| Photos (See all 43 | slideshow) | Videos (see all 4) |
Directed by | |||
| Gore Verbinski | |||
Writing credits(WGA) | ||
| Ehren Kruger | (screenplay) | |
| Kôji Suzuki | (novel "The Ring") (as Koji Suzuki) | |
| Hiroshi Takahashi | (1998 screenplay Ringu) uncredited | |
Produced by | |||
| Benita Allen | .... | associate producer (as Benita Allen-Honess) | |
| Neal Edelstein | .... | co-executive producer | |
| Christine Iso | .... | co-producer | |
| Roy Lee | .... | executive producer | |
| Mike Macari | .... | executive producer | |
| Laurie MacDonald | .... | producer | |
| Walter F. Parkes | .... | producer | |
| J.C. Spink | .... | co-executive producer | |
| Michele Weisler | .... | executive producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Bojan Bazelli | (director of photography) | ||
Film Editing by | |||
| Craig Wood | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Tom Duffield | |||
Art Direction by | |||
| Patrick M. Sullivan Jr. | |||
Set Decoration by | |||
| Rosemary Brandenburg | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist | |
| Rick Baker | .... | special makeup effects artist | |
| Jean Ann Black | .... | key makeup artist (as Jean A. Black) | |
| Roland Blancaflor | .... | foam latex technician: Cinovation | |
| Barney Burman | .... | special makeup effects artist | |
| RaMona Fleetwood | .... | makeup artist: second unit (as Ramona Fleetwood) | |
| Michelle Garbin | .... | esthetician | |
| Glen P. Griffin | .... | project supervisor: Cinovation (as Glen Griffin) | |
| Jamie Kelman | .... | special makeup effects artist | |
| Medusah | .... | key hair stylist | |
| Sylvia Nava | .... | wig and hair department: Cinovation | |
| Amy Schmiederer | .... | makeup artist | |
| Susan Seligman | .... | makeup artist | |
| Bill Sturgeon | .... | project supervisor: Cinovation | |
| Kazuhiro Tsuji | .... | project supervisor: Cinovation | |
| Chad Waters | .... | project supervisor: Cinovation | |
| Roxanne Wightman | .... | hair stylist | |
| Hiroshi Yada | .... | mold department: Cinovation | |
| Eddie Yang | .... | project supervisor: Cinovation (as Edward Yang) | |
| RaMona Fleetwood | .... | key hair stylist: second unit (uncredited) | |
| Jennifer Gonzales | .... | hair stylist: still photos and pickups (uncredited) | |
| Jennifer Gonzales | .... | makeup artist: still photos and pickups (uncredited) | |
| Bart Mixon | .... | special makeup effects artist (uncredited) | |
| Kazuhiro Tsuji | .... | sculptor: Cinovation (uncredited) | |
Production Management | |||
| Erica Frauman | .... | post-production supervisor | |
| Bill Johnson | .... | unit production manager | |
| Kimberly Rach | .... | production supervisor | |
Sound Department | |||
| Mike Anderson | .... | cable person | |
| Michael Axinn | .... | adr editor (as Mike Axinn) | |
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| Lindakay Brown | .... | dialogue editor (as LindaKay Brown) | |
| Tim Burby | .... | digital sound transferer | |
| Travis Crenshaw | .... | foley recordist | |
| David C. Eichhorn | .... | sound editor | |
| Sean England | .... | machine room operator | |
| Doug Ford | .... | engineering services | |
| Sue Fox | .... | foley editor | |
| Jonathan Greber | .... | digital sound transferer | |
| J.R. Grubbs | .... | sound effects editor | |
| Howie Hammerman | .... | engineering services (as Howie Hammermann) | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Tim Holland | .... | supervising sound editor | |
| David Hunter | .... | digital editorial services | |
| Tom Johnson | .... | sound re-recording mixer | |
| Noah Katz | .... | digital editorial services | |
| Noah Katz | .... | sound editorial technical support | |
| Bruce Lacey | .... | adr dialogue supervisor | |
| Greg LaPlante | .... | digital mastering | |
| Frank 'Pepe' Merel | .... | foley mixer (as Frank Merel) | |
| Peter Miller | .... | sound designer | |
| Steve Morris | .... | engineering services | |
| Lee Orloff | .... | production sound mixer | |
| Paul Pavelka | .... | engineering services | |
