IMDb > Symbiopsychotaxiplasm: Take One (1968)
Symbiopsychotaxiplasm: Take One
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Symbiopsychotaxiplasm: Take One (1968) More at IMDbPro »

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Symbiopsychotaxiplasm: Take One -- In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making.

Overview

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7.2/10   735 votes »
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Up 115% in popularity this week. See why on IMDbPro.
Director:
Writer:
William Greaves (writer)
Contact:
View company contact information for Symbiopsychotaxiplasm: Take One on IMDbPro.
Genre:
Plot:
Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
NewsDesk:
(6 articles)
Daily | William Greaves, 1926 – 2014
 (From Keyframe. 27 August 2014, 2:42 AM, PDT)

Class of 2013: 276 New Members Invited to Join the Academy
 (From Rope Of Silicon. 28 June 2013, 12:10 PM, PDT)

Academy adds record number of new members
 (From EW.com - Inside Movies. 28 June 2013, 11:59 AM, PDT)

User Reviews:
I Can Look You in the Eye and Say, Unflinchingly, the Words: "GENIUS! Pure, Unadulterated GENIUS!" See more (13 total) »

Cast

  (in credits order)
Patricia Ree Gilbert ... Herself - Actress Testing for Alice
Don Fellows ... Himself - Actor Testing for Freddy
Jonathan Gordon ... Himself - Soundman
Robert L. Rosen ... Himself - Production Manager (as Bob Rosen)
William Greaves ... Himself - Director
rest of cast listed alphabetically:
Susan Anspach ... Herself - Actress Testing for Alice (uncredited)
Audrey Heningham ... Black Lady clapping her Hands (uncredited)
Stevan Larner ... Himself - Cameraman (uncredited)
Terrence McCartney Filgate ... Himself - Cameraman (uncredited)
Maria Zeheri ... Herself - Camera Assistant (uncredited)
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Directed by
William Greaves 
 
Writing credits
William Greaves (writer)

Produced by
William Greaves .... producer
Manuel Melamed .... co-producer
Manny Meland .... associate producer
 
Original Music by
Miles Davis 
 
Cinematography by
Stevan Larner 
Terrence McCartney Filgate  (as Terry Filgate)
 
Film Editing by
William Greaves 
 
Production Management
William Henderson .... unit manager
Jeff Norwalk .... unit manager
Phil Parker .... unit manager
Robert L. Rosen .... production manager
Robert Rowen .... post-production manager
 
Sound Department
Jonathan Gordon .... sound
Nicky Kaplan .... sound
John Polland .... sound
John Pollard .... sound
John W. Reavis Jr. .... sound
 
Camera and Electrical Department
Ed Carrieti .... assistant camera
Clive Davidson .... assistant camera
Tibor Hirsch .... second camera operator
David Hoffman .... second camera operator (as Dave Hoffman)
Roland Mitchell .... still photographer
Syeus Mottel .... still photographer
Jerry Pantzer .... second camera operator
Maria Zeheri .... assistant camera
 
Editorial Department
David Greaves .... assistant editor
 
Music Department
Johnny Pearson .... composer: additional music (as John Pearson)
Joseph Zawinul .... composer: additional music
 
Other crew
Scott Brody .... production assistant
Kathleen Collins .... production assistant
Barbara Linden .... production assistant
Roland Mitchell .... technical production manager
 

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Additional Details

Also Known As:
Runtime:
75 min
Country:
Language:
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Referenced in La última película (2013)See more »
Soundtrack:
In A Silent WaySee more »

FAQ

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2 out of 3 people found the following review useful.
I Can Look You in the Eye and Say, Unflinchingly, the Words: "GENIUS! Pure, Unadulterated GENIUS!", 19 October 2013
Author: KissEnglishPasto from Pasto, Colombia

After my first viewing: Total shock! Upon some reflection, I didn't feel I was ready to write a review, so I watched the Special Features segment on William Greaves (At 1 hour, almost as long as the film) and then watched SYMBIO again. Here's the comment I was going to use after viewing once: "Is it an extremely original concept in film-making? Yes, undoubtedly! Is it enjoyable and watchable? For me, at least, the answer to that is 'Not so much' 7*"

Just how stupid am I, anyway? (Rhetorical question, that!) Here I am, nearly 66 years old, yet it wasn't till yesterday that I became aware of William Greaves! Can't remember the last time I could look anyone and everyone in the eye and say the words, with soulful and unabashed conviction: "GENIUS! Pure, Unadulterated GENIUS!"

Sitting here at my computer, focusing on authoring this review, the SYMBIO-experience has inspired me to an extent unparalleled by any other film in recent years. My job now: Articulate this in a way that, in turn, will inspire you to watch and perhaps produce a review of your own. Here, perhaps the most challenging aspect of review-writing is to avoid anything resembling a spoiler. Don't read the Blurbs. One definitely contains a spoiler, which could easily deprive you of the joy of "Getting It" all on your own!

The two things which stand out most in retrospect? First, the sheer simplicity of the applied concept itself is truly inspirational, in and of itself. Second, that it took a 1/4 of a century, after the fact, for Mr. Greaves to get a decent screening and begin to get some of the recognition he so sorely deserved for this cinematic milestone.

Couldn't help but notice that SYMBIO-was shot in August 1968, just a few months after the release of Stanley Kubrick's 2001. What do both films have in common? Well, thematically, not much, really. But it's hard to imagine someone like Greaves not having seen it soon after its release, so...Who knows? We could always ask him! 10*.....ENJOY/DISFRUTELA!

Any comments, questions or observations, in English or Español, are most welcome!

KissEnglishPasto@Yahoo.com

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