| Photos (See all 31 | slideshow) | Videos (see all 7) |
Directed by | |||
| James Cameron | |||
Produced by | |||
| John Bruno | .... | producer | |
| James Cameron | .... | producer | |
| Chuck Comisky | .... | producer | |
| Haley Jackson | .... | segment producer: Earthship.tv | |
| Ed W. Marsh | .... | creative producer | |
| Giedra Rackauskas | .... | executive producer | |
| Chris Steenolsen | .... | consulting producer | |
| Janace Tashjian | .... | producer | |
| Andrew Wight | .... | line producer | |
| Andrew Wight | .... | producer | |
Original Music by | |||
| Joel McNeely | |||
| Lisa Torban | |||
Cinematography by | |||
| Vince Pace | (director of photography) | ||
| D.J. Roller | |||
Film Editing by | |||
| Ed W. Marsh | |||
| Sven Pape | |||
| John Refoua | |||
| David C. Cook | (uncredited) | ||
Casting by | |||
| Tina Kerr | |||
Production Design by | |||
| Martin Laing | |||
Art Direction by | |||
| Leonard Barrit | |||
| Javier Nava | |||
Makeup Department | |||
| Sophie Brice | .... | makeup artist | |
| José Luis Cordova | .... | hair stylist | |
| Raul Covarrubias | .... | key makeup artist | |
| Julio Espinoza | .... | hair stylist | |
| Rose Gaeta | .... | hair stylist | |
| Kathe Swanson | .... | key hair stylist | |
| Kathe Swanson | .... | key makeup artist | |
Production Management | |||
| Charlie Arneson | .... | production supervisor | |
| Chris Debiec | .... | production manager: Earthship.TV | |
| Stephen A. Marinaccio II | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jose Jimenez | .... | assistant director | |
| Kristie Sills | .... | first assistant director | |
Art Department | |||
| Leonard Barrit | .... | set designer | |
| Todd Cherniawsky | .... | set designer | |
| Aimee Dominguez | .... | art department assistant | |
| Stephen J. Pavelski | .... | digital previsualization | |
| Kia R. Zokaie | .... | graphic designer | |
| Kia R. Zokaie | .... | scenic artist | |
Sound Department | |||
| Dennis Baxter | .... | sound recordist | |
| Beau Borders | .... | supervising sound editor | |
| Christopher Boyes | .... | sound designer | |
| Christopher Boyes | .... | sound re-recording mixer | |
| Travis Crenshaw | .... | foley recordist | |
| Daniel A. Greenwald | .... | boom operator | |
| Marilyn McCoppen | .... | adr editor | |
| Marilyn McCoppen | .... | dialogue editor | |
| Frank 'Pepe' Merel | .... | foley editor | |
| Shannon Mills | .... | dialogue editor | |
| Chris Navarro | .... | adr recordist | |
| Jonathan Null | .... | dialogue editor | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Jurgen Scharpf | .... | sound mix technician | |
| Gary Summers | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Hugh Waddell | .... | adr supervisor | |
| Hugh Waddell | .... | sound supervisor | |
Special Effects by | |||
| Sergio Lino | .... | special effects | |
Visual Effects by | |||
| Milton Adamou | .... | stereoscopic post executive: Stereo D | |
| Hunny Agarwal | .... | stereo roto artist | |
| Anjel Alcaraz | .... | stereoscopic artist: Stereo D | |
| William L. Arance | .... | digital matte painting | |
| Taylor Armstrong | .... | stereo compositor: Stereo D | |
| Creighton Ashton | .... | digital compositor | |
| Leonard Barrit | .... | digital artist | |
| Leonard Barrit | .... | digital effects supervisor | |
| Leonard Barrit | .... | modeler | |
| John Bavaresco | .... | visual effects | |
| Brian N. Bentley | .... | stereo compositor | |
| Derek Bird | .... | digital compositor | |
| Jason Bowers | .... | stereoscopic compositor: stereoscopic conversion | |
| Kyle Patrick Brown | .... | compositor (stereoscopic conversion) | |
| Michael Buck | .... | stereoscopic assistant editor: StereoD | |
| Snata Chakraborty | .... | stereo roto artist | |
| Graham D. Clark | .... | head of stereography: Stereo D | |
| Chuck Comisky | .... | visual effects supervisor | |
| Brian Conlon | .... | digital compositor | |
| David Cowles | .... | stereoscopic on-line editor: StereoD | |
| Maurice Cox | .... | stereo compositor | |
| Adrian Paul DeGroot | .... | lead animator | |
| Adrian Paul DeGroot | .... | lead modeller | |
| Shelly Dutcher | .... | visual effects | |
| Greg Emerson | .... | senior stereoscopic on-line editor: StereoD | |