| Juan Peralta | .... | sound mix technician | |
| Brandon Proctor | .... | sound mix technician | |
| Jurgen Scharpf | .... | sound mix technician | |
| Eric Stolberg | .... | additional adr | |
| Ewa Sztompke | .... | dialogue editor (as Ewa Sztompke-Oatfield) | |
| Addison Teague | .... | sound effects editor | |
| Dennie Thorpe | .... | foley artist | |
| John Torrijos | .... | video services | |
| Tami Treadwell | .... | adr recordist | |
| Jana Vance | .... | foley artist | |
| Knox White | .... | boom operator (as Knox Grantham White) | |
| Bruce Lacey | .... | dialogue editor (uncredited) | |
| Brian Magerkurth | .... | sound re-recordist (uncredited) | |
| Gene Radzik | .... | stereo sound consultant: Dolby (uncredited) | |
| Craig Wood | .... | sound designer (uncredited) | |
Special Effects by | |||
| William Aldridge | .... | special effects technician | |
| Scott Brines | .... | administration/facilities: Cinovation | |
| Jeffrey P. Buccacio Jr. | .... | designer/sculptor: Cinovation (as Jeff Buccacio) | |
| Rodney M. Byrd | .... | special effects foreman | |
| Terry Chapman | .... | special effects (as Terry P. Chapman) | |
| Jesus Chavez | .... | administration/facilities: Cinovation | |
| Diana Choi | .... | special effects makeup (as Diana Yun Soo Yoo) | |
| Carl Crandall Jr. | .... | mold technician: Cinovation | |
| Burt Dalton | .... | special effects supervisor | |
| Albert Delgado | .... | special effects foreman | |
| Mitch Devane | .... | designer/sculptor: Cinovation | |
| Dale Ettema | .... | special effects technician | |
| Ronald D. Goldstein | .... | special effects technician (as Ronald Goldstein) | |
| Jurgen Heimann | .... | animatronics: Cinovation | |
| Karen Keener | .... | seaming and patching department: Cinovation | |
| William A. Klinger | .... | special effects technician (as William Klinger) | |
| Gil Liberto | .... | mold technician: Cinovation | |
| Elizabeth MacGregor-Scott | .... | administration/facilities: Cinovation (as Elizabeth Macgregor-Scott) | |
| Garth Majors | .... | special effects technician | |
| Mike Manzel | .... | mold technician: Cinovation | |
| James McLoughlin | .... | mold technician: Cinovation (as Jim McLoughlin) | |
| Brian Morishita | .... | administration/facilities: Cinovation | |
| Donald Myers | .... | special effects foreman | |
| Arnold Peterson | .... | special effects: second unit | |
| Bob Riggs | .... | special effects technician | |
| Matt Rose | .... | designer/sculptor: Cinovation | |
| Frank Rydberg | .... | mold technician: Cinovation | |
| Jose Sandoval | .... | administration/facilities: Cinovation | |
| Bill Schepler | .... | special effects technician | |
| Tiffany Smith | .... | administration/facilities: Cinovation | |
| Bob Stoker | .... | special effects technician (as Bob Stoker Jr.) | |
| Clark Templeman | .... | special effects technician | |
| Jeffrey Watts | .... | special effects technician (as Jeff Watts) | |
| Hiroshi Yada | .... | foam latex department: Cinovation | |
| Chet Zar | .... | designer/sculptor: Cinovation | |
Visual Effects by | |||
| Jude Adamson | .... | CG lighter: Rhythm & Hues | |
| Blondel Aidoo | .... | effects producer: Asylum | |
| Chris Anderson | .... | visual effects coordinator (as Christopher Anderson) | |
| Steve Baker | .... | CG animator: Rhythm & Hues | |
| Gil Baron | .... | 3D department: Method Studios | |
| Tony Barraza | .... | roto artist: Rhythm & Hues | |
| Ben Barron | .... | 3D modeler: Matte World Digital | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Jimmy Batchelder | .... | visual effects coordinator: Asylum | |
| Andrew Bell | .... | technical support: Method Studios | |
| Hatem Benabdallah | .... | 3D department: Method Studios | |
| Lee Berger | .... | executive producer: Rhythm & Hues | |
| Laurent Briet | .... | 3D department: Method Studios | |
| Bernadette Castillo | .... | visual effects coordinator: Method Studios | |
| Dan Cayer | .... | digital compositor: Tippett Studio | |
| Jennifer Chantnicki | .... | digital painter: Pacific Title & Arts | |
