| Photos (See all 78 | slideshow) | Videos (see all 4) |
| Julianne Moore | ... | Cathy Whitaker | |
| Dennis Quaid | ... | Frank Whitaker | |
| Dennis Haysbert | ... | Raymond Deagan | |
| Patricia Clarkson | ... | Eleanor Fine | |
| Viola Davis | ... | Sybil | |
| James Rebhorn | ... | Dr. Bowman | |
| Bette Henritze | ... | Mrs. Leacock | |
| Michael Gaston | ... | Stan Fine | |
| Ryan Ward | ... | David Whitaker | |
| Lindsay Andretta | ... | Janice Whitaker | |
| Jordan Puryear | ... | Sarah Deagan | |
| Kyle Timothy Smith | ... | Billy Hutchinson (as Kyle Smyth) | |
| Celia Weston | ... | Mona Lauder | |
| Barbara Garrick | ... | Doreen | |
| Olivia Birkelund | ... | Nancy | |
| Stevie Ray Dallimore | ... | Dick Dawson | |
| Mylika Davis | ... | Esther | |
| Jason Franklin | ... | Photographer | |
| Gregory Marlow | ... | Reginald Carter | |
| C.C. Loveheart | ... | Marlene | |
| June Squibb | ... | Elderly Woman | |
| Laurent Giroux | ... | Man with Mustache | |
| Alex Santoriello | ... | Spanish Bartender | |
| Matt Malloy | ... | Red Faced Man | |
| J.B. Adams | ... | Farnsworth | |
| Kevin Carrigan | ... | Soda Jerk | |
| Chance Kelly | ... | Tallman | |
| Declan Baldwin | ... | Officer #1 | |
| Brian Delate | ... | Officer #2 | |
| Pamela Evans Haynes | ... | Kitty (as Pamela Evans) | |
| Joe Holt | ... | Hotel Waiter | |
| Ben Moss | ... | Hutch's Friend | |
| Susan Willis | ... | Receptionist | |
| Karl Schroeder | ... | Conductor | |
| Lance Olds | ... | Bail Clerk | |
| Johnathan McClain | ... | Staff Member #1 | |
| Nicholas Joy | ... | Blond Boy | |
| Virl Andrick | ... | Blond Boy's Father | |
| Jezabel Montero | ... | Hooker (as Jezebel Montero) | |
| Geraldine Bartlett | ... | Woman at Party | |
| Ernest Rayford | ... | Glaring Man (as Ernest Rayford III) | |
| Duane McLaughlin | ... | Jake | |
| Betsy Aidem | ... | Pool Mother | |
| Mary Anna Klindtworth | ... | Pool Daughter | |
| Ted Neustadt | ... | Ron | |
| Thomas Torres | ... | Band Leader | |
| Blondell Cooper | ... | Hostess | |
| rest of cast listed alphabetically: | |||
| Fabrizio Fante | ... | Hartford Commuter (uncredited) | |
| Ben Hauck | ... | Refreshments Boy (uncredited) | |
| Michael Linstroth | ... | Kenny's Brother (uncredited) | |
| Sarah Beth Nelson | ... | Box Office Ticket Seller (uncredited) | |
| John H. Tobin | ... | Hartford Art Buyer (uncredited) | |
| Kristen Vermilyea | ... | New Year's Eve Party Goer (uncredited) | |
| Jennifer Weedon | ... | Kissing Girl (uncredited) | |
Directed by | |||
| Todd Haynes | |||
Writing credits(WGA) | ||
| Todd Haynes | (written by) | |
Produced by | |||
| Jody Allen | .... | producer (as Jody Patton) | |
| Declan Baldwin | .... | co-producer | |
| George Clooney | .... | executive producer | |
| Eric Robison | .... | executive producer | |
| Bradford Simpson | .... | co-producer | |
| John Sloss | .... | executive producer | |
| Steven Soderbergh | .... | executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
| Tracy Brimm | .... | executive producer (uncredited) | |
| Diane Cornell | .... | financial line producer (uncredited) | |
| Jean-Charles Levy | .... | associate producer (uncredited) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Edward Lachman | (director of photography) | ||
Film Editing by | |||
| James Lyons | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Peter Rogness | |||
Set Decoration by | |||
| Ellen Christiansen | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Alan D'Angerio | .... | key hair stylist | |
| Hildie Ginsberg | .... | makeup artist | |
| Michael Kriston | .... | hair stylist | |
| Elaine L. Offers | .... | makeup supervisor (as Elaine Offers) | |
| Mary Cooke | .... | hair stylist (uncredited) | |
| Eva Polywka | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Brad Goodman | .... | post-production supervisor | |
