| Photos (See all 31 | slideshow) | Videos (see all 8) |
Directed by | |||
| James Cameron | |||
Produced by | |||
| John Bruno | .... | producer | |
| James Cameron | .... | producer | |
| Chuck Comisky | .... | producer | |
| Haley Jackson | .... | segment producer: Earthship.tv | |
| Ed W. Marsh | .... | creative producer | |
| Giedra Rackauskas | .... | executive producer | |
| Chris Steenolsen | .... | consulting producer | |
| Janace Tashjian | .... | producer | |
| Andrew Wight | .... | line producer | |
| Andrew Wight | .... | producer | |
Original Music by | |||
| Joel McNeely | |||
| Lisa Torban | |||
Cinematography by | |||
| Vince Pace | (director of photography) | ||
| D.J. Roller | |||
Film Editing by | |||
| Ed W. Marsh | |||
| Sven Pape | |||
| John Refoua | |||
| David C. Cook | (uncredited) | ||
Casting by | |||
| Tina Kerr | |||
Production Design by | |||
| Martin Laing | |||
Art Direction by | |||
| Leonard Barrit | |||
| Javier Nava | |||
Makeup Department | |||
| Sophie Brice | .... | makeup artist | |
| José Luis Cordova | .... | hair stylist | |
| Raul Covarrubias | .... | makeup artist | |
| Julio Espinoza | .... | hair stylist | |
| Rose Gaeta | .... | hair stylist | |
| Kathe Swanson | .... | key hair stylist | |
| Kathe Swanson | .... | key makeup artist | |
Production Management | |||
| Charlie Arneson | .... | production supervisor | |
| Christopher A. Debiec | .... | production manager: Earthship.TV | |
| Stephen A. Marinaccio II | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jose Jimenez | .... | assistant director | |
| Kristie Sills | .... | first assistant director | |
Art Department | |||
| Leonard Barrit | .... | set designer | |
| Todd Cherniawsky | .... | set designer | |
| Aimee Dominguez | .... | art department assistant | |
| Stephen J. Pavelski | .... | digital previsualization | |
| Kia R. Zokaie | .... | graphic designer | |
| Kia R. Zokaie | .... | scenic artist | |
Sound Department | |||
| Dennis Baxter | .... | sound recordist | |
| Beau Borders | .... | supervising sound editor | |
| Christopher Boyes | .... | sound designer | |
| Christopher Boyes | .... | sound re-recording mixer | |
| Travis Crenshaw | .... | foley recordist | |
| Daniel A. Greenwald | .... | boom operator | |
| Marilyn McCoppen | .... | adr editor | |
| Marilyn McCoppen | .... | dialogue editor | |
| Frank 'Pepe' Merel | .... | foley editor | |
| Shannon Mills | .... | dialogue editor | |
| Chris Navarro | .... | adr recordist | |
| Jonathan Null | .... | dialogue editor | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Jurgen Scharpf | .... | sound mix technician | |
| Gary Summers | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Hugh Waddell | .... | adr supervisor | |
| Hugh Waddell | .... | sound supervisor | |
Special Effects by | |||
| Sergio Lino | .... | special effects | |
Visual Effects by | |||
| William L. Arance | .... | digital matte painting | |
| Leonard Barrit | .... | digital artist | |
| Leonard Barrit | .... | digital effects supervisor | |
| Leonard Barrit | .... | modeler | |
| John Bavaresco | .... | visual effects | |
| Brian N. Bentley | .... | stereo compositor | |
| Derek Bird | .... | digital compositor | |
| Michael Buck | .... | stereoscopic assistant editor: StereoD | |
| Graham D. Clark | .... | head of stereography: Stereo D (as Graham Clark) | |
| Chuck Comisky | .... | visual effects supervisor | |
| Brian Conlon | .... | digital compositor | |
| David Cowles | .... | stereoscopic on-line editor: StereoD | |
| Adrian Paul DeGroot | .... | lead animator | |
| Adrian Paul DeGroot | .... | lead modeller | |
| Shelly Dutcher | .... | visual effects | |
| Greg Emerson | .... | senior stereoscopic on-line editor: StereoD | |
| Michael Enriquez | .... | visual effects | |
| Jonathan Goldsmith | .... | production supervisor: StereoD | |
| Owen Hammer | .... | digital compositor | |
| Brian Hanable | .... | digital effects compositor | |
| Paul Hill | .... | visual effects compositor | |
| Adam Howard | .... | visual effects supervisor: Technicolor/Complete Post | |
| Lucas Hull | .... | stereo compositor: Stereo D | |
| Dale Hunter | .... | digital imaging engineer | |
| Adalberto Al Lopez | .... | visual effects supervisor: Creative Logik Universe | |
| Yael Majors | .... | stereoscopic compositor | |
| David Fred Masselink | .... | film I/O coordinator | |
| Robert McInnis | .... | visual effects supervisor: Modern VideoFilm | |
| Eroc Moralls | .... | digital compositor | |
| Jared Otake | .... | stereoscopic compositor | |
| Stephen J. Pavelski | .... | lead animator | |
| Stephen J. Pavelski | .... | lead modeller | |
| Derek N. Prusak | .... | stereoscopic editorial supervisor: StereoD | |
| David Satin | .... | ultimatte operator | |
| Adrian Scherger | .... | stereoscopic assistant editor: StereoD | |
| Ray Shantz | .... | senior engineer | |
| Mark Spatny | .... | visual effects producer: Modern VideoFilm | |
| Mark Victor Trappett | .... | render technical assistant | |
| Chris Treichel | .... | stereo production coordinator: Stereo D | |
| Michael Vaglienty | .... | Flame artist | |
| Toby Wilkins | .... | visual effects: main title sequence, NWE | |
| Kim Yong-Kyun | .... | digital compositor | |
| Kia R. Zokaie | .... | graphic designer | |
| Tom Daws | .... | Inferno artist: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| John Hirota | .... | visual effects compositor assistant (uncredited) | |
