An unknown creature has murdered the Creator of Universe and unleashed the ability to produce miracles. This ability is now in the hands of human beings who have driven themselves into ... See full summary »

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Cast

Cast overview:
...
Pregnant Woman (lead)
Barbara Ulrich ...
Older Woman (lead)
...
Young Woman (lead)
Gregoire Dunlevy ...
Father (as Greg Dunlevy)
Anne Bellerose ...
Dead Daughter
Laurent-Christophe De Ruelle ...
The Murderer (as Laurent-Christophe de Ruelle)
Rachel Plummer ...
Hanging woman
...
The Woman - dream
Lexei Bacci ...
Doppelganger 1
Julie Nöel ...
Doppelganger 2 (as Julie Noël)
Maxim Opadtchii ...
Dead Father
Jean Guimond ...
Body outside
Jesse Todd ...
Body outside
John Tsatsoulis ...
Body outside
Armand Laroche ...
Body outside - eyeless man
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Storyline

An unknown creature has murdered the Creator of Universe and unleashed the ability to produce miracles. This ability is now in the hands of human beings who have driven themselves into destructive envy and the horrible chaos of suddenly becoming Gods themselves. Written by wxjuh

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Release Date:

September 2003 (Canada)  »

Also Known As:

Ascension - taivaaseenastuminen  »

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Box Office

Budget:

CAD 1,000,000 (estimated)
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Company Credits

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Aspect Ratio:

1.85 : 1
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User Reviews

 
The slow violence of dreams.
25 August 2003 | by See all my reviews

I do not recommend you see this movie if you are not a fan of Andrei Tarkovsky and Stanley Kubrick, or are only into gore and action flicks. I recommend you see this film if you like imaginative camera work, intricate sound design and evocative, memorable music.

The performances by the three leads may at first seem awkward, but paying close attention to the dialogue and interations between the three women will reveal the many layers that comprise their characters.

Kudos to David Kristian for providing a soundtrack reminiscent of the best John Carpenter or Tangerine Dream scores from the late 70s-early 80s, and for adding sound design so deep and disturbing that it might as well have been credited as a fourth lead character.

Hussain's compositions and lighting are also noteworthy, as he eschews the usual darkness and blue hues to instead bathe his characters and locations in pale natural light that becomes even more disturbing.

I was a little confused by the film's ending, but this is the kind of film you should own and have playing in the background as an atmosphere piece, slowly soaking it in over several years until you get every bit of its clever subtext.




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