| Rodrigo Noya | ... | Valentín | |
| Carmen Maura | ... | Abuela | |
| Julieta Cardinali | ... | Leticia | |
| Jean Pierre Noher | ... | El tío Chiche | |
| Mex Urtizberea | ... | Rufo | |
| Lorenzo Quinteros | ... | Hombre del bar | |
| Alejandro Agresti | ... | El padre | |
| Carlos Roffé | ... | Dr. Galaburri | |
| Marina Glezer | ... | La maestra | |
| Stéfano Di Gregorio | ... | Roberto | |
| rest of cast listed alphabetically: | |||
| Fabián Vena | ... | El cura | |
| Juan Cruz Bordeu | ... | (uncredited) | |
Directed by | |||
| Alejandro Agresti | |||
Writing credits(in alphabetical order) | ||
| Alejandro Agresti | ||
Produced by | |||
| Julio Fernández | .... | producer | |
| Thierry Forte | .... | producer | |
| Laurens Geels | .... | producer | |
| René Goossens | .... | co-producer | |
| Annemiek van Gorp | .... | co-producer | |
| Eddy de Kroes | .... | executive producer | |
| Dick Maas | .... | executive producer | |
| Massimo Vigliar | .... | producer | |
| Pablo Wisznia | .... | producer (as Pablo Esteban Wisznia) | |
Original Music by | |||
| Luis Salinas | |||
| Paul M. van Brugge | (as Paul M. van Bruggen) | ||
Cinematography by | |||
| Jose Luis Cajaraville | |||
Film Editing by | |||
| Alejandro Brodersohn | |||
Production Design by | |||
| Floris Vos | |||
Costume Design by | |||
| Marisa Urruti | |||
Production Management | |||
| Verónica Cura | .... | production manager | |
| Pedro D'Angelo | .... | production manager | |
| Hans van Helden | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Martín Carranza | .... | second assistant director | |
| Federico D'Auria | .... | second assistant director | |
| Natalia Smirnoff | .... | assistant director | |
Art Department | |||
| Natalia Grosso | .... | assistant art director | |
| Maria Eugenia Sueiro | .... | set dresser | |
Sound Department | |||
| Guy Amitai | .... | sound editor | |
| Normann Büttner | .... | foley mixer | |
| Mathieu Cox | .... | sound re-recording mixer | |
| Eckhart Goebel | .... | foley editor (as Eckart Goebel) | |
| Mel Kutbay | .... | foley artist | |
| Alexis Oscari | .... | sound assistant | |
| Luuk Poels | .... | sound effects editor | |
| Eduardo Prus | .... | sound editor | |
| Fernando Soldevila | .... | sound recordist | |
| Victor Alejandro Tendler | .... | boom operator (as Victor Tendler) | |
| Carl Van Brande | .... | sound supervisor | |
Visual Effects by | |||
| Floris van der Veen | .... | online editor | |
Camera and Electrical Department | |||
| Antonio Aguilera | .... | electrician | |
| Adrian Arce | .... | electrician (as Adrián Arce) | |
| Ramón Basini | .... | electrician (as Ramon Bassini) | |
| Mariano Levy | .... | gaffer | |
| Sebastián Martínez Piñeiro | .... | gaffer (as Sebastián Martinez) | |
| Rodolfo Resch Rambo | .... | electrician (as Rodolfo Ressch) | |
| Mauricio Rubinstein | .... | gaffer | |
| Jorge Torres | .... | grip | |
Casting Department | |||
| Pablo Pérez Giménez | .... | extras casting (as Pablo Perez Jiménez) | |
Costume and Wardrobe Department | |||
| Martina Gusman | .... | costume assistant | |
| Martina Gusman | .... | production assistant: costume department | |
Editorial Department | |||
| Niels Koopman | .... | first assistant editor | |
| Jonne Rietra | .... | post-production assistant | |
| Petro van Leeuwen | .... | color timer | |
Other crew | |||
| Cecilia Atán | .... | continuity (as Cecilia Atan) | |
| Pablo Fendrik | .... | personal assistant to director | |
| Mauro Groisman | .... | production assistant | |
| Alejandro Lanezan | .... | production assistant | |
| Juan Pablo Miller | .... | production assistant | |
| Natalia Núñez | .... | production assistant | |
| Gabriel Pastore | .... | location manager | |
| Sergio Pra | .... | location scout | |
| Martin Samper | .... | making-of crew coordinator | |
| Silvana Savastano | .... | continuity | |
| Elena Serra | .... | development executive | |
| Leticia Tapia | .... | production assistant | |
| Diego Yaker | .... | location scout | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Argentina section |
Hollywood filmmakers could learn plenty from this marvelous little film from Argentina.
Rodrigo Noya is utterly charming and captivating as the title character, a 9-year-old boy who builds stuff for astronauts and whose attitude toward life and love is more adult than many of the adults in his life, including his father.
Director Alejandro Agresti's script is clever, humorous and poignant, yet, never becomes maudlin. Even a key moment in the story is deftly handled without an ounce of sentimentality. A Hollywood film most likely would have milked that scene dry with a melodramatic score and character histrionics.
"Valentín" is a celebration of childhood innocence. But it's also about how lessons learned as a young boy shape the adult man he is to become. There are moments in this film written so smartly you appreciate Agresti's talent. For instance, Valentin's scenes with Leticia are funny because of the way the two actors play the scenes so naturally, their dialogue and actions make perfect sense. Or, listen to the conversation between Valentin and his neighbor when they discuss the neighbor's ex-girlfriend over a cup of tea.
And the film's ending? A perfect close to a lovely story. Do yourself a favor and see this brilliant gem.