shrek and Fiona have been invited by Fiona's parents (John Cleese and Julie Andrews) to the family castle. Imagine their surprise when the honeymooning ogres show up! Seems the king and queen haven't heard that a) Fiona's an ogre and b) that her husband is one, too. Naturally, this doesn't sit particularly well with the king, and soon he's hired a hit man - Puss in Boots, no less, voiced by Antonio Banderas - to bump off his new son in law. Meanwhile, a Fairy Godmother (Jennifer Saunders) offers help to Fiona. And quickly, the main question of the film - conveniently, it was the main question of the first film - is whether love conquers all. Oh, perhaps it's a bit more complex than that - perhaps it's whether Fiona would love Shrek, no matter what he looked like. Come to think of it, that was the theme of the first one as well.
Shrek and Fiona journey to the land of Far, Far Away, where the stuffy king and the queen mum live. Far, Far Away is a clear knockoff of Hollywood itself (complete with the sign on the mountain), and the journey includes a pass through what looks like Beverly Hills. The attention to detail is marvelous, as always.
As with 1, 2 drops all sorts of Disney references, most resulting in full-out belly laughter. I was in stitches, although perhaps - just perhaps - some of the humor will zoom over your tiny tot's tiny head.
Shrek 2 is a beautifully done movie, perhaps even more entertaining than the original. Sure, at the end you know your emotions have been manipulated somewhat, but in the end you really don't care. Outstanding voice performances, flawless animation, and a crisp, moderately adult (but not mature, definitely not mature) script reign supreme.
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