| Michael Enriquez | .... | visual effects | |
| Judith Ferrer | .... | stereoscopic compositor | |
| Adam Garnier | .... | digital compositor | |
| Jackson Gichuki | .... | stereoscopic rotoscope artist | |
| Matthew E. Gill | .... | stereoscopic rotoscope artist: Stereo D | |
| Jonathan Goldsmith | .... | production supervisor: StereoD | |
| Owen Hammer | .... | digital compositor | |
| Brian Hanable | .... | digital effects compositor | |
| Josh Handley | .... | stereo compositor: Stereo D | |
| Monica Harrion | .... | stereoscopic roto artist: Stereo D | |
| Mike F. Hedayati | .... | stereoscopic consultant | |
| Veronica Hernandez | .... | rotoscope artist: Stereo D | |
| Bryan M. Higgins | .... | rotoscope supervisor | |
| Paul Hill | .... | visual effects compositor | |
| Adam Howard | .... | visual effects supervisor: Technicolor/Complete Post | |
| Lucas Hull | .... | stereo compositor: Stereo D | |
| Dale Hunter | .... | digital imaging engineer | |
| Tim Johnson | .... | visual effects coordinator | |
| Vijay Kadapatti | .... | stereo production coordinator | |
| Ryan Keely | .... | digital compositor | |
| Ian Kelly | .... | stereoscopic rotoscope artist | |
| Gerry Kodo | .... | stereo compositor: Stereo D | |
| Grant Lee | .... | second lead compositor: Stereo D | |
| Adalberto Al Lopez | .... | visual effects supervisor: Creative Logik Universe | |
| Son Lu | .... | stereoscopic lead | |
| Yael Majors | .... | stereoscopic compositor | |
| David Fred Masselink | .... | film I/O coordinator | |
| Russell McCoy | .... | digital paint supervisor | |
| Robert McInnis | .... | visual effects supervisor: Modern VideoFilm | |
| David McMahon | .... | stereo compositor: Stereo D | |
| Eroc Moralls | .... | digital compositor | |
| Carson Murdy | .... | stereoscopic artist: StereoD | |
| Michael Murphy | .... | stereoscopic quality assurance: Stereo D | |
| Travis Murray | .... | stereo compositor: Stereo D | |
| Mohan Narayanaswamy | .... | quality manager | |
| Patrick O'Riley | .... | rotoscope artist: Stereo D | |
| Jared Otake | .... | digital compositor | |
| Stephen J. Pavelski | .... | lead animator | |
| Stephen J. Pavelski | .... | lead modeller | |
| Daniel Perez | .... | stereoscopic depth artist: Stereo D | |
| Ezra Pike | .... | stereo roto artist (2012 version) | |
| Derek N. Prusak | .... | stereoscopic editorial supervisor: StereoD | |
| Patrick Reilly | .... | stereoscopic compositor | |
| Pedro Luis Reyes | .... | senior stereoscopic artist | |
| Jason Richardson | .... | stereoscopic compositor | |
| Mike Rim | .... | stereoscopic compositor | |
| Dylan Sanchez | .... | stereo compositor: Stereo D | |
| David Satin | .... | ultimatte operator | |
| Adrian Scherger | .... | stereoscopic assistant editor: StereoD | |
| Ray Shantz | .... | senior engineer | |
| Stanislav Shapetskiy | .... | stereo compositor | |
| Mark Spatny | .... | visual effects producer: Modern VideoFilm | |
| Andrea R. Stephens | .... | production coordinator: Deluxe | |
| Nicholas Stocker | .... | rotoscope | |
| Eric Timm | .... | stereoscopic artist | |
| Khuong Tran | .... | stereo compositor: Stereo D | |
| Mark Victor Trappett | .... | render technical assistant | |
| Chris Treichel | .... | stereo production coordinator: Stereo D | |
| Michael Vaglienty | .... | Flame artist | |
| Josiah Van Arsdel | .... | stereo compositor: Stereo D | |
| Aurelio x. Vera Jr. | .... | lead stereoscopic compositor | |
| Toby Wilkins | .... | visual effects: main title sequence, NWE | |
| Marvin Yanez | .... | stereoscopic roto lead | |
| Kim Yong-Kyun | .... | digital compositor | |
| Kia R. Zokaie | .... | graphic designer | |
| Tom Daws | .... | Inferno artist: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| John Hirota | .... | visual effects compositor assistant (uncredited) | |
| Simon Holden | .... | digital effects artist (uncredited) | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood (uncredited) | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood (uncredited) | |
| Jason Wardle | .... | lead CG artist: CIS Hollywood (uncredited) | |
Camera and Electrical Department | |||
| Patrick Campbell | .... | assistant camera | |
