When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Manny, Sid, and Diego discover that the ice age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the woolly mammoths.
Shrek has rescued Princess Fiona, got married, and now is time to meet the parents. Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. It's not just the family who are unhappy. Prince Charming returns from a failed attempt at rescuing Fiona, and works alongside his mother, the Fairy Godmother, to try and find a way to get Shrek away from Fiona. Written by
At the end, Shrek tries to do a stage dive and lands on the Bichon Frise, but in the next shot he's back on the stage again! See more »
Once upon a time, in a kingdom far, far away, the king and queen were blessed with a beautiful baby girl, and throughout the land everyone was happy, until the sun went down, and they saw that their daughter was cursed with a frightful enchantment that took hold each and every night. Desperate, they sought the help of a fairy godmother, who had them lock the young princess away in a tower, there to await the kiss of the handsome Prince Charming. It was he who would chance the ...
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In many ways, Shrek 2 is to fairy tales, what Kill Bill:Vol.2 is to the Kung Fu genre. Although these are very different movies, both spoof all previous movies of their type and are loaded with insider allusions (just look at the length of the IMDb trivia sections for each!). Both use latest technology to create a hyper-real quality which goes beyond their forerunners to create a feel that the viewer is seeing something that has not been seen before. But each also stays true to their genres' formula conventions of character and plot that, though seemingly worn out, we still love. As a result these movies are satisfying, meeting some deep rooted needs but in novel and refreshing ways.
2004 may signal a trend in this kind of treatment of well treaded genres, with Westerns and Film Noir as two other potential future candidates.
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