The story begins with Spanky, who is the president of the "He-Man Woman Haters Club" with many school-aged boys from around the neighborhood as members. His best friend, Alfalfa, has been ... See full summary »
Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "... See full summary »
Identical twins, separated at birth and each raised by one of their biological parents, discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Two dim-witted teenage boys, are forced to save the fast-food restaurant they work at from going out of business, despite a new-and-improved burger joint opening across the street that want to be the "Top Dog" in the fast food industry.
When his parents have to go out of town, Dennis stays with Mr. and Mrs. Wilson. The little menace is driving Mr. Wilson crazy, but Dennis is just trying to be helpful. Even to the thief who's arrived in town.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
A sweet-natured Italian waiter named Pistachio Disguisey at his father Fabbrizio's restaurant, who happens to be a member of a family with supernatural skills of disguise. But moments later the patriarch of the Disguisey family is kidnapped Fabbrizio's former arch-enemy, Devlin Bowman, a criminal mastermind in an attempt to steal the world's most precious treasures from around the world. And it's up to Pistachio to track down Bowman and save his family before Bowman kills them! Written by
Anthony Pereyra (firstname.lastname@example.org)
In the opening credits there is a book which contains three striped pages. The left pages show the cast and crew credits, the right pages figures and costumes. These stripes are turned over during the credits. See more »
`The Master of Disguise' raises and indeed answers the question of whether or not it is possible for a movie that bills itself as a `comedy' to run from beginning to end without offering a single funny moment. (The answer, by the way, is, yes, it can be done). Thus, while his `Wayne's World' partner, Mike Myers, is out there making both a fortune and an indelible impression on pop culture with his `Austin Powers' franchise, poor Dana Carvey is reduced to appearing in disastrous vehicles like this one. Now don't get me wrong. I love Carvey's work on `Saturday Night Live,' especially his impersonations of many of the major political figures of our time. However, Carvey's manic, over-the-top style is, apparently, a whole lot easier to take in small doses. Watching him mug, cavort and pratfall his way through a laughless script for the better part of an hour and a half ultimately becomes as wearying as it is embarrassing to watch.
Stealing much of its concept from `The Mask,' `The Master of Disguise' involves Carvey in some nonsense about a family of crime fighters who are able to magically don all sorts of disguises at a moment's notice. This allows the filmmakers to enlist the aid of a number of real life celebrities who end up making cameo appearances, in the misguided belief, most likely, that this was going to be a fun, entertaining movie comedy. Boy, were they misled. Actually, I have rarely seen a film in which the jokes, `bits' and setups fall as consistently flat as they do here. To get a general notion of the level of humor in this film, please note that the running gag involves one character's tendency towards uncontrollable flatulence. It isn't funny the first time it happens and, believe me, it is even less funny the fourth, fifth (or is it sixth?) time around.
In addition to the celebrity walk-ons (Bo Derek, Jesse Ventura, Paula Abdul, among others), Harold Gould, James Brolin, Jennifer Espinoto, Brent Spiner and Edie McClurg are all good sports who deserve better material than what they have been handed here. So is Carvey when you come right down to it. But then Carvey wrote the screenplay, so he HAS to be a good sport about it. After all, he handed HIMSELF this material. I hope the other actors trapped in this mess at least got paid well for their endeavors.
The only good news is that, in the closing credits, we get to see many of the scenes, lines and characters that were, apparently, filmed, then dropped from the final product. One can only imagine how much worse the film would have been had they all been allowed to stay in.
29 of 44 people found this review helpful.
Was this review helpful to you?