| Raymond Chih | .... | pipeline setup: Rhythm & Hues | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Glenn Cotter | .... | 3D artist: Matte World Digital | |
| Mike Coulter | .... | data management: Method Studios | |
| Brandon Criswell | .... | roto artist: Asylum | |
| Chris Crowell | .... | compositor: Pacific Title & Arts | |
| Paul Curley | .... | digital opticals: Pacific Title & Arts | |
| Brian Cuscino | .... | I/O: Asylum | |
| Alessandra de Souza | .... | visual effects producer | |
| Michael Degtjarewsky | .... | compositor: Pacific Title & Arts | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Brian Dowrick | .... | CG animator: Rhythm & Hues | |
| Andrew Eksner | .... | 2D department: Method Studios | |
| Christopher Evans | .... | digital matte artist: Matte World Digital | |
| Russ Fell | .... | 2D department: Method Studios | |
| Mark Felt | .... | 2D department: Method Studios | |
| Chris Flynn | .... | compositor: Pacific Title & Arts | |
| Andy Foster | .... | assistant visual effects coordinator: Asylum | |
| Adam Francis | .... | motion control technician | |
| Alex Frisch | .... | visual effects supervisor: Method Studios | |
| Joe Gareri | .... | executive producer: Pacific Title & Arts | |
| George Gervan | .... | digital painter: Pacific Title & Arts | |
| Richard Gervan | .... | digital painter: Pacific Title & Arts | |
| Renee Gharib | .... | visual effects coordinator: Method Studios | |
| Charles Gibson | .... | visual effects supervisor | |
| David Gutman | .... | digital compositor: Rhythm & Hues | |
| Lindsay Hallett | .... | visual effects producer: Asylum (as Lindsay Burnett) | |
| Brian Hanable | .... | Inferno artist: Asylum | |
| Landis Hartman | .... | projection: Pacific Title & Arts | |
| Maureen Healy | .... | compositor: Pacific Title & Arts | |
| Alex Hegedus | .... | engineering: Asylum | |
| Michael Hemschoot | .... | animator: Asylum | |
| Phil Holland | .... | scan/record operator: Rhythm & Hues (as Phillip Holland) | |
| Neysa Horsburgh | .... | executive producer: Method Studios | |
| Keith Hunter | .... | 3D modeler: Rhythm & Hues | |
| Chandra Irving | .... | production assistant: Method Studios | |
| David Jones | .... | visual effects supervisor: Asylum (as David M.V. Jones) | |
| Peter Juneau | .... | effects compositor: Matte World Digital (as Peter Juno) | |
| Zach Justman | .... | assistant editor: Asylum (as Zachary Justman) | |
| Brad Kalinoski | .... | digital painter: Pacific Title & Arts | |
| Nori Kaneko | .... | texture painter: Rhythm & Hues | |
| Kristopher Kasper | .... | visual effects editor: Asylum | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Rick Kim | .... | digital I/O: Pacific Title & Arts | |
| Whitney Kitchen | .... | production coordinator: Rhythm & Hues | |
| Gene Kozicki | .... | digital effects coordinator: Rhythm & Hues | |
| Steve Langius | .... | digital I/O: Pacific Title & Arts | |
| Bill Laverty | .... | engineering: Asylum | |
| Jennifer Law-Stump | .... | compositor: Pacific Title & Arts (as Jennifer Law Stump) | |
| James LeBloch | .... | 3D department: Method Studios | |
| Laurent Ledru | .... | 3D department: Method Studios | |
| Janice Lee | .... | production assistant: Method Studios | |
| Jennifer Lee | .... | visual effects coordinator | |
| Kymber Lim | .... | visual effects producer: Method Studios | |
| Yann Mallard | .... | 3D department: Method Studios | |
| John Marcos | .... | digital I/O: Pacific Title & Arts | |
| Lisa Markou | .... | digital coordinator: Pacific Title & Arts | |
| Lisa McElroy | .... | production assistant: Matte World Digital | |
| Emma McGuinness | .... | executive producer: Asylum | |
| Nathan McGuinness | .... | senior visual effects supervisor: Asylum | |
| Scott McNiel | .... | 2D department: Method Studios | |
| Joel Román Mendías | .... | production executive: Rhythm & Hues (as Joel Mendias) | |
| Brian Miller | .... | digital I/O: Pacific Title & Arts (as Bryan C. Miller) | |
| Rob Moggach | .... | Inferno artist: Asylum | |
| Raul Moreno | .... | previsualization artist: Pixel Liberation Front | |
