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Final Breakdown (2002) -- hv Post

Overview

User Rating:
4.4/10   71 votes
MOVIEmeter: ?
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Director:
Writers:
Jeffrey W. Byrd (writer)
Cheryl Dunye (writer)
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Contact:
View company contact information for Turnaround on IMDbPro.
Release Date:
1 January 2002 (USA) more
Genre:
Plot:
Rayne Johnson is a shrewd investment company assistant who turns a mob slaying into a golden opportunity for a new improved lifestyle... more | add synopsis
User Comments:
Interesting story, decent acting, though unpolished more (3 total)

Cast

  (Cast overview, first billed only)
Anthony Badalamenti ... Tony Walnut

Inny Clemons ... Officer #1

Jade Dixon ... Bradshaw
Eric George ... Marcus
Renee Goldsberry ... Rachel
Teck Holmes ... Ricky

Marci T. House ... Coroner #2

Regina King ... Rayne

Monica Calhoun ... Cammy

Morgan H. Margolis ... Gulf War Vet, Mullins

Amaury Nolasco ... Hector Arturo
Larry Romano ... Danny Russo
James Shanta ... Officer Bell

Craig Sheffer ... Det. Stratten

Frank Sivero ... LaTrenta
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Additional Details

Also Known As:
Truth Be Told (USA) (video title)
Turnaround (USA)
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MPAA:
Rated R for language, violence, some sexuality, nudity and drug use.
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Language:
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Fun Stuff

Goofs:
Revealing mistakes: When the coroner is examining Cammy, her eyelids and eyelashes flutter. more
Movie Connections:
Remake of Breakdown (1997/II) more

FAQ

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6 out of 6 people found the following comment useful.
Interesting story, decent acting, though unpolished, 25 July 2005
6/10
Author: Don Miller (donjmiller) from Portland, Oregon, USA

First, in spite of its shortcomings, it did hold my interest throughout. It wants to be compared to some of Pam Grier's films, especially the earlier ones, though it falls a bit short of that mark. Still, it's generally fun, for similar reasons. And Regina King is attractive and effective in this role.

The plot is not too original, and the direction indicates a good feel for visuals, but not much finesse. Most of the characters are obvious stereotypes, which substitutes for character development. And, often, for plot development as well, as they do what they must, regardless of reason. The musical cues are occasionally so heavy-handed I laughed out loud - not the intended effect.

On the plus side, the story is told pretty effectively, hiding, then revealing, clues, so that understanding is pleasantly delayed into an "A-ha" moment near the end. And there's some restraint on the gratuitous sex and violence, so Jeff Byrd, the director, shows discretion and promise. No need to see it twice, but you might give it a chance once.

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