| Buzz Koenig | .... | production manager (as Scott Koenig) | |
| Katie Roumel | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Timothy Bird | .... | first assistant director | |
| Kristal D. Moseley | .... | second second assistant director | |
| Peter Thorell | .... | second assistant director | |
Art Department | |||
| Derrick Alford | .... | shop craft | |
| JoAnn Atwood | .... | on-set dresser | |
| Robert Barnett | .... | camera scenic | |
| Eric Bart | .... | journeyman | |
| James Boniece | .... | best boy construction grip | |
| Douglas Bowen | .... | shop craft (as Douglas M. Bowen) | |
| Paul Candrilli | .... | construction grip | |
| Ralph Contrado | .... | journeyman | |
| Michele Corn | .... | journeyman (as Michele Corn Farrell) | |
| Eva P. Davy | .... | journeyman (as Eva Davy) | |
| Rena DeAngelo | .... | assistant set decorator | |
| Alex DiGerlando | .... | art department production assistant (as Alex Digerlando) | |
| Paul George Divone | .... | shop craft (as Paul Divone) | |
| James Donahue | .... | journeyman | |
| Bridget Drummond | .... | construction tracker | |
| Marcial Garlitos | .... | shop craft | |
| Alison Gilham | .... | journeyman | |
| Harvey Goldberg | .... | set dresser foreman | |
| Charles Goodman | .... | construction grip | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Tom Grunke | .... | construction grip | |
| Sandy Hamilton | .... | property master | |
| Joanna Hartell | .... | set dresser | |
| James Hoff | .... | journeyman | |
| Dana Hook | .... | best boy construction grip (as Dana S. Hook) | |
| Bruno Jakob | .... | paintings by | |
| Janet Kalas | .... | journeyman | |
| Henry Kaplan | .... | set dresser | |
| Brad Katz | .... | paintings by | |
| Lisa Kennedy | .... | journeyman | |
| Myron Kerstein | .... | paintings by | |
| Claire Kirk | .... | art department coordinator | |
| Morton Korn | .... | construction grip | |
| Gordon Krause | .... | key shop craft | |
| Rob Landoll | .... | shop scenic (as Robert Landoll) | |
| Roger Lang | .... | shop craft | |
| Steven E. Lawler | .... | shop craft (as Steven A. Lawler) | |
| Elizabeth Linn | .... | charge scenic | |
| Jeff Lomaglio | .... | shop craft | |
| Michael Loonam | .... | shop production assistant | |
| Miguel López-Castillo | .... | assistant art director (as Miguel Lopez-Castillo) | |
| James Maiello | .... | shop craft | |
| Timothy Main | .... | shop craft (as Tim Main) | |
| Jeffrey D. McDonald | .... | assistant art director (as Jeff McDonald) | |
| Michael A. McFadden | .... | construction grip (as Michael McFadden) | |
| Timothy Metzger | .... | leadman (as Tim Metzger) | |
| Nick Miller | .... | construction coordinator | |
| Ronald Miller | .... | shop craft | |
| Kris Moran | .... | assistant property master | |
| Don Nace | .... | scenic foreman | |
| Quang Nguyen | .... | journeyman | |
| Mel Noped | .... | construction grip (as Melvin Noped) | |
| Michael O'Dell Green | .... | journeyman (as Michael D. Green) | |
| Janine Pesce | .... | set dresser | |
| Romano C. Pugliese | .... | greensperson (as Romano Pugliese) | |
| Charles Quinlivan | .... | construction grip | |
| Paul Ramirez | .... | shop scenic | |
| Malcolm Reid | .... | shop craft | |
| Lawrence Robinson | .... | journeyman | |
| James Sadek | .... | shop craft | |
| Johnny Santiago | .... | construction grip | |
| Will Scheck | .... | first greensperson | |
| Elaine Schindler | .... | journeyman | |
| Mark Paul Selemon | .... | second greensperson (as Mark Selemon) | |
| Richard A. Sirico | .... | shop craft | |
| Jennifer Snoeyink | .... | journeyman (as Jennifer Snoeyink-Moskowitz) | |
| Beth Solin | .... | journeyman | |
| Jonathan Swain | .... | greensperson | |
| Robert Vaccariello | .... | shop craft (as Robert A. Vaccariello) | |
| Holly Watson | .... | graphics | |
| Thomas White | .... | shop craft | |
| Anthony Baldasare | .... | set dresser (uncredited) | |