| Joe Morrison | .... | 2D department: Method Studios | |
| Darren Mortillaro | .... | technical artist: Matte World Digital | |
| Steve Muangman | .... | Inferno artist: Asylum | |
| Greg Mucino | .... | I/O: Asylum | |
| Cedric Nicolas-Troyan | .... | visual effects lead artist: Method Studios (as Cedric Nicolas) | |
| Gary Nolin | .... | visual effects producer: Rhythm & Hues | |
| Chris Paizis | .... | matchmove supervisor | |
| Garrett Pendergraft | .... | render I/O coordinator: Rhythm & Hues | |
| Nicholas Peterson | .... | motion control producer | |
| Patrick Phillips | .... | compositor: Pacific Title & Arts | |
| Haunt Rama | .... | digital I/O: Matte World Digital | |
| Rich Rama | .... | production assistant: Method Studios | |
| Mark P. Renton | .... | Inferno artist: Asylum | |
| Orson Rheinfurth | .... | projection: Pacific Title & Arts | |
| Daniel Riha | .... | visual effects coordinator | |
| Paul Rivera | .... | chief technical artist: Matte World Digital | |
| Gary Robbins | .... | Bischoff's taxidermy: Tippett Studios | |
| Gary Robbins | .... | animal effects: Tippett Studios | |
| Tracey Roberts | .... | lead character setup | |
| Lee Robinson | .... | video: Asylum | |
| Mike Roby | .... | CG lighter: Rhythm & Hues | |
| Mark Rodahl | .... | digital effects supervisor: Rhythm & Hues | |
| Ken Rogerson | .... | effects editorial: Matte World Digital | |
| Michael Root | .... | software engineer: Matte World Digital (as Mike Root) | |
| Rob Salvage | .... | engineering: Asylum | |
| Brandon Sanders | .... | 2D department: Method Studios | |
| David Santiago | .... | cg artist: Asylum | |
| Fred Simon | .... | systems support: Rhythm & Hues | |
| Todd R. Smith | .... | technical artist: Matte World Digital | |
| Colleen Smith-Brattesani | .... | Inferno artist: Rhythm & Hues | |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Arts | |
| Chris Staves | .... | videotape lead artist: Method Studios | |
| David Stephens | .... | cg artist: Asylum (as David J. Stephens) | |
| Chris Stoski | .... | digital matte artist: Matte World Digital | |
| Bridget M. Taylor | .... | roto artist: Asylum (as Bridget Taylor) | |
| Scott Taylor | .... | technical lead: Method Studios | |
| Will Telford | .... | animation Setup: Rhythm & Hues | |
| Deborah Thomas | .... | data wrangler: Tippett Studio | |
| Paul G. Thuriot | .... | character technical director | |
| James D. Tittle | .... | digital coordinator: Pacific Title & Arts | |
| Morgan Trotter | .... | 3D artist: Matte World Digital | |
| Marla Valentine | .... | systems operator: Rhythm & Hues | |
| Andreas Wacker | .... | technical supervisor: Method Studios | |
| Mark Welser | .... | matchmover: Rhythm & Hues | |
| Jeff Werner | .... | CG producer: Asylum | |
| Ryan Yoshimoto | .... | 2D department: Method Studios | |
| Nathan Abbot | .... | film I/O supervisor: Tippett Studio (uncredited) | |
| Brandon Craig | .... | render supervisor (uncredited) | |
| Robert Dorris | .... | production assistant: Tippett Studio (uncredited) | |
| Derek Fisher | .... | previsualization designer (uncredited) | |
| Adam Gerardin | .... | digital color corrector: Tippett Studio (uncredited) | |
| Andy Harbeck | .... | painter (uncredited) | |
| Traci Horie | .... | character animator: Tippett studio (uncredited) | |
| Patrick Kavanaugh | .... | digital artist: Asylum (uncredited) | |
| Kirk Larkins | .... | lead matchmove: Tippett Studio (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
| Mike Pemberton | .... | video/computer graphics production assistant (uncredited) | |
| Frank Petzold | .... | visual effects supervisor: Tippett Studio (uncredited) | |
| Chris B. Schnitzer | .... | motion control technician: Image G Crew (uncredited) | |
| Helder Sun | .... | motion control technician (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
| Matthew Tomlinson | .... | digital imaging supervisor: Tippett Studio (uncredited) | |
| Kenneth Voss | .... | digital paint and rotoscope artist: Tippett Studio (uncredited) | |
| Vicki Wong | .... | digital film I/O manager: Tippett Studio (uncredited) | |