| Alan Gitlin | .... | assistant camera: focus and convergence puller | |
| D.J. Roller | .... | camera operator | |
Costume and Wardrobe Department | |||
| Blanca Arreola | .... | assistant costume designer | |
| Mem MacAfee | .... | costumes (as Mem Macafee) | |
Editorial Department | |||
| Milton Adamou | .... | stereoscopic post executive: Stereo D | |
| Jenny Brandt | .... | post-production coordinator | |
| Charlie Fuguet | .... | post-production consultant | |
| Claudia Huerta | .... | assistant editor | |
| Scott Klein | .... | final colorist | |
| Saul Santell | .... | post-production assistant | |
| Justin Shaw | .... | assistant editor | |
| James Sheridan | .... | negative cutter | |
| Jeff Smithwick | .... | film timer | |
| Heidi Tebo | .... | post-production coordinator | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Lindsay Fellows | .... | executive in charge of music | |
| Randy Gerston | .... | music supervisor | |
| Brian Leff | .... | music coordinator | |
| Frank Macchia | .... | orchestrator | |
| Larry Mah | .... | digital score recordist | |
| Bryan Pezzone | .... | musician: piano | |
| John Rodd | .... | orchestral scoring recordist | |
| David Slonaker | .... | orchestrator | |
| James Thatcher | .... | musician: french horn | |
Other crew | |||
| Johnathan Aldrin | .... | office assistant | |
| Peter Barnett | .... | co-executive producer: live streaming broadcast, Earthship.tv (as Peter J. Barnett) | |
| Hillary Bibicoff | .... | legal counsel | |
| Geoff Burdick | .... | representative: Lightstorm Production | |
| Wendy Chesebrough Lowe | .... | assistant: James Cameron (as Wendy Chesebrough) | |
| Delia Circelli | .... | production coordinator | |
| Todd Cogan | .... | production assistant | |
| Iram Collantes | .... | production coordinator | |
| Jill DeWinter | .... | assistant: Gig Rackauskas | |
| Damien Fitzpatrick | .... | facility supervisor | |
| Joe Hagg | .... | representative: Lightstorm Production | |
| Kendrick Hudson | .... | production assistant | |
| Jason Hunt | .... | coordinator: live streaming broadcast, Earthship.tv | |
| Sharre Jacoby | .... | title producer: New Wave Entertainment | |
| Efrain Lomeli | .... | production assistant | |
| Emilie Maison | .... | press attache france | |
| Michael Maltzman | .... | ROV technician | |
| Michael Maltzman | .... | fiber optics technician | |
| Juan Jose Meza-Leon | .... | on-set production assistant | |
| Tom Prince | .... | executive in charge of production | |
| Al Rives | .... | representative: Lightstorm Production | |
| Parks Stephenson | .... | advisor | |
| Mike Trainotti | .... | representative: Lightstorm Production | |
| Dan Williams | .... | 24p conversion technician | |
| Kia R. Zokaie | .... | quality assurance testing | |
| Hunter Mackenzie Austin | .... | looping voices (uncredited) | |
| Mark Dinicola | .... | film recordist (uncredited) | |
| Farnaz | .... | development intern (uncredited) | |
| Jeremy Lang | .... | director of information technology: Earthship.TV (uncredited) | |
| Christopher Tin | .... | synthesizer programmer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Bodies | olliethebum619 |
| 3D DVD? | pcmg |
| On HD NET TV | kayzie107 |
| Ending Song | ar-pi |
| Soundtrack | schwepps_88 |
| Confused | ryan123 |
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| Titanic | Atlantis: The Lost Empire | Below the Sea | The Abyss | The Life Aquatic with Steve Zissou |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Director James Cameron scored, against all odds (and his swarm of nervous auditors) a huge success with "Titanic." Not as artistically strong as several predecessor films about the legendary disaster it rocked the box office boat as new generations of Titanic enthusiasts and curious folk flooded the theaters.
Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."
RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.
Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.
"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.
This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.
This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.
All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!
9/10.