| Photos (see all 4 | slideshow) | Videos |
| Tom Sizemore | ... | Tom Cherry | |
| Richard Jenkins | ... | Bobby Frank Cherry | |
| Brenda Bazinet | ... | Virginia Cherry | |
| Lachlan Murdoch | ... | Young Tom | |
| Colm Feore | ... | Dalton Strong | |
| Ving Rhames | ... | Garrick Jones | |
| Jessica Gray Charles | ... | Denise McNair | |
| Funmiola Lawson | ... | Cynthia Wesley | |
| Aaryn Doyle | ... | Carole Robertson | |
| Isys McKoy | ... | Mae Collins | |
| Mica Le John | ... | Sarah Collins | |
| Kim Roberts | ... | Mrs. Wesley | |
| Delores Ettienne | ... | Older Woman at Church (as Dolores Ettienne) | |
| Sandi Ross | ... | Sunday School Teacher | |
| Ardon Bess | ... | Minister at Church | |
| Michael Rhoades | ... | Tommy | |
| Bruce McFee | ... | Robert Chambliss | |
| Tony Munch | ... | Herman Cash | |
| Simon Reynolds | ... | Troy Ingram | |
| Tom McBeath | ... | J. Edgar Hoover | |
| Charles W. Gray | ... | Willie the Vagrant (as Charles Gray) | |
| Connor Price | ... | Young Bobby Jr. | |
| Mallarie Hayes | ... | Cherry child | |
| Ryan Price | ... | Cherry child | |
| Nakita Hayes | ... | Cherry child | |
| Doug Lennox | ... | Jack Kash | |
| K.C. Collins | ... | Youth (as Chris Collins) | |
| Steve Cumyn | ... | Bobby Cherry Jr. (at age 31) | |
| Jackie Richardson | ... | Mama Jones | |
| John Friesen | ... | Bill Connor | |
| Sonia Ndongmo | ... | Woman at Riot | |
| Neil Girvan | ... | State Trooper | |
| Ksenia Solo | ... | Lucinda | |
| Ron Gabriel | ... | Doctor | |
| Bob Desrosiers | ... | Minister at Funeral | |
| Jane Cooke | ... | Witness | |
| Rodger Barton | ... | Witness | |
| Carly Street | ... | Witness | |
| Carol Anderson | ... | Witness | |
| Andrew Moodie | ... | Man in Church | |
| Kelly Fiddick | ... | Man in Street (as Kelly D. Fiddick) | |
| Michelyn Emelle | ... | Mrs. McNair | |
| Tim MacMenamin | ... | Fireman | |
| Phillip Craig | ... | Prosecutor | |
| rest of cast listed alphabetically: | |||
| Denis Kacenga | ... | Sunday School Student | |
| Thomas Price | ... | Wesley (uncredited) | |
Directed by | |||
| Robert Dornhelm | |||
Writing credits(WGA) | ||
| Pamela Colloff | (magazine article in Texas Monthly) | |
| John Pielmeier | (written by) | |
Produced by | |||
| Tracey Alexander | .... | executive producer | |
| Barbara Bloom | .... | co-executive producer | |
| Robert Cooper | .... | executive producer | |
| Judy Ranan | .... | supervising producer | |
| Frank Siracusa | .... | producer | |
Original Music by | |||
| Harald Kloser | |||
| Thomas Wanker | |||
Cinematography by | |||
| Derick V. Underschultz | |||
Film Editing by | |||
| Victor Du Bois | |||
Casting by | |||
| Richard Hicks | |||
| Ronnie Yeskel | |||
Production Design by | |||
| Sandra Kybartas | |||
Art Direction by | |||
| Armando Sgrignuoli | |||
Set Decoration by | |||
| Elizabeth Calderhead | |||
Costume Design by | |||
| Michael Harris | |||
Makeup Department | |||
| Joan Chell | .... | assistant makeup artist | |
| Katarina Chovanec | .... | key hair stylist | |
| Debi Drennan | .... | key makeup artist | |
| Debi Drennan | .... | makeup designer | |
| Wynona Price | .... | makeup artist: Mr. Rhames | |
Second Unit Director or Assistant Director | |||
| Woody Sidarous | .... | first assistant director | |
| John Wade | .... | third assistant director | |
| Erin Walker | .... | second assistant director | |
Art Department | |||
| Gary Brown | .... | on-set carpenter | |
| Paul Dallin | .... | lead man | |
| Vladislav Fyodorov | .... | first assistant art director | |
| Craig Grant | .... | property master | |
| Rod James | .... | key scenic painter | |
| Aaron Morrison | .... | assistant art director | |
| Daniel Mucka | .... | construction coordinator | |
| Keith Reaume | .... | lead set dresser | |
| Shelley H. Silverman | .... | third assistant art director | |
| Carlos Subercaseaux | .... | head carpenter | |
Sound Department | |||
| Harry Andronis | .... | sound re-recording mixer | |
| Sam Black | .... | sound re-recording mixer | |
| Sean W. Karp | .... | choir recordist | |
| Scott C. Kolden | .... | supervising sound editor | |
| Bill McMillan | .... | sound recordist | |