| Stephen Barth | .... | scenic artist (uncredited) | |
| Paul Camarro | .... | set dresser (uncredited) | |
| Brent Godek | .... | set dresser (uncredited) | |
Sound Department | |||
| Kelley Baker | .... | supervising sound editor | |
| David Boulton | .... | adr mixer | |
| Robert Carr | .... | mix recordist | |
| David A. Cohen | .... | dialogue editor | |
| Michael 'Gonzo' Gandsey | .... | sound editor | |
| Marshall Garlington | .... | re-recording mixer | |
| Jeanne Gilliland | .... | boom operator (as Jeanne L. Gilliland) | |
| Amy Hammer | .... | operations: Wilshire Stages | |
| Drew Kunin | .... | production sound mixer | |
| Marnie Moore | .... | foley artist | |
| Richard Moore | .... | sound editor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Andy Peach | .... | mix recordist (as Andrew Peach) | |
| Frank Rinella | .... | foley mixer (as Frank Renella) | |
| Paul Rodriguez | .... | operations: Wilshire Stages | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Concha Solano | .... | first assistant sound editor | |
| Eric Thompson | .... | adr mixer | |
| Lesly Verduin | .... | apprentice sound editor | |
| Joe White | .... | boom operator (as Joseph White Jr.) | |
| James Willetts | .... | foley recordist | |
| Patrick Winters | .... | adr and foley editor | |
| James Wright | .... | consultant: Dolby Sound (as Jim Wright) | |
| Peter Appleton | .... | adr supervisor (uncredited) | |
| Chris Navarro | .... | adr recordist (uncredited) | |
| Eric Stolberg | .... | additional dialogue recording (uncredited) | |
Special Effects by | |||
| Michael Bird | .... | special effects assistant | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Thomas Viviano | .... | special effects assistant (as Thomas L. Viviano) | |
Visual Effects by | |||
| Shaina Holmes | .... | digital compositor (uncredited) | |
| L. Elizabeth Powers | .... | digital compositor (uncredited) | |
| Mark Sawicki | .... | optical camera (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Divine Cox | .... | grip (as Divine T. Cox) | |
| John W. DeBlau | .... | gaffer (as John W. Deblau) | |
| Jay Feather | .... | second assistant camera | |
| Richie Ford | .... | rigging best boy (as Richard Ford) | |
| David Franzoni | .... | best boy electric | |
| Abbot Genser | .... | still photographer (as Abbott Genzer) | |
| Richard Gioia | .... | first assistant camera | |
| Craig Haagensen | .... | camera operator | |
| Anthony Hecanova | .... | loader (as Anthony Hechanova) | |
| Paul Kinghan | .... | shop electric | |
| David Lee | .... | still photographer | |
| Dave Lowry | .... | best boy grip (as David F. Lowry Jr.) | |
| Rick Marroquin | .... | dolly grip | |
| Jim McMillan Jr. | .... | grip (as James C. McMillan Jr.) | |
| James McMillan | .... | key grip (as James C. McMillan III) | |
| Charles Meere III | .... | generator operator | |
| Tom Percarpio | .... | rigging gaffer (as Thomas Percarpio) | |
| Mark Schwentner | .... | third electric | |
| Christopher Vaccaro | .... | grip (as Chris Vaccaro) | |
| Craig Vaccaro | .... | key rigging grip | |
| Nicky 'Nuckles' Vaccaro | .... | rigging grip (as Nick Vaccaro) | |
| Peter Colavito | .... | electrician (uncredited) | |
| Jason Micallef | .... | lamp operator (uncredited) | |
| Melissa O'Brien | .... | assistant camera (uncredited) | |
Casting Department | |||
| Krista Bogetich | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting: Kee Casting (as Karen Etcoff) | |
| Bill Tripician | .... | extras casting assistant | |
| Ali Farrell | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Jill E. Anderson | .... | set costumer | |
| David Davenport | .... | wardrobe supervisor | |
| Patricia Eiben | .... | costumer | |
| Joni M. Huth | .... | tailor | |
| Jessica Jahn | .... | costume assistant | |
| Dain I. Kalas | .... | tailor (as Dain Kalas) | |
