IMDb > Ichi the Killer (2001)
Koroshiya 1
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Ichi the Killer (2001) More at IMDbPro »Koroshiya 1 (original title)

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Overview

User Rating:
7.1/10   36,476 votes »
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Director:
Writers:
Hideo Yamamoto (comic)
Sakichi Satô (screenplay)
Contact:
View company contact information for Ichi the Killer on IMDbPro.
Release Date:
25 July 2002 (Netherlands) See more »
Tagline:
Ai wa, kanari itai. (Love really hurts.) See more »
Plot:
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of. Full summary » | Add synopsis »
Plot Keywords:
Awards:
7 wins & 2 nominations See more »
User Reviews:
A mixed bag for me See more (267 total) »

Cast

  (in credits order)

Tadanobu Asano ... Kakihara
Nao Ômori ... Ichi

Shin'ya Tsukamoto ... Jijii
Paulyn Sun ... Karen (as Alien Sun)
Susumu Terajima ... Suzuki (as Sabu)
Shun Sugata ... Takayama
Toru Tezuka ... Fujiwara
Yoshiki Arizono ... Nakazawa
Kiyohiko Shibukawa ... Ryu Long (as Kee)
Satoshi Niizuma ... Inoue
Suzuki Matsuo ... Jirô / Saburô
Jun Kunimura ... Funaki
SABU ... Kaneko (as Hiroyuki Tanaka)
Moro Morooka ... Coffee Shop Manager
Hôka Kinoshita ... Sailor's Lover
Hiroshi Kobayashi ... Takeshi
Mai Goto ... Sailor
Rio Aoki ... Miyuki
Yoshiyuki Morishita ... Pub Patron
Setchin Kawaya ... Pub Proprietor
Yuki Kazamatsuri ... Yakuza Girl
Sakichi Satô ... Man Kicking Ichi
Kaori Sugawara
Hideo Sako
Mako Takeda
rest of cast listed alphabetically:
Masataka Haji
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Directed by
Takashi Miike 
 
Writing credits
Hideo Yamamoto (comic)

Sakichi Satô (screenplay)

Produced by
Yuchul Cho .... co-producer
Akiko Funatsu .... producer
Toshiki Kimura .... associate producer: Excellent Film
Sumiji Miyake .... executive producer
Dai Miyazaki .... producer
Elliot Tong .... co-producer
Albert Yeung .... executive producer: EMG
Toyoyuki Yokohama .... executive producer
 
Original Music by
Karera Musication 
Seiichi Yamamoto 
 
Cinematography by
Hideo Yamamoto 
 
Film Editing by
Yasushi Shimamura 
 
Casting by
Mitsuyo Ishigaki 
 
Production Design by
Takashi Sasaki 
 
Costume Design by
Michiko Kitamura 
 
Makeup Department
Yûichi Matsui .... special makeup effects artist (as Yuichi Matsu)
 
Production Management
Christian Alexander Moran .... post-production manager (english version)
 
Second Unit Director or Assistant Director
Kimiyoshi Adachi .... first assistant director
Masato Tanno .... second assistant director
 
Sound Department
Christian Alexander Moran .... sound editor (restored version)
Yoshiya Obara .... sound
 
Visual Effects by
Misako Saka .... visual effects supervisor
 
Music Department
Holeg Spies .... title music re-mixer
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
"Koroshiya 1" - Japan (original title)
See more »
MPAA:
Rated R for strong perverse violence/gore and sexuality, language and drug content (cut)
Runtime:
129 min | USA:117 min (heavily cut) | Germany:110 min (heavily cut) | UK:120 min
Country:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Australia:R | Brazil:18 | Canada:R (Manitoba) | Canada:18+ (Québec) | Chile:18 | Finland:K-18 (self applied) | France:-12 | France:-16 (DVD rating) | Germany:BPjM Restricted | Germany:18 (heavily cut) | Germany:(Banned) (uncut) | Hong Kong:III (cut) | Ireland:18 (heavily cut) | Italy:VM18 | Japan:R-18 | Malaysia:(Banned) | Mexico:B | Netherlands:16 | New Zealand:R18 | Norway:(Banned) (re-rating) (2008) | Portugal:M/18 | Spain:18 | Sweden:15 | Sweden:18 (DVD rating) | UK:18 (cut) | USA:Unrated | USA:R (cut) | USA:NC-17 (uncut)

Did You Know?

