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IMDb > Death Train (2003) (V)

Death Train (2003) (V) More at IMDbPro »

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Death Train (2003) -- US Home Video Trailer from DEJ

Overview

User Rating:
2.7/10   187 votes
MOVIEmeter: ?
Down 28% in popularity this week. See rank & trends on IMDbPro.
Director:
Yossi Wein
Writer:
Michael D. Weiss (writer)
Contact:
View company contact information for Death Train on IMDbPro.
Release Date:
25 February 2003 (USA) more
Genre:
Action more
Plot Keywords:
User Comments:
Weak as an Action Movie, Terrific as a Campy Cult Movie more

Cast

  (Cast overview, first billed only)
Bryan Genesse ... Ryan
Bentley Mitchum ... Weaver
Michael Anthony Rosas ... Salazar
Jaime Anstead ... Marina
George Stanchev ... Wizard

Tarri Markell ... Crystal (as Tarri Markel)

Nikolai Sotirov ... Carlos (as Nikolay Sotirov)
Ivaylo Geraskov ... Sikorski (as Ivailo Geraskov)

Bashar Rahal ... Lopez
Ventzislav Kisyov ... Rodriguez (as Ventzislav Kisiov)
Atanas Srebrev ... Jeff

Shelly Varod ... Jodi
Ivo Tonchev ... Arthur
Elena Markova ... Gloria
Jordan Rollins ... Javier
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Additional Details

MPAA:
Rated R for language and non-stop violence.
Runtime:
Brazil:90 min
Country:
USA
Language:
English
Color:
Color
Certification:
South Korea:15 | Germany:18 | USA:R | Canada:AA (Ontario) | Canada:14 (Nova Scotia) | Canada:13+ (Quebec) | Canada:14A (video rating)
Filming Locations:
Bolshevik, Bulgaria more

Fun Stuff

Quotes:
Weaver: [grabbing diamonds] Ohhh...if I were a bitch, I'd cry...! more
Movie Connections:
Spoofs Adventures in Babysitting (1987) more
Soundtrack:
Justified more

FAQ

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Weak as an Action Movie, Terrific as a Campy Cult Movie, 4 January 2009
Author: Nick Dets from US

Bryan Genesse's charms aren't dissimilar to his more mainstream meatheaded counterparts Van Damme, Dolph Lundgren, Seagal etc. He's got the necessary brawn and martial arts finesse and surprising watchability despite having very little appeal. What makes or breaks the vehicles he stars in are first and foremost the writer and director.

Unfortunately for Genesse, he doesn't have the collaboration of solid directors like Peter Hyams ("Timecop") or Ringo Lam ("Maximum Risk," "Replicant"). His best film that I've seen is "Human Timebomb," where the real points are earned with the balls-out action sequences that are undeniably fun even when they have the lowest of production values. That director, Mark Roper, shows skill at giving B-movie productions big, well-constructed sequences, but God help him if the script has too much dialogue.

Yossi Wein, who served as cinematographer for Genesse's "Cold Harvest" and "Traitor's Heart", tries to bring similar sensibilities to the 2002 Nu Image flick "Death Train". It starts off with a slam-bang train heist sequence that finds all in top form. From the first ten minutes, Wein shows skill at keeping the action coherent and at least marginally expensive-looking. Genesse doesn't need to bring much more than brawn in this one, and keeps the cringe-worthy wisecracks to a minimum –in comparison to his other performances anyway.

Unfortunately, there is not much more to be found after the competent opener besides loads of camp and unintentional humor. The villain Weaver, played by Bentley Mitchum, is anything but threatening, only memorable for some downright weird lines. There is way too much talking and not enough challenging complications to keep the film moving after the beginning. In fact, Genesse seems to be doing pointless acrobatic maneuvers along the train cars for most of the second act, which Wein unwisely uses to supplement action. When the action does come, it is usually pretty sloppy – like a shootout in the cafeteria car that plays more like an amateur action scene staged by third graders.

Things do come together somewhat in the end, with a decently-choreographed showdown between Genesse and Mitchum (if you ignore one extremely lazy somersault by Genesse). However, the resolution has some bizarre details that should not be given away, because they are probably the biggest laughs one will have in the whole movie.

Camp value seems to be the most redeeming factor about this B-movie, and in that department it consistently delivers. If it could have delivered some good action among the camp, it would have been in better form. But, as any B-movie buffs knows well, asking for both is asking for too much.

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