6.7/10
1,140
14 user 40 critic

Chaos (2000)

Kaosu (original title)
A man gets involved in a kidnapping scheme with the wife of a wealthy businessman. She lets herself be tied up and confined in his house while he sends the ransom demand. When he returns ... See full summary »

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1 nomination. See more awards »
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Cast

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Inspector
Ken Mitsuishi ...
Komiyama
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Kuroda
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Storyline

A man gets involved in a kidnapping scheme with the wife of a wealthy businessman. She lets herself be tied up and confined in his house while he sends the ransom demand. When he returns home that night, however, he finds her laying dead on the floor. In a panic he buries her body deep in the woods and tries to return to his ordinary life. One day, he thinks he spots her walking down the street. Is his mind playing tricks on him, or has she somehow returned from the grave? Written by Jean-Marc Rocher <rocher@fiberbit.net>

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kidnapping | one word title | See All (2) »


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Release Date:

21 October 2000 (Japan)  »

Also Known As:

Chaos  »

Box Office

Opening Weekend:

$2,428 (USA) (7 March 2003)

Gross:

$4,292 (USA) (14 March 2003)
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Remade as Chaos See more »

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User Reviews

Give me human monsters any day
12 October 2006 | by (United Kingdom) – See all my reviews

Having tried the two "Ring" films and "Dark Water", I had all but given up on the Japanese horror director, Hideo Nakata. The problem for me is that ("It's a Wonderful Life", "Portrait of Jenny" and the marvellous Japanese "After Life" excepted) I find the paranormal in cinema something of a turn-off. True, these examples are humanist not horror films but even quite respectable ghost stories such as "Blithe Spirit" and "The Ghost and Mrs Muir" don't exactly grab me. I suppose the "Monihara" segment of Satyajit Ray's "Teen Kanya" is the one great piece of supernatural horror cinema I know although one must never forget all those versions of "Hamlet" and Macbeth". If there are monsters out there trying to do unthinkable things to other people then I would prefer them to be human for the simple reason that their very believability makes them ten times more chilling than dreamt up phantoms. Imagine my delight therefore when I discovered an engrossing piece of Grand Guignol by Nakata, his "Chaos" of 1999. From comments and reviews there appear to be several that find the plot complicated to the point of incomprehensibility. I would caution patience as it is a work that needs to be seen several times to be fully understood. When one eventually gets there (for me on a third viewing) the rewards are enormous. Everything fits together in a most diabolically clever way. To give even an inch of the plot away could reduce the pleasure of untangling it. Suffice to say that there are echoes here of "Les Diaboliques" and "Vertigo". By placing "Chaos" on this high level I could not praise it more.


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