Academy Award® winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration, the legendary wreck of the Titanic. With a team of the world's foremost historic and marine experts and friend, Bill Paxton, he embarks on an unscripted adventure back to the final grave where nearly 1,500 souls lost their lives almost a century ago. Using state-of-the-art technology developed expressly for this expedition, Cameron and his crew are able to explore virtually all of the wreck, inside and out, as never before. With the most advanced 3D photography, moviegoers will experience the ship as if they are part of the crew right inside the dive subs. In this unprecedented motion picture event, made especially for IMAX 3D Theatres and specially outfitted 35mm 3D theaters across the country, Cameron and his team bring audiences to sights not seen since the sinking 90 years ago and explore why the landmark vessel, more than any shipwreck, continues to intrigue... Written by
The fourth funnel is shown falling backwards when the ship breaks in two in the sinking simulation. It would do no such thing. It would fall forward like the other funnels. This is also seen in the "final plunge" montage with the photographs of the passengers who perished in the disaster superimposed in front of the footage of the ship sinking from the movie Titanic. See more »
Nicely done, but no shock and awe here. I can't give it more than a 7 out of 10 for Paxton's progressively more melodramatic narration and Cameron's too-heavy reliance on the computer gimmickry, but neither hurt it so much as to take away the effect of seeing Titanic up close and personal. My only other complaint was that Cameron somehow managed not to take full advantage of the IMAX-sized screen. I kept waiting for some soaring shots of the various sides and parts of the boat, but it seemed like he always had the camera right up against them where you couldn't get a full measure. I kept thinking, "Dammit, man, back up." And the CG overlays really did start to irritate me a bit. I wanted to see the boat, but often as soon as the CG effects wisped away, it cut to something else. Overall I guess I thought it a little too cluttered technically and not enough lingering over the human touches.
As for the 3D, I thought it did increase the impact some, more than being a mere novelty, but I agree with Roger Ebert that Ghosts would have been a perfect showcase for Maxivision 48. Someday maybe true film fans will unite....
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