IMDb > Symbiopsychotaxiplasm: Take One (1968)
Symbiopsychotaxiplasm: Take One
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Symbiopsychotaxiplasm: Take One (1968) More at IMDbPro »

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Symbiopsychotaxiplasm: Take One -- In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making.

Overview

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7.2/10   746 votes »
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Up 51% in popularity this week. See why on IMDbPro.
Director:
Writer:
William Greaves (writer)
Contact:
View company contact information for Symbiopsychotaxiplasm: Take One on IMDbPro.
Genre:
Plot:
Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
NewsDesk:
(6 articles)
Daily | William Greaves, 1926 – 2014
 (From Keyframe. 27 August 2014, 2:42 AM, PDT)

Class of 2013: 276 New Members Invited to Join the Academy
 (From Rope Of Silicon. 28 June 2013, 12:10 PM, PDT)

Academy adds record number of new members
 (From EW.com - Inside Movies. 28 June 2013, 11:59 AM, PDT)

User Reviews:
Very Good Documentary About the Making of Three Things See more (13 total) »

Cast

  (in credits order)
Patricia Ree Gilbert ... Herself - Actress Testing for Alice
Don Fellows ... Himself - Actor Testing for Freddy
Jonathan Gordon ... Himself - Soundman
Robert L. Rosen ... Himself - Production Manager (as Bob Rosen)
William Greaves ... Himself - Director
rest of cast listed alphabetically:
Susan Anspach ... Herself - Actress Testing for Alice (uncredited)
Audrey Heningham ... Black Lady clapping her Hands (uncredited)
Stevan Larner ... Himself - Cameraman (uncredited)
Terrence McCartney Filgate ... Himself - Cameraman (uncredited)
Maria Zeheri ... Herself - Camera Assistant (uncredited)

Directed by
William Greaves 
 
Writing credits
William Greaves (writer)

Produced by
William Greaves .... producer
Manuel Melamed .... co-producer
Manny Meland .... associate producer
 
Original Music by
Miles Davis 
 
Cinematography by
Stevan Larner 
Terrence McCartney Filgate  (as Terry Filgate)
 
Film Editing by
William Greaves 
 
Production Management
William Henderson .... unit manager
Jeff Norwalk .... unit manager
Phil Parker .... unit manager
Robert L. Rosen .... production manager
Robert Rowen .... post-production manager
 
Sound Department
Jonathan Gordon .... sound
Nicky Kaplan .... sound
John Polland .... sound
John Pollard .... sound
John W. Reavis Jr. .... sound
 
Camera and Electrical Department
Ed Carrieti .... assistant camera
Clive Davidson .... assistant camera
Tibor Hirsch .... second camera operator
David Hoffman .... second camera operator (as Dave Hoffman)
Roland Mitchell .... still photographer
Syeus Mottel .... still photographer
Jerry Pantzer .... second camera operator
Maria Zeheri .... assistant camera
 
Editorial Department
David Greaves .... assistant editor
 
Music Department
Johnny Pearson .... composer: additional music (as John Pearson)
Joseph Zawinul .... composer: additional music
 
Other crew
Scott Brody .... production assistant
Kathleen Collins .... production assistant
Barbara Linden .... production assistant
Roland Mitchell .... technical production manager
 

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Additional Details

Also Known As:
Runtime:
75 min
Country:
Language:
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Referenced in La última película (2013)See more »
Soundtrack:
In A Silent WaySee more »

FAQ

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3 out of 10 people found the following review useful.
Very Good Documentary About the Making of Three Things, 1 August 2011
Author: Michael_Elliott from Louisville, KY

Symbiopsychotaxiplasm: Take One (1968)

*** (out of 4)

Incredibly fascinating little gem from director William Greaves works as a feature film but also a documentary. Basically what we have here is Greaves shooting an actual feature dealing with a husband and wife fighting about their life while walking through Central Park. That's the "feature" side of things. While they're shooting this they also have two separate cameras picking up all the drama and action going on in real life. So, the film is one where we get to see the actual feature being shot but also a documentary covering the making of the actual movie. I can't say I had ever heard of this movie before it popped up on Turner Classic Movies but part of what makes being an open-minded film buff so great is that you often come across gems that you might not have had you simply didn't expand in your viewing habits. It's really hard to explain this feature or why it works so well but I found it to be rather fascinating because there are moments where we get a third aspect of the "film" which is when the production crew are gathered in a room where they discuss where the film should go and their opinions on whether or not Greaves is doing a good job directing. These three aspects of a "film" are so interesting that you have to wonder why someone didn't try doing a picture like this a lot earlier and while there are certainly some creaky moments, overall this is a rather genius thing to try and pull off and you really can't help but applaud the director. There are some very funny moments in the behind-the-scenes section including a bit where they're filming and a group of people gather to watch and the director has to explain to them what they're doing and why they need to be quiet so that they don't ruin the scene. There are other moments where the crew fight about how much film is left, there's a sequence with a cop wanting to see some permits and then of course there's the actual film being shot, which contains a couple actors who are very good in their parts. It's also interesting to see the actors playing their parts and coming up with ideas to run past the director. I think what I really pulled away from this movie, unlike any other documentary, is how everyone working on a film thinks they're the most important part. The actors are focused on their job. The director has his job. The crew have their job and everyone is so focused on what they're doing that it's hard to really see what the other person's job is and why it might be just as important. This movie certainly isn't for everyone but those who enjoy movies about making movies should find themselves entertained.

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