| James L. Pearson | .... | sound editor | |
| Debby Ruby-Winsberg | .... | supervising sound editor | |
| Matthew Stark | .... | boom operator | |
| David John West | .... | sound re-recording mixer (as David J. West) | |
Special Effects by | |||
| Jon Davis | .... | special effects technician | |
| Brock Jolliffe | .... | special effects coordinator | |
Visual Effects by | |||
| Dave Axford | .... | visual effects: opening sequence | |
| Dave Asling | .... | model shop supervisor (uncredited) | |
Stunts | |||
| Roy T. Anderson | .... | stunts | |
| Curtis Hibbert | .... | stunts | |
| Angelica Lisk | .... | stunt double | |
| Darren Marsman | .... | stunts | |
| Paul Rutledge | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Carella | .... | camera operator: "b" camera | |
| Ross Church | .... | grip | |
| Federico De Marco | .... | second assistant camera | |
| Frank Gentile | .... | best boy electric | |
| Michael Gibson | .... | still photographer | |
| Tony Guerin | .... | camera operator | |
| Mitch Holmes | .... | key grip | |
| Neil Kilpatrick | .... | camera trainee | |
| Rohan Lawrence | .... | grip | |
| Bob Lopes | .... | dolly grip | |
| Murray Mainprize | .... | generator operator | |
| Paolo Perin | .... | electrician | |
| Mike Sokoluk | .... | grip | |
| Dean Stinchcombe | .... | first assistant camera | |
| Christopher J. Toudy | .... | best boy grip (as Chris Toudy) | |
| Craig Wright | .... | gaffer | |
Animation Department | |||
| Billy D. Choi | .... | animator | |
Casting Department | |||
| Jon Comerford | .... | casting: Toronto | |
| Alain de Zilva | .... | casting associate: Vancouver (as Al de Zilva) | |
| Luella Lauber | .... | background casting | |
| Mark Scott | .... | casting associate: Los Angeles | |
| Claudia Smith | .... | casting associate: Toronto | |
Costume and Wardrobe Department | |||
| Bev Ball | .... | assistant costume designer | |
| Jenny Buck | .... | wardrobe set supervisor | |
| Jennifer Lantz | .... | on-set wardrobe truck | |
| Sara Moodie | .... | wardrobe supervisor | |
Editorial Department | |||
| John Cameron | .... | assistant editor | |
| Tom Overton | .... | color timer | |
| Fiona Patterson | .... | assistant editor | |
| Anthony Sherin | .... | additional editor | |
| Jana Triska | .... | assistant editor | |
Music Department | |||
| Emanuele Arnone | .... | music editor (as Emanuelle Arnone) | |
| Jack Lenz | .... | choir music coordinator | |
Transportation Department | |||
| Rick Holman | .... | picture vehicle wrangler | |
| John McCaughey | .... | transportation coordinator | |
| Shawn McConnell | .... | transportation captain | |
Other crew | |||
| Janina Barrett | .... | production accountant | |
| Lyssa J. Caster | .... | assistant to director | |
| Charles W. Gray | .... | dialect director | |
| Alexandra Lane | .... | production coordinator | |
| John Musikka | .... | assistant location manager | |
| Geoffrey Smither | .... | location manager (as Geoff Smither) | |
| Julia Stan | .... | script supervisor (as Julia Stan Garcia) | |
| Michael Stoyanov | .... | production assistant | |
Thanks | |||
| Henry DeBardeleben | .... | special thanks: technical advice | |
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| Malcolm X | 4 Little Girls | Mississippi Burning | Ghosts of Mississippi | The Laramie Project |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Well made telefilm with strong performances from Tom Sizemore, Richard Jenkins and Brenda Bazinet. The subject matter (Birmingham Church bombing of 1963 that killed four girls) has been told before, but this movie works because Sizemore plays the grown son of Bobby Cherry, the last remaining bomber alive who was still free of justice, and the movie flashes back to when Sizemore was a small child experiencing racism first hand. In the present, haunted by the memories of the day, he decides the only thing he can do to stop the generational perpetuation of racism is to turn his father in and put him away for good. Pielmeier's writing is exemplary and Dornhelm's directing sets the table for compelling drama. A very well made film despite Ving Rhames' over the top performance.