| Bulle Ogier | ... | Rose | |
| Ludmila Mikaël | ... | Anne | |
| Hélène Fillières | ... | Marie | |
| Jonathan Zaccaï | ... | Paul | |
| Patrick Lizana | ... | Albert | |
| Liliane Rovère | ... | Odette | |
| Emmanuelle Lepoutre | ... | Albertine | |
| Fabien Orcier | ... | Jacquot | |
| Jauris Casanova | ... | Pierre | |
| Audrey Bonnet | ... | Lilas | |
| Jean-Michel Noirey | ... | Robert | |
| Jacqueline Carpentier | ... | Denise | |
| Alexandra Mercouroff | ... | Lucille | |
| Antonia Ortu | ... | La serveuse de bar | |
| Nathalie Pannel | ... | La femme notable | |
| Séverine Hulin | ... | Une Ouvriere | |
| Gwenaëlle Lemartelot | ... | Une Ouvriere (as Gwenaëlle Le Martret) | |
| Pierre-Antoine Ortu | ... | Le patron | |
| Jack Duponchelle | ... | Blanchard | |
| Sophie Laloy | ... | La maquilleuse | |
| Josette Ferriere | ... | La vielle dame |
Directed by | |||
| Julie Lopes-Curval | |||
Writing credits(in alphabetical order) | ||
| François Favrat | ||
| Julie Lopes-Curval | ||
Produced by | |||
| Alain Benguigui | .... | producer | |
Original Music by | |||
| Christophe Chevalier | |||
| Nicolas Gerber | |||
Cinematography by | |||
| Stephan Massis | |||
Film Editing by | |||
| Anne Weil | |||
Casting by | |||
| Nathaniele Esther | |||
Production Design by | |||
| Philippe van Herwijnen | |||
Costume Design by | |||
| Marie Malissen | |||
Makeup Department | |||
| Nadine Boucher | .... | trainee makeup artist | |
| Vanessa Guérand | .... | assistant makeup artist | |
| Mika Korkida | .... | key makeup artist | |
| Maury Tollemer | .... | key hair stylist | |
Production Management | |||
| Marc Eloy | .... | production manager | |
| Isabelle Soyer | .... | unit manager | |
| Patrick Villeneuve | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Carlo Da Fonseca Parsotam | .... | first assistant director (as Carlos Parsotam) | |
| Julie Navarro | .... | second assistant director | |
Art Department | |||
| Denis Calvez | .... | property master | |
Sound Department | |||
| Julien Cloquet | .... | sound re-recording mixer | |
| Steven Ghouti | .... | adr mixer | |
| Benoît Gilg | .... | sound editor | |
| Fabrice Gérardi | .... | sound editor | |
| Sophie Laloy | .... | sound | |
| Gildas Mercier | .... | sound mixer | |
| François Méreu | .... | sound | |
| Philippe Penot | .... | foley artist | |
Costume and Wardrobe Department | |||
| Naima Lagrange | .... | costumer | |
Editorial Department | |||
| Idit Bloch | .... | assistant editor | |
| Thomas Coulombeix | .... | assistant editor | |
| Marcel Mazoyer | .... | color timer | |
| Nora Sèches | .... | color timer | |
| Patrick Thauvin | .... | negative cutter | |
Other crew | |||
| Léo Campagne | .... | production secretary | |
| Thierry Louis De Cannonville | .... | production administrator | |
| Arnaud Morin | .... | production accountant | |
| Krystel Rende | .... | script supervisor | |
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| Undertow | Isadora | Lawless Heart | Kings & Queen | Factory Girl |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
This is another charmer. The great thing about France is that filmmakers are allowed to make 'small' films like this without being penalized. In the same year (2002) for example Le Chignon d'Olga was also released and between them both films racked up something like 100,000 admissions but nobody yelled, no heads rolled, in fact Julie Lopes-Curval who directed Bord de mer went on to write La role de sa vie which co-screenwriter of Bord de mer, Francois Favrat, directed and with Agnes Jaoui and Karin Viard co-starring 'Role' was a much more high-profile project. Not a lot happens in Bord de mer. If you want an analogy it's something like Walden if Thoreau had been part of a community. It's just a record of a year in a small seaside town which is virtually almost always out-of-season even in the summer because the only visitors are regulars, most of whom own property rather than staying in hotels/pensions. It's a company town to the extent that a small family company 'mine' the sea for stones which are then 'sorted' by the locals and used to manufacture anything that CAN be manufactured from pebbles. We follow a handful of people, the best known being Bulle Ogier and Ludmilla Mikhael, ex-Comedy Francaise as they are, in the immortal words of Johnny Burke, busy doing nothing. The film is shot in lovely, not to say restful, pastels and a second viewing some two years later was just as enjoyable as the initial one.