| Cheryl Kilbourne-Kimpton | .... | set costumer | |
| Mary Jo McGrath | .... | costume coordinator (as M. J. McGrath) | |
| Lisa Padovani | .... | assistant costume designer | |
| Barbara Presar | .... | costumer | |
| Tom Soluri | .... | set costumer | |
| Thomas Stokes | .... | costumer (as Tom Stokes) | |
| Susan J. Wright | .... | wardrobe supervisor | |
| Susan Bakula | .... | costume tailor (uncredited) | |
| Stephanie Biear | .... | seamstress (uncredited) | |
| John Cowell | .... | head costume painter (uncredited) | |
| Addie Hall | .... | costumer (uncredited) | |
| Stacy Havens | .... | tailor (uncredited) | |
Editorial Department | |||
| Jack Baierlein | .... | colorist: video dailies | |
| Kiersten Harter | .... | second assistant editor | |
| Elizabeth Merrick | .... | editorial production assistant | |
| Veronica Vichit-Vadakan | .... | apprentice editor | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Joe Violante | .... | dailies processor: Technicolor (as Joey Violante) | |
| Shelly Westerman | .... | associate editor | |
| Lee Wimer | .... | color timer | |
| Joe Finley | .... | digital colorist (uncredited) | |
Music Department | |||
| Emilie A. Bernstein | .... | orchestrator | |
| Joanie Diener | .... | music editor | |
| Nathan Kaproff | .... | music contractor | |
| Joe Lisanti | .... | music editor | |
| Cynthia Millar | .... | musician: piano solos | |
| Patrick Russ | .... | assistant orchestrator | |
| Carl Sealove | .... | assistant music editor | |
| Dan Wallin | .... | scoring engineer | |
| Warren Sherk | .... | music preparation (uncredited) | |
Transportation Department | |||
| Tommy Allen | .... | period vehicle coordinator (as Thomas C. Allen) | |
| Robert Buckman | .... | transportation co-captain | |
| Timothy P. Cassella | .... | driver | |
| Richard Clark | .... | driver | |
| Louis Ferraioli | .... | driver | |
| William R. Hilt | .... | driver | |
| Michael Hyde | .... | transportation captain | |
| William J. Junior | .... | driver | |
| Peter Krienbihl | .... | driver (as Peter A. Kreinbihl) | |
| Salvatore R. Maffei | .... | driver | |
| Robert 'Bull' Maher | .... | driver (as Robert Maher) | |
| Jimmy Mahr | .... | driver (as James Mahr) | |
| Edward Meyers | .... | driver (as Edward Myers) | |
| Michael B. Russell | .... | driver (as Michael Russell) | |
Other crew | |||
| Ethan Anderson | .... | craft service | |
| Anita Boudreaux | .... | assistant post-production accountant | |
| Paul Brennan | .... | legal services: Sloss Law Office (as Paul Brennan Esq.) | |
| Rich Cairns | .... | production office intern | |
| Cheyanne M. Casey | .... | production office intern | |
| David Chambers | .... | location production assistant | |
| Kevin Chisolm | .... | stand-in | |
| Mike Currie | .... | set production assistant | |
| Mark Dornfeld | .... | titles and opticals: Custom Film Effects | |
| Deb Dyer | .... | production accountant | |
| Lisa Edmondson | .... | assistant: Mr. Bernstein | |
| Missy Eustermann | .... | post-production accountant | |
| Lindsay Feldman | .... | set intern | |
| Katie Feola | .... | set intern | |
| J. Eric Fisher | .... | office production assistant | |
| Daniel Garrison | .... | set intern | |
| Jennifer Gaylord | .... | legal services: Sloss Law Office (as Jennifer Gaylord Esq.) | |
| Rhonda George | .... | assistant production coordinator | |
| Dave Glew | .... | key production assistant | |
| Reshma Gopaldas | .... | assistant: Ms. Moore | |
| Kenda Greenwood | .... | production office intern | |
| Bill Hansard Jr. | .... | process projection (as William G. Hansard) | |
| Bill Hansard Jr. | .... | rear screen projection (as William G. Hansard) | |
| Don Hansard | .... | process projection (as Don Hansard Jr.) | |
| Don Hansard | .... | rear screen projection (as Don Hansard Jr.) | |
| Jocelyn Hayes | .... | creative executive: Killer Films | |