Casting Department | |||
| Dena Berman | .... | casting associate | |
| Leslee Feldman | .... | casting executive | |
| Jodi Rothfield | .... | casting: Washington | |
| Steve Spiker | .... | extras casting: Central Casting | |
| Danny Stoltz | .... | extras casting: Washington | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly J. Adams) | |
| Linda S. Cormany | .... | set costumer | |
| Beate Eisele | .... | costumes: Cinovation | |
| Jirina Eisenhamerova | .... | costumer | |
| Nancy McArdle | .... | costume supervisor | |
| Jalene Murphy | .... | set costumer: second unit | |
| Eva Prappas | .... | set costumer | |
| Jonny Pray | .... | costume supervisor (as Jon Pray) | |
| Dalhia Schuette | .... | set costumer | |
| Jeanne Vosloo | .... | costumes: Cinovation | |
| Marienne O'Brien | .... | set costumer: second unit (uncredited) | |
Editorial Department | |||
| Tony Bacigalupi | .... | first assistant film editor | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| Sven E. Fahlgren | .... | post-production coordinator (as Sven E.M. Fahlgren) | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Kindra Marra | .... | second assistant editor | |
| Simon Morgan | .... | first assistant editor: avid | |
| Jason Summers | .... | editorial production assistant | |
| Fulvio Valsangiacomo | .... | assistant editor (uncredited) | |
Music Department | |||
| Slamm Andrews | .... | music mix engineer | |
| Becky Bentham | .... | music coordinator: Hothouse Music Ltd. | |
| Jim Dooley | .... | composer: additional music | |
| Geoff Foster | .... | music recording engineer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Todd Homme | .... | music executive | |
| Henning Lohner | .... | composer: additional music | |
| Trevor Morris | .... | music editor | |
| Anthony Pleeth | .... | musician: cello | |
| Gregg Silk | .... | assistant music mix engineer | |
| Tony Stanton | .... | music preparation | |
| Martin Tillman | .... | composer: additional music (as Martin Tillmann) | |
| Martin Tillman | .... | soloist: cello (as Martin Tillmann) | |
| Fiachra Trench | .... | conductor | |
| Dan Beyer | .... | music intern (uncredited) | |
| Kevin Blumenfeld | .... | music intern (uncredited) | |
| Bruce Fowler | .... | orchestrator (uncredited) | |
| Ladd McIntosh | .... | orchestrator (uncredited) | |
| Melissa Orquiza | .... | music preparation (uncredited) | |
| Christopher Tin | .... | music intern (uncredited) | |
Other crew | |||
| Lea Anderson | .... | additional craft service | |
| Jason Bierfeld | .... | assistant: Mr. Parkes | |
| Pete Blumel | .... | production staff | |
| Chamonix Bosch | .... | production assistant | |
| Michael E. Boyle | .... | head horse wrangler (as Mike Boyle) | |
| Alex Brandenburg | .... | production assistant (as Alexandra Brandenburg) | |
| Richard Brooks Burton | .... | aerial assistant: second unit (as Richard Burton) | |
| Sara Burton | .... | unit location manager | |
| Kaiser Clark | .... | production assistant | |
| Jesse Cook | .... | researcher | |
| Marcia Craig | .... | studio teacher | |
| Karen Leigh Crutcher | .... | first aid (as Karen L. Crutcher) | |
| Cris De Arce | .... | production assistant: second unit | |
| Maria DeVane | .... | post-production accountant | |
| David Diamond | .... | assistant location manager | |
| Clay Duncan | .... | assistant: Hans Zimmer | |
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Gregg Edler | .... | production coordinator | |
| Kirby C. Fortenberry | .... | production assistant | |
| Tyler W. Gaisford | .... | production assistant | |
| Page Gehrke | .... | production assistant: second unit | |
| Michael George | .... | marine crew (as Michael A. George) | |
| Michael A. George | .... | marine crew | |
| Orlando R. Gonzales | .... | assistant production coordinator | |
| René González | .... | projectionist (as Renee Gonzalez) | |
| Bernie Granados | .... | first aid (as Bernie Granados Jr.) | |
| Lindsay Greitzer | .... | assistant: Mr. Verbinski | |
| Michael Grillo | .... | head of feature production | |
