Life isn't easy for a group of high school kids growing up absurd in Japan's pervasive pop/cyber culture. As they negotiate teen badlands- school bullies, parents from another planet, lurid... See full summary »
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Life isn't easy for a group of high school kids growing up absurd in Japan's pervasive pop/cyber culture. As they negotiate teen badlands- school bullies, parents from another planet, lurid snapshots of sex and death- these everyday rebels without a cause seek sanctuary, even salvation, through pop star savior Lily Chou-Chou, embracing her sad, dreamy songs and sharing their fears and secrets in Lilyholic chat rooms. Immersed in the speed of everyday troubles, their lives inevitably climax in a fatal collision between real and virtual identities, a final logging-off from innocence. Written by
Sujit R. Varma
One of the most horrifically beautiful movies i have ever seen
I had the pleasure of seeing this movie alone on a quiet weekday night. I wasn't prepared for the power of this film, and how much it would hurt me and inspire me when i saw it.
The film moves fluidly, and seems like a work of art more than entertainment. As we watch we are shown a side of Japanese youth not often seen in such an honest light. This world is shocking and scary, yet there is a comfort in seeing it in such an honest way. Much of the film is short with a music video quality to it, but it is the careful, intimate direction that keeps this film grounded as it shifts from situation to situation. I will not tell much about the story, since any spoiling of the plot might weaken the effect of the first viewing. I can say that this is truly a rare achievement in film, and it deserves to be seen.
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