3 items from 2015
This week on Nashville, there was seemingly no problem that neither money nor misogyny couldn't solve.
The episode opens with Rayna calling Deacon from her private jet, telling him that she's off to find a new distribution deal. What she's really up to is trying to convince Deacon's estranged sister, Beverly, to cough up a liver for her brother. Through a series of flashbacks we learn that Beverly and Deacon's singing partnership was derailed by Rayna coming into the picture and that Beverly's jealousy runs deep. We also learn that »
The underwater car, the terrifying henchman and perhaps the most iconic opening scene of all time. The Spy Who Loved Me is a cracker...
And so we arrive at the best Epic Bond of the lot. A great big chocolate fudge sundae of a film with extra waffles and butterscotch ice cream. It begins by making a parachute iconic and cracks on from there. Boasts a henchman, car and girl to rival Goldfinger, and a villainous scheme even more deranged than You Only Live Twice. Nuclear Armageddon meets Finding Nemo – what’s not to like? Hops around the globe without losing its direction. Never once stops trying to please the audience. Never fails to.
The Villain: Overshadowed by his henchman. Stromberg isn’t a terrible antagonist but he hardly sets the pulse racing. Comes across a bit Blofeld-lite: (I Can’t Believe it’s not Blofeld!) Spectre were supposed to »
The latest episode of Nashville starts with a face slap and ends with a gunshot, and in between there's a whole lot of sexual tension, a little blackmail and the reunion we've all been waiting for.
Another network might have The Slap, but that's nothing compared to the wallop Rayna gave Deacon at the end of the last episode when he finally revealed his cancer diagnosis. So resounding it was that the hit lingered until the beginning of this episode, in fact. Her tearful apology is followed by the assurance »
3 items from 2015
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