| Leilani Gushiken | .... | assistant: Ms. MacDonald | |
| McJoel Hamilton | .... | production assistant | |
| Ronald M. Haynes | .... | assistant location manager: Los Angeles | |
| Rusty Hendrickson | .... | horse wrangler | |
| Daren Hicks | .... | production coordinator | |
| Elizabeth Himelstein | .... | dialect coach | |
| Heidi Holicker | .... | assistant: Rick Baker, Cinovation | |
| Teresa Jaime Drapkin | .... | payroll accountant | |
| Joy Johnson | .... | assistant: Mr. Parkes | |
| Jen Jones | .... | additional office production assistant | |
| Michael Judd | .... | production assistant | |
| Afnahn Khan | .... | production secretary | |
| John Brian King | .... | title designer (as Brian King) | |
| Samantha C. Kirkeby | .... | script supervisor: second unit | |
| Jennifer Koenig | .... | second assistant accountant (as Jennifer Anne Koenig) | |
| Linda Kroll | .... | assistant: Ms. MacDonald | |
| Paul Kuzmich | .... | caterer: Hat Trick Catering | |
| John LaBrucherie | .... | production assistant | |
| Mike Lane | .... | client services | |
| Benjamin Lehman | .... | stand-in (as Ben Lehman) | |
| Jayme Lemons | .... | assistant: Ms. Weisler | |
| Jim Lipman | .... | marine crew | |
| Kevin Lum | .... | production assistant: second unit | |
| Michael C. Lund | .... | production secretary (as Michael Lund) | |
| Traci Martin | .... | additional accountant | |
| Blair Mastbaum | .... | assistant: Ms. Watts | |
| Thomas John McGowan | .... | studio teacher (as Thomas McGowan) | |
| Sam McMullen | .... | production assistant | |
| David Mendoza | .... | production assistant | |
| Jeffrey Meyer | .... | horse wrangler (as Jeffrey M. Meyer) | |
| Murray Miller | .... | location manager | |
| Kathryn Mindala | .... | production accountant | |
| Steven Moder | .... | editorial systems manager (as Steven B. Moder) | |
| Steven R. Molen | .... | production executive | |
| Candace Moon | .... | stand-in | |
| Leslie A. Morrow | .... | key assistant location manager | |
| Melissa Muik | .... | assistant: Hans Zimmer | |
| Moanike'ala Nakamoto | .... | assistant: Hans Zimmer | |
| Eva Napolean | .... | client services | |
| Boone Narr | .... | animal trainer | |
| Gordon Ng | .... | client services | |
| Matt O'Connor | .... | assistant marine coordinator | |
| Matthew H. O'Connor | .... | assistant marine coordinator | |
| Kathleen O'Reilly | .... | education department manager | |
| Eric Persons | .... | assistant location manager | |
| Rex Peterson | .... | head horse wrangler | |
| Bill Phillips | .... | construction accountant | |
| Gordon Pomroy | .... | first aid: second unit (as Gordon Pomeroy) | |
| Liz Radley | .... | video and computer graphics supervisor | |
| Angela Randazzo | .... | payroll accountant | |
| Sonia Randazzo | .... | second assistant accountant | |
| Sharron Reynolds | .... | script supervisor (as Sharron Reynolds-Enriquez) | |
| Deborah Ricketts | .... | stock footage researcher | |
| Christina Rollo | .... | assistant production coordinator | |
| Chris Romberg | .... | assistant accountant (as Christopher Romberg) | |
| Renee Russo | .... | client services | |
| Scott Safechuck | .... | marine crew (as Scott J. Safechuck) | |
| Robin F. Samson | .... | location scout | |
| Jennifer Sanger | .... | executive production coordinator | |
| Chad Saxton | .... | production assistant: second unit | |
| Gina Segall | .... | solo voice | |
| Calvin Shatto | .... | marine crew | |
| George Shockley | .... | assistant location manager | |
| Christine Siemucha | .... | production assistant: second unit | |
| Stefanie Sparks | .... | payroll assistant | |
| Sheri St Lawrence | .... | second assistant accountant | |
| Trish 'The Dish' Stanard | .... | production assistant (as Trish Stanard) | |
| John H. Strahm | .... | assistant location manager | |
| Tony Swatton | .... | jeweller | |
| Rex M. Teese | .... | projectionist (as Rex Teese) | |
| Paul Tennis | .... | production staff | |
| Patience Thoreson | .... | script supervisor: second unit | |
| Dan Tipton | .... | production assistant | |
