| Georgene Acosta | ... | Herself | |
| Geneviève DeBose | ... | Herself | |
| Joy Kraft-Watts | ... | Herself | |
| Nate Monley | ... | Himself | |
| Maurice Rabb | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Elisabeth Shue | ... | Narrator (voice) | |
Directed by | |||
| Davis Guggenheim | |||
Produced by | |||
| Joanna Friedman | .... | assistant producer | |
| Davis Guggenheim | .... | producer | |
| Kheshgi | .... | associate producer | |
| Senain Kheshgi | .... | associate producer | |
| Jill Murphy | .... | executive producer | |
| Julia Schachter | .... | producer | |
Original Music by | |||
| Michael Brook | |||
Cinematography by | |||
| Sandra Chandler | |||
| Davis Guggenheim | |||
| Jennifer Lane | |||
Film Editing by | |||
| Jay Cassidy | (as Jay Lash Cassidy) | ||
| Sam Citron | |||
| Peggy Davis | |||
Art Department | |||
| Nancy A. Knight | .... | lead scenic painter | |
| Mike Wells | .... | construction coordinator | |
Sound Department | |||
| Aaron Glascock | .... | supervising sound editor | |
| Scott Harber | .... | sound mixer | |
| David S. McJunkin | .... | sound mixer | |
Editorial Department | |||
| Mitch Rosin | .... | assistant editor | |
Other crew | |||
| Susan Bradley | .... | title designer | |
| Mark Dashiell | .... | production assistant | |
| Joanna Friedman | .... | researcher | |
| Scott Hatcher | .... | production assistant | |
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| Sound and Fury | Born Into Brothels: Calcutta's Red Light Kids | Go Tigers! | Dwarfs: Not a Fairy Tale | Mad Hot Ballroom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
The documentary "The First Year" follows five first year teachers into five schools in the Los Angeles area during the 1999-2000 school year. The teachers are passionate, driven, and full of the idealism of an unjaded educator. These are clearly strong, loving individuals who want to make a difference. Watching what lengths they will go to for the benefit of the students is admirable.
The film's overall presentation of them is less so. Clearly a full school year's worth of footage was shot for each of the five individuals and their classrooms. Documentarian Davis Guggenheim directed "The First Year" several years prior to his work on the academy award winning "The Inconvenient Truth". Unfortunately this earlier work does not benefit from the same clear, unmuddled, realistic perspective of that later work.
Clearly the film uses these five individuals to recruit new teachers. With that overarching intention, it makes the picture of modern education that much more sanitized as the film quickly paints over noticeable administrative issues or the needs to form a better link between parents and teachers. Using first year teachers as a statement of "it's not so bad, you should do it too" is imbalanced at best.