Trivia:
As a publicity gimmick, barf bags were handed out at the Toronto International Film Festival (TIFF) to those attending the midnight screening of this film.See more »
Goofs:
Revealing mistakes: When Kakihara is attacked in the streets, protective padding is visible under his clothing. Look for it when he bends over backwards without falling over, before he removes his piercings.See more »
Quotes:
Kano:Older Brother Kakihara, you were in love with Boss Anjo, weren't you? But it wasn't because you were queer or admired him or something. It was because you loved the pain you felt when he beat you up. That's why you're looking for him so hard, isn't it?See more »
Movie Connections:
Referenced in Rewind This! (2013)See more »

FAQ

What are the differences between the British BBFC 18 Version and the Uncensored Version?
What are the differences between the R-Rated and Unrated Version? What about the HongKong Version?
See more »
111 out of 133 people found the following review useful.
A mixed bag for me, 23 April 2005
Author: Brandt Sponseller from New York City

Ichi the Killer is the story of a Yakuza gang run by Anjo, whom his underlings find missing (possibly killed) with 100 million yen gone as well. The functional head of Anjo's gang while he's absent is an off-the-wall sadomasochist named Kakihara (Tadanobu Asano). There is a former affiliate gang, now somewhat rivals, run by Fujiwara (Toru Tezuka), and there are a number of gang outcasts who hang out at a bar/brothel, with Jijii (Shinya Tsukamoto) as their head. Jijii is manipulating/grooming a bizarre killer named Ichi (Nao Omori), who is gradually taking out Anjo and Fujiwara gang members for him.

If you haven't seen infamous Japanese cult film director Takashi Miike's Ichi the Killer yet and you're considering it, there is one "test" that might make the decision easy for you--do you like fairly regular over-the-top violence, torture and gore? If that's enough to turn you on to a film, do not pass Ichi the Killer up--you're sure to love it. This is one of the most brutal and gory films I've seen, and yes, I've seen Andreas Schnaas films. However, if those things are enough to turn your stomach instead, you shouldn't come near this film with a two-foot needle.

For me, I don't mind over-the-top violence, torture and gore, but that in itself isn't sufficient for me to like a film. Despite some admirable stylistic flourishes, including some very unique cinematography and editing as well as an unusual but extremely effective soundtrack, there were a number of things in Ichi the Killer that didn't quite work for me. I ended up liking the film, but just moderately. A 7 is a "C" in my rating system.

One problem I had with the film, which might be clear from the description in my first paragraph, is that the plot isn't exactly easy to follow. Writer Sakichi Satô, adapting the script from a manga (Japanese comic) by Hideo Yamamoto, introduces a large number of characters in each scene, and we do not always get their names or very clear dialogue explaining who they are. There were quite a few characters for whom I was never very sure about their identity. In conjunction with this, the film didn't always flow as well as it should have. It tends to feel like long scenes of establishing exposition alternated with violence/torture showcases.

But by the final "act", there are some very interesting revelations about characters and their relationships to one another. So it's not that the kernel of a good story isn't there. It's just told a bit awkwardly. This might not have been helped by the fact that Miike has stated that he was shooting for a kind of open-ended vagueness that is characteristic of Asian genre films. The impact of the revelations is somewhat dissolved by the time we get to the dénouement due to the intentional ambiguity.

The beginning of Ichi the Killer employs a lot of extended cinematographic techniques in rapid succession ala Oliver Stone--different film speeds, stocks, tinting and processing methods, and so on. While these are interesting, Miike forgets about them quickly as he works his way into the story. They pop up occasionally later in the film, as do a couple shots in the vein of Dario Argento, such as a tracking shot through someone's ear. Even when more conventional, the cinematography and production design remain admirable throughout--I particularly liked the shot of Kakihara sitting in front of a red background, with his purple coat and green scarf, but there is a lot of outstanding visual composition in the film.

Whether intended or not, Ichi the Killer frequently reads as more of a black (morbid) comedy. This is because the violence is so over-the-top that it is frequently cartoonish and ridiculous. Those are positive qualities in my book, but anyone looking for realism should beware. On the other hand, the emotional reactions from "victims" are fairly realistic throughout the film, including the fact that people do not die immediately after they are injured.

But Miike's concern, as with his other films, is more surrealist. The behavior of the principal characters is particularly wacky, especially Ichi, who often seems borderline mentally deficient--he cries and cowers before he brutally attacks his victims, and has a very odd sexual dysfunction associated with his violence. Ichi is also portrayed as something akin to a superhero, and Miike constantly bounces back and forth between showing him as an admirable vigilante and an anti-hero. Kakihara, who is giving something of a venerable "bad boy" rock star/punk persona, is also almost a hero through much of the film, and he also has some bizarre sexual dysfunctions, as do a number of other characters. This is one of the main subtexts of the film; it isn't entirely dissimilar to the later A Snake of June (2002). There is also another character who undergoes something of a superhero transformation, as he sheds his public appearance and becomes a muscle-bound avenger near the climax.

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