| Simon Holden | .... | digital effects artist (uncredited) | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood (uncredited) | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood (uncredited) | |
| Jason Wardle | .... | lead CG artist: CIS Hollywood (uncredited) | |
Camera and Electrical Department | |||
| Patrick Campbell | .... | assistant camera | |
| Alan Gitlin | .... | assistant camera: focus and convergence puller | |
| D.J. Roller | .... | camera operator | |
Costume and Wardrobe Department | |||
| Blanca Arreola | .... | assistant costume designer | |
| Mem Macafee | .... | costumes | |
Editorial Department | |||
| Jenny Brandt | .... | post-production coordinator | |
| Charlie Fuguet | .... | post-production consultant | |
| Claudia Huerta | .... | assistant editor | |
| Scott Klein | .... | final colorist | |
| Saul Santell | .... | post-production assistant | |
| Justin Shaw | .... | assistant editor | |
| James Sheridan | .... | negative cutter | |
| Jeff Smithwick | .... | film timer | |
| Heidi Tebo | .... | post-production coordinator | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Lindsay Fellows | .... | executive in charge of music | |
| Randy Gerston | .... | music supervisor | |
| Brian Leff | .... | music coordinator | |
| Frank Macchia | .... | orchestrator | |
| Larry Mah | .... | digital score recordist | |
| Bryan Pezzone | .... | musician: piano | |
| John Rodd | .... | orchestral scoring recordist | |
| David Slonaker | .... | orchestrator | |
| James Thatcher | .... | musician: french horn | |
Other crew | |||
| Johnathan Aldrin | .... | office assistant | |
| Peter Barnett | .... | co-executive producer: live streaming broadcast, Earthship.tv (as Peter J. Barnett) | |
| Hillary Bibicoff | .... | legal counsel | |
| Geoff Burdick | .... | representative: Lightstorm Production | |
| Wendy Chesebrough Lowe | .... | assistant: James Cameron (as Wendy Chesebrough) | |
| Delia Circelli | .... | production coordinator | |
| Todd Cogan | .... | production assistant | |
| Iram Collantes | .... | production coordinator | |
| Jill DeWinter | .... | assistant: Gig Rackauskas | |
| Damien Fitzpatrick | .... | facility supervisor | |
| Joe Hagg | .... | representative: Lightstorm Production | |
| Kendrick Hudson | .... | production assistant | |
| Jason Hunt | .... | coordinator: live streaming broadcast, Earthship.tv | |
| Sharre Jacoby | .... | title producer: New Wave Entertainment | |
| Efrain Lomeli | .... | production assistant | |
| Emilie Maison | .... | press attache france | |
| Michael Maltzman | .... | ROV technician | |
| Michael Maltzman | .... | fiber optics technician | |
| Juan Jose Meza-Leon | .... | on-set production assistant | |
| Tom Prince | .... | executive in charge of production | |
| Al Rives | .... | representative: Lightstorm Production | |
| Parks Stephenson | .... | advisor | |
| Mike Trainotti | .... | representative: Lightstorm Production | |
| Dan Williams | .... | 24p conversion technician | |
| Kia R. Zokaie | .... | quality assurance testing | |
| Hunter Mackenzie Austin | .... | looping voices (uncredited) | |
| Mark Dinicola | .... | film recordist (uncredited) | |
| Farnaz | .... | development intern (uncredited) | |
| Jeremy Lang | .... | director of information technology: Earthship.TV (uncredited) | |
| Christopher Tin | .... | synthesizer programmer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Bodies | olliethebum619 |
| 3D DVD? | pcmg |
| On HD NET TV | kayzie107 |
| Ending Song | ar-pi |
| Soundtrack | schwepps_88 |
| Confused | ryan123 |
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| Titanic | Atlantis: The Lost Empire | Below the Sea | The Abyss | The Life Aquatic with Steve Zissou |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Experiencing the ship firsthand and her mysteries, histories, details respected and moralities still teaching, it's a love, an awe inspiring and sad tale of Bibilical proportions.
The mystery and history of the Titanic is fascinating and evocative; nearly Biblical. The largest liner, the ignorance to think it could never sink and the arrogance of not putting on enough lifeboats due to aesthetics, I'm just glad in this day and age we have life rafts which take up so much less space we will never run into a shortage of life rafts problem ever again.
Paxton is great as always, and a documentary setting brings out the explorer within, and is respectfully and well made. Learning about the stairway floating out allowing for easier access to the interior of the ship for example I did not know about.
Good movie.
QUESTION: Anyone know why they were not supposed to go into C deck? They seemed to have a very good, albeit unspoken reason for this.
I see nothing wrong with Cameron's love for the Titanic story, it's a near mythical experience and I find it truly a learning experience and a marvel.
Soon the sea will claim the ship utterly, and the Titanic is a teacher of morality, of a past, and the failings of modern man, and the mystery of history in heart of exploration and awe.
The Titanic will always have something to teach us, and that is important.
The museum pieces are important because it allows for the memory to be respected and a teacher to future generations.
That we can put a name to artifacts assures their memory lives on.
There was no disrespect, in fact quite the opposite.