From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Cathy is the perfect 50s housewife, living the perfect 50s life: healthy kids, successful husband, social prominence. Then one night she stumbles in on her husband Frank, kissing another man, and her tidy world starts spinning out of control. In her confusion and grief, she finds consolation in the friendship of their African-American gardener, Raymond - a socially taboo relationship that leads to the further disintegration of life as she knew it. Despite Cathy and Frank's struggle to keep their marriage afloat, the reality of his homosexuality and her feelings for Raymond open a painful, if more honest, chapter in their lives. Written by
Jonas A. Reinartz <firstname.lastname@example.org>
Second in the poll for FIPRESCI GRAND PRIX OF THE YEAR 2003. See more »
When Cathy is shown from behind ascending the stairs into Dr. Bowman's building, she has a hat pin in her hat. When she is shown leaving the building after her husband's appointment, there is no hat pin. See more »
[Studying a Miró painting]
So, what's your opinion on modern art?
It's hard to put into words, really. I just know what I care for and what I don't. Like this... I don't know how to pronounce it... Mira?
Miró. I don't know why, but I just adore it. The feeling it gives. I know that sounds terribly vague.
No. No, actually, it confirms something I've always wondered about modern art. Abstract art.
That perhaps it's just picking up where religious art left off, somehow trying to ...
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While certainly this film is about race and sexual preference, I think its observations are actually much more universal. What it is about - and so many of the movies it references are also about - is how social structures work hard to prevent you from stepping outside your little world. People work hard to control attitudes towards outsiders - in this case, black people and homosexuals - in a negative way that not only keeps them out, but also keeps you in. Many people just don't like it when you seek something from the outside and will be manipulative to keep it so. Witness Patricia Clarkson, who is so manipulative that she has to remind Jualianne Moore how old and dear friends they - oldest and dearest - in such a way that it is a threat more than a comfort. And the film does this within the conventions of the genre it is putting itself in. In many ways, it merely uses the tawdry, cliched imagery of Hollywood soapers in such a way that, if you are not familiar, they may appear to be cliches here. But they are very intentional. And in this way, everything is controlled about the film - reactions, colors, everything. No wonder the characters need to break out of their worlds.
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