| Jim Turner | .... | production controller | |
| Lisette J. Vail | .... | stand-in: Naomi Watts | |
| Anne Van Den Avond | .... | additional accountant | |
| Daniel Villarreal | .... | production assistant | |
| Robert Warberg | .... | assistant location manager | |
| Robert Warberg | .... | location scout | |
| Troy Waters | .... | marine coordinator | |
| Jennessa West | .... | production assistant (as Jennessa Richert) | |
| Alex L. Worman | .... | unit publicist (as Alex Worman) | |
| Ted Yonenaka | .... | craft service | |
| Robert 'Bobby Z' Zajonc | .... | helicopter pilot (as Robert Zajonc) | |
| Kurt Zelnak | .... | travel coordinator | |
| Annie Noel Applegarth | .... | location scout (uncredited) | |
| Carlos A. Aragon | .... | production assistant (uncredited) | |
| Carlos P. Cunha | .... | production assistant (uncredited) | |
| Kevin Du Toit | .... | assistant to post-production (uncredited) | |
| Jason Farrar | .... | production assistant: Seattle (uncredited) | |
| Elizabeth Jurado | .... | set production assistant (uncredited) | |
| Lorelei LaBella | .... | production assistant: Seattle (uncredited) | |
| Benjamin Lehman | .... | photo double: Martin Henderson (uncredited) | |
| Julia Milova | .... | body double: Naomi Watts (uncredited) | |
| Erin Neal | .... | production assistant: second and third unit (uncredited) | |
| Ben Pomeroy | .... | production assistant (uncredited) | |
| Bobby Ravanshenas | .... | assistant to cast (uncredited) | |
| Kait Raymond | .... | photo double: Daveigh Chase (uncredited) | |
| Kait Raymond | .... | stand-in: Daveigh Chase (uncredited) | |
| Lora Somoza | .... | assistant to director (uncredited) | |
| Lisette J. Vail | .... | photo double: Naomi Watts (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
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| Ring | Deep Red | Persepolis | The Girl with the Dragon Tattoo | 1408 |
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This film is the American take on the Japanese original and while it absorbs its source material intact, it twists around its formula a bit in order to make it fit its new surroundings. The story is the same: a journalist, after losing her niece to a mysterious circumstance, investigates and discovers a cursed videotape, which gives a viewer only seven days to live.
Like its predecessors, the film doesn't spend that much time on the supernatural elements, but focuses more on the mystery. However, The Ring features a lot more supernatural elements immediately and throughout the film than either previous version, perhaps to make more obvious and visceral the impending doom that faces our protagonist. Visually, The Ring has been injected with a shot of adrenaline, being less the brooding mystery of the original and more immediate and menacing. The color palette is colder than Ringu and the story is also more detached and focused on the ghostly mechanics than the human story, which leads the film to be more recognizably intimidating.
The story itself is a little more mysterious in that the backstory of our villain is rather thin and unexplained. Furthermore, the villain is clearly portrayed as senselessly malevolent; this weakens at least two significant scenes. The ending, I think, is more clever than the previous versions. I like that there is something to the relationship between the protagonist, Rachel, and her ally, Noah, but it still seems a little weak when compared to Ringu--where one line can effortlessly show the development in the relationship.
As far as a horror movie goes, The Ring is a blunt, but nonetheless creepy example. Losing some of the trappings of its predecessors helps simplify the story for faster flow and to create room for more visual creepiness, but also loses some of the complexity that helped the story have more depth. It's more of impressive frightfest than Ringu, but is a little weaker in story resonance. In the end, that makes The Ring just as effective overall: if you want more chills, catch this version. If you want more meat, catch Ringu. Decent entertainment. 7/10.