| Jeff Hill | .... | publicist | |
| Beau Holden | .... | assistant: Mr. Quaid | |
| Jesse Hove | .... | location production assistant | |
| Sebastian Ischer | .... | set intern | |
| Thomas Johnston | .... | script supervisor | |
| Sherman Kaplan | .... | immigration attorney (as Sherman I. Kaplan) | |
| Eva Karlicki | .... | cleaning services | |
| Louis Katz | .... | production physician (as Louis Katz MD) | |
| Diedre Kilgore | .... | stand-in | |
| Vince Klein | .... | stand-in | |
| Ryan Lakenan | .... | office production assistant | |
| Christine Leaman | .... | location assistant | |
| Yana Collins Lehman | .... | legal services: Sloss Law Office (as Yana Collins) | |
| Erica Levy | .... | set production assistant | |
| Ana Lombardo | .... | location coordinator | |
| Lisa Madden | .... | accounting clerk (as Lisa Marie Madden) | |
| Anabel Manchester | .... | location intern | |
| Jon Marcus | .... | production executive: Killer Films | |
| Keira Marcus | .... | first assistant accountant (as Keira March) | |
| Marlene McCarty | .... | title design: Bureau | |
| Raynelle Irene Mensah | .... | film runner (as Raynelle Mensah) | |
| Kellie Morrison | .... | assistant location manager | |
| Kip Myers | .... | location assistant | |
| Raymond L. Negron | .... | set intern (as Ray Negron) | |
| Zerlina Oppenheim | .... | set intern | |
| Macall B. Polay | .... | payroll accountant | |
| Joaquin Diego Prange | .... | location assistant | |
| Jonathan Raymond | .... | assistant: Mr. Haynes (as Slats Grobnik) | |
| Mike S. Ryan | .... | location manager | |
| Kieran Shea | .... | location scout | |
| Susan Shin George | .... | titles and opticals: Custom Film Effects | |
| Nicola Silverstone | .... | administrator: Square One | |
| Tanya Smith | .... | assistant: Mr. Haynes (as Checkers Smith) | |
| Karen Koula Sossiadis | .... | production coordinator (as Koula Sossiadis) | |
| Katina Sossiadis | .... | production secretary | |
| Brett Spiegel | .... | production office intern | |
| Susan J. Spohr | .... | liaison: CFI (as Susan Spohr) | |
| Debbie Stampfle | .... | set production assistant | |
| Jennifer Stefanon | .... | film runner | |
| Conrad Tamayo | .... | production office intern (as Conrad L. Tamayo) | |
| April Taylor | .... | location assistant | |
| Edward Tejada | .... | parking coordinator | |
| Ginger Thatcher | .... | choreographer | |
| Jay Van Hoy | .... | office manager | |
| Sheri von Seeburg | .... | researcher (as Sheri Von Seeberg) | |
| Daniel Wagner | .... | assistant: Ms. Vachon | |
| Derek Wimble | .... | set production assistant | |
| Daniel Winchester | .... | film runner | |
| Annie Young Frisbie | .... | product placement (as Annie Young) | |
| Vikas Bandhu | .... | production assistant (uncredited) | |
| Travis William Blue | .... | office intern (uncredited) | |
| Michael J. Cargill | .... | production assistant (uncredited) | |
| Rebecca Ewing | .... | production assistant (uncredited) | |
| Randy Manion | .... | location scout (uncredited) | |
| Raynelle Irene Mensah | .... | office production assistant (uncredited) | |
| Guillaume Renberg | .... | remote head technician (uncredited) | |
| Vicki Dee Rock | .... | production executive (uncredited) | |
| Eugene Stamos | .... | craft service (uncredited) | |
Thanks | |||
| Dan Frazier | .... | the producers wish to thank | |
| Craig Gering | .... | special thanks | |
| Scott Greenstein | .... | the producers wish to thank | |
| Wendy Haynes | .... | the producers wish to thank | |
| Pamela Koffler | .... | acknowledgement: for Killer Films | |
| Joan McAllister | .... | the producers wish to thank | |
| Phil Morrison | .... | the producers wish to thank | |
| Steven Raphael | .... | special thanks | |
| Noah Reibel | .... | the producers wish to thank | |
| Robin Rosenberg | .... | the producers wish to thank | |
| Katie Roumel | .... | acknowledgement: for Killer Films | |
