With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Rachel Keller is a journalist investigating a videotape that may have killed four teenagers (including her niece). There is an urban legend about this tape: the viewer will die seven days after watching it. If the legend is correct, Rachel will have to run against time to save her son's and her own life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In both the American and Japanese versions, the name of the little girl is connected to a story about death. The name "Samara" refers to a story retold by W. Somerset Maugham (Appointment in Samarra) about a man who meets Death in the marketplace and flees to the town of Samarra. See more »
After breaking into the records room, Noah is looking at Samara's pictures or photo negatives, holding them up to the light. The shot of him shows his fingers covering some of the first picture, but the next shot from his point of view the whole picture is visible and his fingers cannot be seen. See more »
I hate television. Gives me headaches. You know, I heard there's so many magnetic waves traveling through the air, because of TV and telephones, that we're losing, like, ten times as many brain cells as we're supposed to. Like, all the molecules in our heads are all unstable. All the companies know about it, but they're not doing anything about it. It's, like, a big conspiracy.
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The Ring did three things no film of late has done. It took the genre of Horror seriously without going over the top. It is derived from a superior story and translated to American film superbly, regardless of what the naysayers say. And, while it starts off typically, it ascends into a beautiful, darkling, twisted, genuinely creepy story, which holds you through to the end.
Gore Verbinski's style is unmistakable. He has left this work well marked with his stylistic shots, and suspenseful progression.
Actually, I found this far superior to most horrors done in the last thirty years or so. A lot has been said about Ringu, the work from which this was adapted for American cinema, and inevitable subsequent comparisons made, however, that is certainly NOT the case. That argument is moot, as this work was based on the novel, "The Ring" by Koji Suzuki, so if you want something to which an honest comparison may be made, I would suggest you read the book, and leave Ringu where it belongs. Personally, I found the American adaptation much more to my liking than Ringu.
This is one twisted little creep-fest! It rates an 8.7/10 from...
the Fiend :.
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