Riri Shushu no subete (2001)

User Rating:

7.7/10   

Director:

Shunji Iwai

Writer:

Shunji Iwai (writer)

Release Date:

6 October 2001 (Japan)

Genre:

Crime | Drama | Music | Thriller

Tagline:

Pain can take you in prison. The ether can set you free.

Plot:

Life isn't easy for a group of high school kids growing up absurd in Japan's pervasive pop/cyber culture...

Plot Keywords:

Japan | 21st Century | Dream Like | Masturbation | Japanese

Awards:

4 wins

Cast

Hayato Ichihara	...	Yûichi Hasumi
Shûgo Oshinari	...	Shusuke Hoshino
Ayumi Ito	...	Yôko Kuno
Takao Osawa	...	Tabito Takao
Miwako Ichikawa	...	Shimabukuro
Izumi Inamori	...	Izumi Hoshino
Yû Aoi	...	Shiori Tsuda
Kazusa Matsuda	...	Sumika Kanzaki
Ryo Katsuji	...	Terawaki Shioske
rest of cast listed alphabetically:
Takako Baba	...	School girl
Yuki Ito	...	Kamino
Tomohiro Kaku	...	Yuichi's friend
Hideyuki Kasahara	...	Kyota Shimizu
Yoji Tanaka	...	Teacher

Also Known As:

All About Lily Chou-Chou (International: English title) (USA)
Lily Chou-Chou no subete (Japan) (alternative transliteration)

Runtime:

146 min | 157 min (original cut)

Country:

Japan

Language:

Japanese | Ryukyuan

Color:

Color

Sound Mix:

Dolby Digital

Certification:

South Korea:15 | Australia:MA | Singapore:NC-16 | UK:15

Company:

Rockwell Eyes

Trivia:

Lily Chou-Chou is a fictional singer. The songs in the movie is sang by a great Japanese singer named Salyu.

Quotes:

Frog: [subtitle] People can't fight.

Movie Connections:

Referenced in Kill Bill: Vol. 1 (2003)

One of the most horrifically beautiful movies i have ever seen

I had the pleasure of seeing this movie alone on a quiet weekday night. I wasn't prepared for the power of this film, and how much it would hurt me and inspire me when i saw it.

The film moves fluidly, and seems like a work of art more than entertainment. As we watch we are shown a side of Japanese youth not often seen in such an honest light. This world is shocking and scary, yet there is a comfort in seeing it in such an honest way. Much of the film is short with a music video quality to it, but it is the careful, intimate direction that keeps this film grounded as it shifts from situation to situation. I will not tell much about the story, since any spoiling of the plot might weaken the effect of the first viewing. I can say that this is truly a rare achievement in film, and it deserves to be seen.