| Michael Silverman | .... | the producers wish to thank | |
| Joanne Woodward | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A man and his wife enter the office of a man who could possibly save the man from a life threatening illness. THe process includes many visits with a psychiatrist and possibly some electro-shock therapy. No, this person does not have schizophrenia or multiple personality disorder. This man is a homosexual.
Yes, it is true, this man is considered "sick" but that is just one of the many skewed attitudes of the 1950's that director Todd Haynes brings to light in Far From Heaven. Julianne Moore plays Cathy Whitaker, the wife of Frank Whitaker, Dennis Quaid, who are the proud parents of two children. The live the life that people envied. A nice home, money, success, and happiness. All of that comes crashing down when Cathy discovers her husband is not who he really is.
Cathy goes to Frank's work to drop off some dinner only to discover that her husband is in the arms of another man. Frank says that he is "sick" and wants treatment. Cathy, the "super wife" is behind him 100 percent, as if he really had an illness to beat. Frnak is ashamed and doesn't want support, just some privacy while he goes through session after session of therapy to try and make him "normal".
To add to this difficulty, the family gardener passes away and his son Raymond, Dennis Haysbert, takes over. Cathy comes to confide in Raymond and find peace of mind in his attitude and his overall good nature. The neighborhood looks down on their friendship and casts a shadow on the household. Raymond, a black man, is much like Cathy, seeing not color, but people. Even in New Haven, Connecticut, the feeling of white superiority still runs through the veins of its inhabitants.
The movie from start to finish is wonderful. It is a roller-coaster of emotions. Moore, Quaid, and Haysbert give fantastic performances. Even Patricia Clarkson, who plays Cathy one true friend in the neighborhood gives a delightful performance.
It's not just the acting that gives this movie it's lift off of the ground. Haynes direction and the art direction of the film create a pallet of colors and emotions that set the mood for each seen. The film opens in autumn. The leaves are shades of red, yellow, and orange, a true autumnal foliage like you would see on a Vermont postcard. The clothing is a perfect time capsule of the 50's. Haynes also uses a lot of colored lights to directly influence the mood of a scene. The green neon light of the gay bar Frank enters gives a strange feel like an alien world. The blue light that comes in through the windows in his office at night and in their home after a party means something dramatic is taking place.
Elmer Bernstein has racked up 14 nominations for his music, including a win for Throughly Modern Millie. His score for this film is the current that pushes the story along. Like so many great composers, he doesn't create music but a character. Everything is different with the right score to back up a great story.A story and a script that Haynes wrote so beautifully. He captured the lingo that kids used in the 50's and gave us a look at how kind people can be and how despicable some are.
The issues that Haynes tackles in the film are still around today, just not taken so seriously. It is hard to think that only 50 years ago, homosexuals were looked at as sick people and the African-American community was still not welcome. To this day there are still hints of this feeling around the country, but most is left to be talked about in the privacy of our own homes.
Whether or not you are straight or gay, black or white, democrat or republican, we all are people. Haynes shows that even if two people are in harmony, it is the outside influences that can rip them apart. Hatred and tolerance cannot coexist.